O Cavalo Amarelo

This Sarah Phelps (am not British and know nothing of her work) seems to have aroused passionate criticism for her seemingly wholesale changes to the revered Agatha Christie's work. If the accusations are correct and further reading seems to make that a fact then it seems rather pointless in even describing The Pale Horse (the TV serialisation) as based on Christie's novel. At no stage did this production feel like a Christie who-dunnit. The so-called three witches felt completely contrived from start to finish. And the ending? Well, there will be no use of spoilers here because this Phelps' yarn has none. Take your pick from a few guesses! I fully agree with one review here which suggested the Christie estate should take legal proceedings against Sarah Phelps whose butchering of plot and character make this the worst Christie adaptation ever produced. So disgusting that a rating is inappropriate.

It's so exhausting watching Agatha Christie adaptations that literally should not legally be called an adaptation. The storyline was trash and nothing to do with the book. Other than it contained a great cast and visually was shot well, this is a must miss.

An unpleasant man does unpleasant things to his unpleasant friends and unpleasant acquaintances, who do unpleasant things back to him, possibly for all eternity.

There is no doubt an audience for this very classy, well-made and well-acted soap opera, consisting of people who think the world unpleasant and like to have their noses rubbed in it. There are such people, and they deserve to be entertained as much as the rest of us do.

However, viewers should be aware that, though it borrows Agatha Christie's title, her characters, and several plot elements, this bears no more than a superficial resemblance to Christie's novel, but free-rides on Christie's reputation, presumably in order to boost its viewing figures. I can think of no other reason for it to pose as a Christie adaptation.

First part was promising something very good but then part two.. I am quite unsatisfied by the ending.

There seems to be a need these days to take classic works by the likes of Bram Stoker and in this instance, Agatha Christie and re-write them. Or to put it another way, in my opinion, "stuff them up".

For me, the maxim "if it ain't broke don't fix it" applies and The Pale Horse is no exception. To start with you have a male hero, who can't be a hero, without first being a villain. The original hero of the piece is re-written as a scoundrel and a womaniser. Why this is the case I can only guess at but its a lame ploy.

The rest of the story fares little better, skewing the tale away from an intriguing murder mystery, towards a rather jaded tale of sexual infidelity and secrets.

On the plus side the acting is decent and the visuals are creepily eerie. That said, once again, the price of tinkering with something that works just fine is an off balance tale, that fails to resonate.

5/10.