Um trio de bruxas é responsável por uma série de mortes súbitas ou há uma explicação racional?Um trio de bruxas é responsável por uma série de mortes súbitas ou há uma explicação racional?Um trio de bruxas é responsável por uma série de mortes súbitas ou há uma explicação racional?
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I was really enjoying this until the very end. I didn't understand the ending and even reading the BBC's dissection on what it all meant left me none the wiser. I feel as if I wasted valuable TV time :-(
There seems to be a need these days to take classic works by the likes of Bram Stoker and in this instance, Agatha Christie and re-write them. Or to put it another way, in my opinion, "stuff them up".
For me, the maxim "if it ain't broke don't fix it" applies and The Pale Horse is no exception. To start with you have a male hero, who can't be a hero, without first being a villain. The original hero of the piece is re-written as a scoundrel and a womaniser. Why this is the case I can only guess at but its a lame ploy.
The rest of the story fares little better, skewing the tale away from an intriguing murder mystery, towards a rather jaded tale of sexual infidelity and secrets.
On the plus side the acting is decent and the visuals are creepily eerie. That said, once again, the price of tinkering with something that works just fine is an off balance tale, that fails to resonate.
5/10.
For me, the maxim "if it ain't broke don't fix it" applies and The Pale Horse is no exception. To start with you have a male hero, who can't be a hero, without first being a villain. The original hero of the piece is re-written as a scoundrel and a womaniser. Why this is the case I can only guess at but its a lame ploy.
The rest of the story fares little better, skewing the tale away from an intriguing murder mystery, towards a rather jaded tale of sexual infidelity and secrets.
On the plus side the acting is decent and the visuals are creepily eerie. That said, once again, the price of tinkering with something that works just fine is an off balance tale, that fails to resonate.
5/10.
The ending killed it. It was a good and enjoyable plot until it stoped making sense towards the end.
First part was promising something very good but then part two.. I am quite unsatisfied by the ending.
Sigh. The screenwriter simply doesn't understand Agatha Christie and she's murdering the originals. The Pale Horse, The ABC Murders, Witness for the Prosecution, And Then There Were None - they all miss the point completely.
You know who understood Christie perfectly? Rian Johnson. His "Knives Out" is exactly like an Agatha Christie novel. He even captured the essence of Poirot, something Murder on the Orient Express could not. See, Poirot is not about the fact that he's Belgian, or bald or has a mustache. It's that the others perceive him as weird, and pompous, and even clueless, things Daniel Craig & Rian Johnson understood perfectly.
Agatha Christie was never gross. She was never obvious. She was witty, clever and cultivated. Her social commentary is subtle. She knew how to allude without shouting it. She knew how to misled, how to create an atmosphere. She could make you suspect everyone and noone at the same time.
Sarah Phelps' adaptations are like crayon copies of Renaissance paintings. You may recognize the subject but it'll never leave a lasting impression.
You know who understood Christie perfectly? Rian Johnson. His "Knives Out" is exactly like an Agatha Christie novel. He even captured the essence of Poirot, something Murder on the Orient Express could not. See, Poirot is not about the fact that he's Belgian, or bald or has a mustache. It's that the others perceive him as weird, and pompous, and even clueless, things Daniel Craig & Rian Johnson understood perfectly.
Agatha Christie was never gross. She was never obvious. She was witty, clever and cultivated. Her social commentary is subtle. She knew how to allude without shouting it. She knew how to misled, how to create an atmosphere. She could make you suspect everyone and noone at the same time.
Sarah Phelps' adaptations are like crayon copies of Renaissance paintings. You may recognize the subject but it'll never leave a lasting impression.
Você sabia?
- CuriosidadesMark and Hermia have paintings of four English nobles on horseback over their bed. These are likely meant to represent the four horsemen of the apocalypse.
- Erros de gravaçãoWhen Mark Easterbrook speeds down the lane and stops his car to speak to Oscar Venable, the top is clearly up on the car. In the next scene as he comes to a stop in town, the top is down and secured by a leather cover.
- Cenas durante ou pós-créditosNo cinematographer / director of photography / lighting cameraman was credited for either episode, although there was a credit for the 2nd unit DoP.
- ConexõesVersion of The Pale Horse (1997)
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- How many seasons does The Pale Horse have?Fornecido pela Alexa
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- The Pale Horse
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- Bristol, Inglaterra, Reino Unido(on location)
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