Um grupos de sobreviventes do vírus da raiva vive em uma ilha. Quando um do grupo deixa a ilha em uma missão ao continente, ele descobre segredos, maravilhas e horrores que transformaram não... Ler tudoUm grupos de sobreviventes do vírus da raiva vive em uma ilha. Quando um do grupo deixa a ilha em uma missão ao continente, ele descobre segredos, maravilhas e horrores que transformaram não apenas os infectados, mas outros sobreviventes.Um grupos de sobreviventes do vírus da raiva vive em uma ilha. Quando um do grupo deixa a ilha em uma missão ao continente, ele descobre segredos, maravilhas e horrores que transformaram não apenas os infectados, mas outros sobreviventes.
- Prêmios
- 3 vitórias e 14 indicações no total
- Jimmy's Sister
- (as Darcie Summer Smith)
Avaliações em destaque
It looks pretty fantastic (strangely the colouring reminded me of Garland's Men) and, contrary to what a lot of reviews claim, the acting is solid, particularly from Jodie Comer and Alfie Williams. The mixing in of archive clips isn't a particularly groundbreaking move, but it's effective.
It's hard to define exactly what subgengre this film belongs to, but there are strong folk horror vibes throughout, and that plays well with the satirical edge to the film (what is it about zombie movies and satire?). As a political statement about 21st century British decline it isn't as over egged as I feared it might be- it's subtle to the point where I wonder whether it can be fully appreciated viewers who aren't familiar with our strange little island.
It's easily as tense and bloody as the other two films (although this one is rated 15 which shows you how times have changed). There are some genuinely tense moments throughout.
The ending. All I'll say is that however you imagine the last 5 minutes will go, you're wrong. If this is to be the first part of a trilogy, it's going to get batshit crazy (although again, anyone not familiar with British pop culture will not appreciate quite how bizarre the ending is).
Should have guessed from the 15 certificate that it would lack the horror and the edge of the earlier films. I don't want to spoil the plot but there are 2 or 3 plot lines that really don't make sense. The ending I felt was particularly bad.
I get that the story is a very blunt metaphor for Brexit and the theme of rebirth (literally in one case) is very clear but just didn't gel or work as a story for me.
If you are looking for a continuance of the earlier, darker, scarier films I fear you may also leave the cinema disappointed.
Unfortunately, the momentum doesn't last. As the film transitions into its second half, it shifts gears into a more melodramatic human drama. The focus moves away from the infected threat and toward a lackluster subplot involving a mother and a doctor. The characters at this point make some questionable decisions which really doesn't help the film's validity.
The final act unfortunately teetered on lacklustre and borderline comedic, completely changing the tone of the first act.
I stand by saying the directing, camera work, editing and cinematography were the highlight. The landscapes and post apocalyptic setting was beautiful to look at. These elements made the film worth watching. There were some plot elements that were interesting enough but were never explored to the full potential.
However a weak plot, even weaker characters and a lacklustre ending prevent this instalment from being memorable.
Super boring second half where movie switches tone to comedy drama and predictable scenes were dragged too much.
Completely stupid ending, nothing like what you would expect from this movie series.
28 days later was such an amazing movie with constant tension throughout, great ending and awesome camera work showing aggressiveness of zombies that you felt through screen. This movie however is disappointing. Alphas just look like Jason Mamoa with makeup. Would have been nice if they kept rest of the movie similar to the first half with focus on horror and intense tension to keep viewers edge of their seat instead of making viewers fall asleep.
How '28 Years Later' Reinvents Horror
How '28 Years Later' Reinvents Horror
Você sabia?
- CuriosidadesThe trailer features a distinctive recording of the poem "Boots" by Rudyard Kipling, read by the actor Taylor Holmes in 1915. The poem's repetitive rhythm imagines the march of British soldiers during the Boer War, and this recording of the poem is used by the U.S. military to simulate the psychological distress of being held captive.
- Erros de gravaçãoSpike and Isla are inside a gas station which is filled with explosive gas, a soldier tells them to get down and shoots into the gas to make it explode, and after that Isla and Spike are totally fine not even their hair was burnt. That's not how physics work, not only their hair would burn away, but they would also have had burnt skin.
- Citações
Dr. Kelson: Spike, momento mori, what did it mean?
Spike: Remember we must die.
Dr. Kelson: And it's true. There are many kinds of death. Some are better than others. The best are peaceful where we leave each other in love. You love your mother?
Spike: I love her.
Dr. Kelson: And Isla you love Spike?
Isla: So much.
Dr. Kelson: Memento amorous. Remember you must love.
- Cenas durante ou pós-créditosHaunting snippets of the movie, mostly consisting of the infected, are shown throughout the end credits.
- ConexõesFeatured in Midnight Screenings: 28 Years Later (2025)
- Trilhas sonorasAbide with Me
Written by Henry F. Lyte (as Henry Francis Lyte)
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- 28 Years Later
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.367.300
- Fim de semana de estreia nos EUA e Canadá
- US$ 30.002.966
- 22 de jun. de 2025
- Faturamento bruto mundial
- US$ 150.367.300
- Tempo de duração
- 1 h 55 min(115 min)
- Cor
- Mixagem de som
- Proporção
- 2.76 : 1