Dhaakad

Not at all worth watching. Kangana tries to overdo all the time and grabs major screen time. Copying good old Hollywood movies and other movies has been going on for years. I do not know how they find the previews acceptable and go ahead with releasing without making any change.

Just waste of time. Lesser said better it is.

Too unrealistic and the main protagonist thinks too much of herself as if she is a superwoman and whatever he dishes out people will accept not any more lasy u have fooled enough.

I was super excited about this movie; a film featuring a femme fatale similar to Atomic Blonde, Salt and such. But I have come to understand that having such expectations is only going to disappoint me more. Dhaakad falls short by a lot.

Agent Agni has had a traumatic past. But she has channeled that trauma and anger into becoming one of the most ruthless spies ever. She is tasked to track down a dangerous human trafficker; her toughest challenge till date.

Kangana Ranaut is by far one of the most talented actors we have today. She has portrayed a variety of characters; each different from the next. But none of these have been successful despite the actor receiving praise for her performances. Dhaakad is no different. She is stellar in her first action film. She pulls it off with such panache! The action set pieces are well choreographed albeit a little violent. Arjun Rampal is menacing but his accent is off. Divya Dutta is excellent and so is Saswata Chatterjee.

Dhaakad could have been much better. It could have been our Atomic Blonde or so. But the plot is predictable and plods along for most part. The melodrama and emotional scenes just make it worse. But hats off to Kangana and Divya Dutta; the dhaakad duo of the film!

I remember being chuffed with the headline of my Revolver Rani review: Paan Singh Tarantino. There was a cool Walking-Dhulia-Talking-Tarantino ring to it. The Chambal-set 'Spaghetti Eastern' starred a post-Queen Kangana Ranaut doing the rugged cowgirl routine to uneven effect. The film didn't do too well. So eight years on, Ranaut is back with another female-led conquest of a male-dominated action template - except this time, it's Walking-Tarantino-Talking-Tarantino-Sleeping-Tarantino-Smoking-Tarantino. Half of Dhaakad is shot in Budapest, the other half in Bhopal. But the narrative style, treatment and characterization are combed from half a dozen Hollywood female-assassin thrillers, including but not limited to Atomic Blonde and Red Sparrow. The listless and derivative action flick is a missed opportunity, because it is centered solely on its brooding super-agent - sans romantic tracks, male saviours and nationalistic fervour - in a film industry that writes women spies as either token eye-candy, supporting acts in a hero story or undercover honeytraps. The intent is correct, but the execution leaves a lot to be desired.

Read the full review on Film Companion.

Full non logical storyline, total waste of time and money. Producer should reimburse viewers. When I saw only 3 people apart from me inside the hall, I knew I have wasted my money.