Quarteto Fantástico: Primeiros Passos
Forçados a equilibrar seus papéis como heróis e a força dos laços familiares, o Quarteto Fantástico deve defender a Terra de um deus espacial voraz chamado Galactus e sua enigmática arauta, ... Ler tudoForçados a equilibrar seus papéis como heróis e a força dos laços familiares, o Quarteto Fantástico deve defender a Terra de um deus espacial voraz chamado Galactus e sua enigmática arauta, a Surfista Prateada.Forçados a equilibrar seus papéis como heróis e a força dos laços familiares, o Quarteto Fantástico deve defender a Terra de um deus espacial voraz chamado Galactus e sua enigmática arauta, a Surfista Prateada.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
- H.E.R.B.I.E.
- (narração)
- Power Plant Worker #2
- (as Michael Bailey-Smith)
Resumo
Avaliações em destaque
You hardly see anything "heroic" being done that gets your heart pumping nor are you invested in any of the Fantastic Four. The power scaling makes zero sense at different parts of the movie, Galactus is nerfed to the max (to the point of being silly) and this universe has the stupidest / most gullible NPCs ever. This is exactly how the conversation goes with them, NPCs - "oh no the world is going to end, you can't save us" F4 - "we will save you don't worry" NPCs - (panic over and tears in their eyes) "ok"
Save the money, buy something on the Steam sale. I left before end credits.
What's really refreshing about the film is that you can jump into this movie without prior MCU knowledge as this film stands on its own in Earth 828 (numbers used as an homage to Jack Kirby's DOB). Even with the aesthetics of the 1960's, director Matt Shakman throws us into an intrepid and exciting universe with little time spent on the Fantastic Four's origin story. The origin story still gets the exposition hand out there but within the confines of a news montage celebrating the team's heroics early on.
The Fantastic Four here, feel very fleshed out and realized with Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss Bachrach's portrayals all uniformly coexisting with excellent banter that the other films tried but skipped out on. Their family dynamics are also on full display in the both quieter moments and the action sequences.
Galactus was the character I was the most worried about. Because thai could have easily been another MODOK situation. Thankfully that's not the case as Ralph Ineson's iteration as the planet harvester. For one, he's not a damn cloud, and two he is very menacing and can cause some serious damage. His herald Silver Surfer is also great and has the best action sequence in the whole film.
The music from Michael Giacchino is great as well as another great superhero score. Alongside the brooding tune for The Batman, his cheery tune for the Fantastic Four is instantly synonymous with them and recognizable.
With Thunderbolts, Superman and now Fantastic Four First Steps, I feel more hopeful than ever before for superhero flicks especially with Marvel back on their winning streak and DC starting their fresh new universe.
Unlike most origin stories, the setup here is brisk and assured. The film's first act is structured to give audiences a quick, satisfying look at the team's backstory and past deeds, never lingering too long but still managing to earn every emotional beat. There's no hand-holding, and yet nothing feels rushed.
Where this film truly surprises is in its character work. Johnny Storm isn't just the loud, reckless sibling - here, his intelligence is finally given equal weight, offering context to his presence among astronauts. Ben Grimm, too, is more than the "muscle"; there's a deep sincerity to his character, a balance of science and strength. The team chemistry feels lived-in - full of quiet bickering, mutual admiration, and a rhythm only shared by families who've been through things together. Their bond feels earned.
Villain-wise, First Steps pulls off a rarity: a visually formidable Galactus rendered with restraint, not excess. Though Silver Surfer purists may still hold a soft spot for Doug Jones' performance in Rise of the Silver Surfer, this iteration serves the story's vision well. And in a surprise turn, even HERBIE - the team's robo companion - is no gimmick. The CGI character is narratively vital, not just another quip machine.
Director Matt Shakman strikes an impressive balance between science-fiction and superheroism, giving each frame a purpose. The film doesn't lean heavily on humor (thankfully), instead relying on strong dramatic beats, coherent action, and a screenplay that embraces a comic-book sensibility - particularly during its stylized crescendo.
Visually, the film is a treat. From cosmic scenes to grounded lab environments, everything feels tangible and lived-in. The action is clean, never bloated, with each power sequence well-thought-out and easy to follow. While the score doesn't stand out as a whole, it's used judiciously, heightening the right moments without becoming overwhelming.
Despite being part of a sprawling cinematic universe, First Steps works remarkably well as a standalone. It carves space for the Fantastic Four without relying on MCU cameos or overstuffed references. That said, the post-credit scene is minimal yet seismic - enough to send a wave of gasps through the theatre.
Sum up - The Fantastic Four: First Steps is both a film and a foundation. It's smart without being cold, epic without losing intimacy, and finally gives Marvel's First Family the treatment they deserve. More than a comeback - this is a course correction.
Within this tight framework, the balance of elements is remarkably effective. The humor is sharp without feeling forced, adding levity at the right points to prevent the narrative from becoming overly heavy. The moments of seriousness carry genuine emotional weight, offering stakes that feel both personal and impactful. While the action is somewhat limited compared to other MCU installments, what is present is well choreographed, visually appealing, and integrated into the story rather than serving as mere spectacle.
The performances across the board are commendable, with each actor bringing nuance to their roles. That said, one lingering wish is for more focus on certain characters. Reed Richards and Ben Grimm in particular could have benefitted from additional screen time to deepen their arcs. Likewise, Galactus, though imposing, is largely confined to narration; a flashback or more direct involvement would have heightened his menace. Shalla-Bal, the Silver Surfer, is compelling, but additional sequences exploring her homeworld, its culture, and the dire circumstances that forced her sacrifice would have enriched her arc. Seeing the emotional weight of her decision to become Galactus's herald, torn between saving her planet and surrendering her freedom, could have created a more powerful audience connection.
By the end, you may still hope these elements are expanded in a sequel, but you will not resent their absence here. And yes, it is most certainly rewatchable and thoroughly enjoyable.
No doubt it's a different take on recent Marvel movies: retro and conventional, yet elegant. There's just enough action, depth, and climax, though nothing exceptional. It's gentle and centered around family, making it enjoyable for anyone not just hardcore comic fans. The plot, characters and acting was done very well in my opinion and what sets this movie apart from most marvel movies out there.
Then come the parts that only comic fans might question. How Sue managed to handle Galactus in the final battle, and the portrayal of Galactus's own capabilities, felt a bit questionable. A little too light, I'd say.
I give it an 8, not because it's great, because in the current struggling landscape of marvel movies, it somehow worked and managed to stand out by avoiding any major faults. And you have to look at it from a marvel comics lens. But in some other ways, it's more of a 7.
Hopefully, Marvel is on track to gradually bring back the glory, intense and climax of Avengers: Infinity War and Endgame to the big screen. Fingers crossed!
The Fantastic Four Answer Your Fan Questions
Você sabia?
- CuriosidadesThe HERBIE robot was portrayed through a combination of a wooden puppet, a remote-controlled animatronic with a functioning head and arms, and computer-generated imagery.
- Erros de gravaçãoEarly in the movie, when Reed records cosmic sounds, the engraver starts on the inside edge of the disc, by the label. Later, when Johnny listens to the disc, he starts on the outside edge, like a normal LP, but this would result in him hearing the sound played backwards.
- Citações
Reed Richards: [giving a school lecture] This equation not only confirms alternate dimensions, it suggests that parallel Earths exist on different dimensional planes...
[sees his students are bored]
Reed Richards: Who wants to see a big explosion?
[his students perk up]
- Cenas durante ou pós-créditosThere is an animated "Fantastic Four" sequence at the end of the closing credits.
- ConexõesFeatured in AniMat's Crazy Cartoon Cast: The Rat of All My Dreams (2020)
- Trilhas sonorasGuanacoa
Performed by Juan García Esquivel
Written by Juan García Esquivel
Courtesy of Sony Music Entertainment (Mexico) S.A. de C.V.
By arrangement with Sony Music Entertainment
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- How long is The Fantastic Four: First Steps?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Fantastic Four: First Steps
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 266.844.722
- Fim de semana de estreia nos EUA e Canadá
- US$ 117.644.828
- 27 de jul. de 2025
- Faturamento bruto mundial
- US$ 508.239.551
- Tempo de duração
- 1 h 54 min(114 min)
- Mixagem de som
- Proporção
- 2.39 : 1