Vidas Que Se Cruzam

The movie reminded me of Babel, which is not that crazy since Arriaga wrote and directed Babel together with Alejandro González Iñárritu. (I only found this out after I saw The Burning Plain). Whereas I thought Babel was good but not superb, I absolutely loved The Burning Plain. just like Babel, The Burning Plain doesn't do chronology and I love the way Arriaga uses the lack of a chronological time-line to put you on a sidetrack time and time again. Of course I suspected things but I completely missed one of the biggest twists. Past and present are so mixed up that it isn't until quite far into the movie that you realise how all the characters are connected. And in this connection you'll find the big difference between the two movies. Whereas Babel shows the stories of people that are only connected by coincidence, The Burning Plain goes much further than that. When, almost in the end, you find out what really happened you cannot but acknowledge the genius of the person who wrote the story and the stylish way the movie was directed.

Once the 'big twist' is revealed it was like an 'aha-Erlebnis'. From beginning until ending you are wondering about the connections between the characters. "What does Sylvia have to do with Mariana and Santiago, or with Gina and Nick"? When eventually you find out, it is like a puzzle with the last piece falling in place. The result is a beautiful picture with a sad undertone, but not one I would have wanted to miss.

Guillermo Arriaga was the writer for Inarritu's films (Amores Perros, 21 Grams, Babel) and directs here for the first time on a major film project. "The Burning Plain" plays out over thirteen years, although all the action is squeezed into two segments at each end of the time span. The film relates how an extra-marital affair has repercussions which echo through the following years. The chain of events is initiated when Gina, a housewife and mother, embarks on a romance with Nick, a Mexican with a family of his own. After a gas tank explosion kills the lovers while they make love in a remote desert trailer, Gina's traumatized teenage daughter Mariana becomes friends with Nick's son Santiago.

Arriaga focuses on the mother, daughter and grand-daughter as the story unfolds. He uses four actresses for their roles - two being required for the teenage Mariana and her 30-something persona - and all of them (Kim Basinger, Charlize Theron, Jennifer Lawrence and Tessa la) give exceptional performances. When Mariana first sees evidence of her mother's infidelity, she remains silent and carries the burden alone. The breach between them widens as she investigations and confirms her suspicions - and the youthful beauty of her face transforms into a mask as she conceals knowledge which could destroy her family. Arriaga portrays her dilemma with a delicacy that amplifies the girl's pain - showing the silent spread of the poison, its contagion first claiming the mother-daughter relationship, and then creating new ripples of damage which will ultimately infect the next generation.

The narrative is tighter than Arriaga's work with Inarritu - it illustrates how one transgression can set in motion the engine of fate. He relies on classic cinematic techniques rather than Inarritu's flashier ones - but as in his previous work, Arriaga breaks up the story's chronological flow by chopping back and forth between two time segments. One can't help wondering if it was necessary here, since the story possesses such a strong arc. However, this is just a quibble - "The Burning Plain" results in something close to a masterpiece which shares themes found in the work of Shakespeare, Thomas Hardy and Dostoevsky.

The Burning Plain (2008)

Following a growing trend toward taking a straight forward story and making it complicated by telling it out of order, The Burning Plain might have shown the fault lines in that method. And it's not that the story, a kind of Romeo and Juliet with child story, isn't riveting. It is. And it's not that the telling of it isn't interesting. It is. But the telling is so forcefully complicated, it draws attention to itself, and away from the more human drama that is at work.

That said, it's also true that every high point here there is a storytelling gaffe. The cross cultural Mexican/American themes are generally underplayed (the exception being the insults thrown at the funeral), and convincing. The basic love story is strong enough, too, and given a nice second layer through time, as you'll see. But there are some quirks that are made both improbable and overly dramatic. One of the tenderhearted heros of the story is shown too visibly as a disturbed stalker. And the lead woman, played with a kind of virtuosic exuberance as usual by Charlize Theron, has almost too much to juggle, emotionally and literally. It just doesn't wash.

Most troubling is the writing. Not the big picture, the plot and the large sequence of events, but the actually dialog. This kind of gritty and dire movie laced with real love has to be convincing above all, and there are dozens of moments and individual lines that just smack as screen writing rather than real characters thinking and speaking.

So it's a mixed bag. An ambitious and promising mixed bag, with some moving and beautiful moments. I think it's worth seeing, but with tolerance.

This is a strange movie. If your a fan of the Babel or other work by Guillermo Arriaga, then you will be satisfied with this movie. If your a fan of Charlise Theron then you be satisfied with this movie. If your looking for a gripping drama about how a tragedy affects the lives of different people you will be satisfied. However, if you looking for a good intense drama, this movie will leave you unsatisfied unless you can get over the very disjointed beginning and follow the movie to the end.

I think you have to be familiar with Arriaga's films to really like this movie. He weaves stories together without any thought of a time line and it can make a movie seem very strange. However, if you will follow this movie to the end, it is a good movie. The Acting especially by Theron is outstanding. Give this movie a chance and its enjoyable. Not a masterpiece, but enjoyable.

The writer Guillermo Arriaga, much famed for his trilogy of films with director Alejandro Gonzalez Inarritu, namely Amores Perros, 21 grams and Babel, steps behind the camera and debuts his own directing skills with 'The Burning Plain' a multi-layered affair that at its core tries to explore how we deal with guilt. If you didn't like the style of the afore mentioned films then chances are you wont get on with this either. The story is told in interweaving flashbacks and over different time periods and does require some work on the part of the viewer. But with plot pieces trickled out like a breadcrumb trail right up to the end, a great but subtle score and some breathtaking scenery it grips you as you slowly piece it all together. Added to that there are the two brilliant central performances from Charlize Theron and Kim Basinger, as the damaged mother and daughter and a supporting cast that in their various roles are also superb especially Jennifer Lawrence who rightly won an award at the Venice Film Festival. The cinematography is great and the colours are so warm you can almost feel the Mexican heat coming out of the screen. The direction while not quite as good as Inarritu proves that Arriaga was indeed paying attention and the overall feel is eerily similar. The only downside is that it does leave certain characters stories unfinished but that really is just a minor quibble in what is a very emotionally charged and challenging film.