Empty Spaces

OK, so I will get this out of way and say that yes, this film does have some audio issues, but they are small and forgivable, and so did "Come and See," which is nonetheless considered a masterpiece. So we can move past that. Now, very often I overhear people talking about a film with a heart, which is to say that it moved them in some way. Well "Empty Spaces" is a film with a brain like no other that I've seen in a long time. It does not dumb anything down for the audience, but at the same time it tells a simple story. The brothers don't call each other "brother," and if we don't figure it out on our own then we simply don't figure it out. Nothing gained, nothing lost, just as it should be. And yet the plot is so simple, in fact, that it turns out to be exceedingly clever in its simplicity. It pulls no punches, as the saying goes. Unfortunately, I do not believe that many other viewers, not ever those who enjoyed this film, understood its entire meaning. It is such a unique viewing experience that most were undoubtedly caught up in the novelty of the thing. Truly, the director never cuts away from the action (or inaction) of the main character, when literally any other director would. It may come across as slow or boring to some, but it is in fact hypnotic. There is so much subtext in what is left unsaid. I have seen this film three times, and each time it is a different film, because each time I pick up on something new. It is truly fascinating.

There's a certain subtlety to the main actor's performance as his character goes through life pretending everything is o.k., saying he's fine when really he is not. It's the sort of thing you will only pick up on if you've been through it yourself.

He's trying to keep it together for his kids, but he doesn't know quite how to proceed with his life now that his wife has left him and so much has changed. That's where the title comes from. He has "empty spaces" in his daily routine because he has forgotten how to live without his partner.

But everything is not o.k. like he wants it to be and things gradually begin to deteriorate, leading to a psychotic episode involving a garbage disposal. Other than that, he only verbally hints once or twice at the fact that he is suffering inside. Men don't really like to talk about things like that, and this one is no exception. Instead he does what so many of us have done in his situation: he drinks and he drinks.

There's no big climax or clear resolution here and the future for these characters is left open-ended and somewhat ambiguous, as is so often the case in real life. The audience isn't left with hope or a happy ending or anything like that, or maybe they are depending on what they choose to take away from it. I suggest you watch it twice, because the second time around you just might pick up on a few things you missed the first time.

This movie is awesome. Dude gets divorced so he takes out his life savings and buries it in the woods where his ex-wife can't get her hands on it. That's just good economics. It's smart is what it is. Maybe you think its boring but if you don't like it your stupid. Figure it out. Its not a fast-paced rollercoaster but more of a slow, sinister ride that can still be just as fun and its a nice change of pace for once. Movies don't need to all be the same and this one proves that. Its an observation of one man's life and we see everything through that lens so that we pick up on the subtle details without being delivered all the information directly. Do we love this guy or do we hate him? I found myself on both sides of the equation at different points in the film, although I'm not really sure if weather we are meant to sympathize. Maybe we're just meant to watch and observe and make up our own mind and enjoy the ride! Toodles.

Empty Spaces is not a "family" film in the way that Bambi or Lassie are family films. Rather, it is a film about a family, starring a real-life family, and, from what I can tell, produced by a family. There are no big special effects, but rather an honest and up-close look at some dysfunctional lives. Don't watch this one with the kids (there's cursing and innuendo) unless of course you want them to get a look at some real life situations. Maybe it would do them some good. Apart from that, the film is very well-made from a technical standpoint, despite the obviously modest budget. It is not a documentary or a home movie, but it does incorporate what appears to be real home movies of the main actors as children, which is an added bonus. The real treat here is the special dynamic shared by the real-life brothers, which really gives their characters added layers of depth and believability, and which certainly makes them far more interesting to watch. In my eyes, they do it better than Luke and Owen Wilson ever could.

The main thing that prevents the viewer from getting into this, or at least for me, was the completely pointless chopped up editing and the camera going into weird angles. All it does is disrupt the continuity, although what masquerades as a plot here really meanders to nowhere. The music is annoying and in no way matches up with the onscreen action, for lack of a better word. The few positives here don't counteract all the other amateur ploys they use to try and draw the viewer in. I don't appreciate when they waste ten minutes to hammer a point home that could have been made in one minute. No, nothing works here. More art house crap.