O Cartão de Natal

Great plot and actors. Very light, entertaining comedy romance film. I enjoyed it very much!

'Christmas Love Letter' is another one of those Lifetime Christmas films to have a rather cheesy and uninspired title, but also have a story that potentially could be quite charming and sweet. There never has been any bias against Lifetime's output, much of it is formulaic sure and some of it has just as much corny and schmaltz of that of Hallmark's but with the right leads and the right amount of charm and heart they can have some likeability. Provided that not too much is expected from it.

Didn't expect a massive amount from 'Christmas Love Letter' and overall got a film that isn't that bad in the way that has been said by some. But it is to me still isn't a good film, if people think otherwise fair enough and good for them, and do actually agree with the criticisms that have been cited. Not one of the worst of Lifetime's Christmas output of 2019 or overall. Also not one of the best on both counts, somewhere around low middle if anything.

The film is not a complete waste of time. It is lifted from what could have been near-unwatchable to semi-watchable by the engaging lead performances of Ashley Newbrough and Tilky Jones. Jones' character Ian is a lot more likeable from the start, as Amelie took a bit of time to warm to but she began more likeable as she softened. They did seem natural together, although the flawed way the relationship was written stopped them from completely igniting.

It is a pleasant looking film, especially the scenery. The music is pleasant enough, and is not as constant or intrusive as with other Lifetime efforts, and the robot dog is a lot of fun.

However, 'Christmas Love Letter' could have been a lot better. Newbrough and Jones' chemistry, despite having moments, never completely gelled and it is all down to how their relationship was written. Another case of it moving too quickly, not having anywhere enough development due to being introduced too late and underuse. Do agree that Izzy Herbert is far from endearing and over-compensates, really did find her irritating. The rest of the cast are okay but nobody else stands out and the character writing is sketchy and Lifetime cliches.

Something that can sum up 'Christmas Love Letter' quite well, cliched. Some familiar (well actually well worn out) story tropes here, all predictably executed. The first portions are slow and quite thinly plotted, uneventful at times, and some decision making (i.e. packing up her job just like that) seemed contrived. The script lays it on too thick with the corn and slushy schmaltz, not unexpected but it was overkill in places. The film doesn't get off to a particularly good start, very cheesy and quite dull, while the ending is rushed and too tidy.

Altogether, lacklustre but one can do with a lot worse. 4/10

Christmas Love Letter (2019)-

Tilky Jones as Ian is clearly the best option for her right from the start. Apart from being the hottest of the fellas she had to choose from, he's also the nicest and most normal, but as usual, the female lead character is a bit too shallow and self absorbed to see it (Who keeps writing these women like this?), so who will she end up with?

There is at least a small amount of doubt, which is nice for change and the general story as a whole is at least a different concept from the usual Girl meets boy and then falls out with boy, before he proves that she was a stupid cow to think that he was being anything but genuine with her all the time, but it would be good if the writers could have you guessing who she would end up with all the way along instead, in a kind of dating show way. Who will she eventually give her flower to, Etc. They'd all have potential and it wouldn't be obvious that the one with the dodgy laugh or terrible dress sense isn't going to cut it.

The biggest issue with these Christmas films is that they are so formulaic that you know exactly what is going to go down within the first fifteen minutes. It's time for a rethink in my opinion.

I personally would love to have 3 or 4 men all wanting my attention, but no such luck. Actually at this stage even one would be nice?

The film is well made and it's just a shame that some of the actors are made to be caricatures and a bit over the top. Ashley Newborough as Amalie didn't endear herself to me and the robot dog is a bit ridiculous, but there is a warmth and sweetness about it.

6.5ish?/10.

For me, the good parts of film are far by acting or story itself. The last is almost silly and the performances are victims of sabotage of a relation of friendship to the last moment and so unrealistic situations than part of them are almost weird.

But the unsigned letter, the dialogues with pretenders of Amalie, the robotic dog and, especially, the army of hot chocolate mugs ( easy as advertising of diabete ) are just the real good things of film.

The worst, maybe, the genius girl ( but , as Teacher, can I admire the realism of character ).

Short, a nice film, with gentle touch of 1940 - 1950 romantic films.

Although the basic plot of this offering is pretty standard stuff, the peculiar choices made in some of the plot points push this into bizarro territory fast and doesn't let up. First, our heroine breaks up with her long-term boyfriend, after his slap-worthy proposal (seriously dude!). She goes back to the office where she finds an anonymous love letter from a guy she spent a memorable Christmas with except she can't remember it. She pivots at lightening speed into pursuing love with this mystery man by going back to her tiny small town to solve the mystery.

Her first step is to go to a local woodsy park to uncover a huge treasure chest she apparently stores there containing her personal photos and diary so she can refresh her memory. Seriously, she brushes the snow off the chest, which is seemingly unmolested by curious passersby or the elements, and digs right in. This is a major step onto planet weird. But not the last.

She has two hilarious encounters with the first two former boyfriends/suspects. With the first one, she interrogates him about the love letter, but she does it in front of his fiancé! It was not pretty, but it was pretty funny. The second guy is a total freak-show who is obsessed with puns about his fish obsession and who laughs like a donkey. This was comic gold. Gold, I tell you. Until you think about it a bit. How could she ever have even spent a minute with this lunatic let alone had a serious romantic relationship with him? Not to mention he is about a foot shorter than she is.

Meanwhile, the true letter-writer, who is a childhood buddy, is following her around. He is a widower and father of possibly the most annoying child in Hallmark history. In order to explain the girls off the wall behavior the writers apparently have inserted the information that she is an eccentric "genius." Daddy has been devotedly in love with our heroine even throughout his marriage. Fortunately the woman is now dead, unmourned and forgotten by both her husband and her genius child. To make this love interest even more attractive as potential husband material, he has invented a mechanical dog that looks, feels, sounds, and acts like a real dog. It steals the show. Seriously, I couldn't look away.

I could go on and on. Our heroine has bonafide psychological issues when it comes to her love life, plus an identity crisis. Seriously, a psychologist would have a field day. By the end, she learns nothing, and develops past her challenges in no way. She ends up with the "right" guy for no reason. The happy ending rests on her doubling down on her disturbing neuroses. I will kindly leave her buying almost a hundred cups of hot cocoa in one sitting, Her father's debts, Her falling for an evil dirtbag, and the reappearance of her dumber than a bag of hair ex-boyfriend by the wayside.

There were some genuine laugh out loud moments and a few were intentional. Ashley Newbrough was fine as an actress, and so was Tilkey Jones as the love struck widower/inventor. Chante Bowser was a star as her normal, sane, and smart as a whip best friend. I blame the writers and the director for this jaw-droppingly eccentric Christmas catastrophe.