Gehraiyaan

Deepika and Naseeruddin shine through. Surprisingly, Ananya has also done a good job. Couldn't see the chemistry between Deepika and Siddhant. They could have done a better job at clarifying things in the end. Obviously, it isn't the first time "falling for your sister's/best friend's fiance" is being done, but overall, a nice attempt. Deepika looks pretty in yoga outfits and her emotional scenes are very convincing.

The movie Gehraiyaan has no depth in the writing. Shakun Batra's failed to deliver a compelling movie like Kapoor & Sons (2016), here his direction is just mediocre. The first half is a half-baked romantic drama and when in the second half the film takes a different turn, it falls flat. Deepika Padukone delivers a good performance and Siddhant Chaturvedi, Ananya Panday & Dhairya Karwa were average in their roles.

Direction 2/5 Acting 2.5/5 Dialogues 2/5 Story 2/5 Screenplay 1.5/5.

Well everybody acted very good ... Excellent.. director did amazing job with mediocre crime petrol story ....

All these years we as audience wanted Bollywood sud make Hollywood level movies so what our dharma producers thought... In Hollywood married super hit actress does all these adult scenes... Let's do that ... That's Sharma's Bollywood reply to Hollywood ... All acted well but why they needed Deepika for that ... I mean Deepika sud do movies which assures produces a great return ... Like high budget experimental movies with action etc ... Any way we will never make good scale movies not atleast by dharma as they are too mediocre in their talent.

Its journey of 148 minutes (including 16 minutes of pre and post credits) which finally takes you nowhere , neither its realistic nor it's entertaining to disappoint me further its not even as dark as I thought it would be . If you can sail through the first ninety minutes which will surely test your patience and intelligence then you will be rewarded for the last 40 minutes but when it concludes it feels like the writer could not handle the force he had unleashed in third act and leaves the end very conveniently where it does . Movie does try to add something with very last scene but then its credit leaves you with a movie which you would forget sooner than the time you had spent anticipating watching it after coming across the trailer or promotions .

In the first two acts of this movie most scene sequences are cut abruptly when it moves from one to another and it's noticeable . What seemed to be good cinematography from trailer isn't so in the movie , with mediocre scenes and the wave you see in trailer is the only wave you will see across the movie . Performance of Deepika Padukone is commendable but I feel it fails to be memorable given the weak and forgettable script . Naseeruddin Shah and Rajat Kapoor do their job with perfection in the limited time they are allotted and for other actors you can judge them with your perspective and taste as you go on a hectic journey but for me they were not that enchanting . Back stories and past of each character which seem much more interesting than what is going on in the present are never explored except small flashbacks and in dialogues.

Only thing that would leave a long impact on you is the song Gehraiyaan by Lothika except that everything else is unnecessary noise which you won't regret even if you don't watch this movie .

Special Mention : Movie explores the theme of infidelity ,depression and trauma but never gives real weight to either of these topics and lets it just flow like meaningless waves instead of depth.

The weakest part of Gehraiyaan, I thought, was its abrupt transition into a crime thriller. This was always destined to be an emotional drama, and the unexpected jump in pace startled me, and not in a very reassuring way. That aside, the drama bits are fantastically done. The contemporary struggles and feelings of two lived-in couples are splendidly captured. The leads, to my surprise, have incredible chemistry. What also helps is the character texturing. It's a family affair (pun intended!) alright, and leaving some dots deliberately disconnected for that end reveal made that climactic exchange between the characters of Deepika Padukone and Naseeruddin Shah a lot more impactful. Padukone also depicts breakdowns and anxiety attacks as they are, in a remarkable performance. Also liked how they ended it with effective throwbacks to phrases like "small world" and "the past always catches up." While the songs, visuals, and some of the dialogue carry the feel of regular Bolly fare, I'm glad they don't weigh the film's engagement factor down.