Forçada a confrontar seu passado, Cassandra Webb, uma paramédica em Manhattan que pode ter habilidades de clarividência, cria uma relação com três jovens destinadas a futuros poderosos, se e... Ler tudoForçada a confrontar seu passado, Cassandra Webb, uma paramédica em Manhattan que pode ter habilidades de clarividência, cria uma relação com três jovens destinadas a futuros poderosos, se elas conseguirem sobreviver ao presente ameaçador.Forçada a confrontar seu passado, Cassandra Webb, uma paramédica em Manhattan que pode ter habilidades de clarividência, cria uma relação com três jovens destinadas a futuros poderosos, se elas conseguirem sobreviver ao presente ameaçador.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 7 indicações no total
Avaliações em destaque
Mostly this is because nothing particularly happens. It's a superhero movie with little to no superhero action and a painfully long set up for an underwhelming final act. The characters are so underdeveloped that there is no emotional connection or investment in any of them. Everything about the story and writing just feels lazy, vacuous and corny.
Then there's the villain who is utterly uninspiring. He is constantly complaining about 'everything he has built' being destroyed. What has he built you might ask? The film has no interest in exploring this question. He's easily one of the more two dimensional and weak superhero villains I've ever seen committed to screen.
Perhaps the most heinous crime this movie commits is to waste the talents of Dakota Johnson, Sydney Sweeney, Adam Scott, Emma Roberts, Zosia Mamet and more. Such a good cast was assembled and they were given absolutely nothing to work with, so I don't blame the performers. It's just such a shame to see such great talent put to the sword like this.
As if all of this wasn't enough, the movie also feels remarkably low budget and feels excruciatingly long despite its relatively short runtime.
Ultimately I think this film suffered because it was clearly intended as a set up for a wider Spider-Woman franchise which is unlikely to come to fruition. There seemed to be no interest in making a good stand alone movie, and no respect for the audience. A massive waste of time.
The characters were not as well established or as likable as they could of been. It was cluttered and cliche and suffers form a lack of originality. The cast deserved better, wasted talents of Dakota Johnson and Sydney Sweeney. The villain was generic and uninspiring. Constantly complaining about "everything he as built' being destroyed, while not showing anything that he has built.
Im not fully up on the real origin story but after looking into it more it seems Sony fully molested the comic book version for their own that barely resembles anything of the original. I see why that would make many purist upset. That would help explain a current rating of 3.7, which is crazy considering all the far worse films with higher ratings. I was entertained watching this film but that is with the caveat that this was not a good or very well made movie. The film fell flat on the execution of creating a compelling narrative.
The pepsi product placement rivaled the pepsi placement in the "I will not bow to any sponsor" scene in Wayne's World. "Its like people only do things because they get paid, and its really sad" -Garth.
So much wasted time was given to boring scenes in the movie, which led me to believe the screen writers finished the script and realised that it was under the word count.
Honestly the acting quality was quite poor across the board, especially the villain, who honestly seems as if they didn't cast for his role at all, just picked up someone off the side of the road.
For someone who's guilty pleasure is watching bad movies, I it was a painful time. Don't recommend.
Basically, this movie plays out like the cut scenes from a budget Xbox 360 game. From the ground up this thing just feels designed to fail. It feels almost Producersesque in its approach in just how every aspect is seemingly intentionally mangled, yet no one seems to care. How have we come so full circle to go through the glory of Infinity War/Logan/The Dark Knight to arrive all the way back to Batman and Robin and Catwoman levels of superhero flicks? (Bam!, Pow!, Gosh yes Batman!)
How did this movie make it so far that it has an actual release, and no one stopped it? How did this idea get green lit? Why did Sony give 80 million and turn over their valuable IP to the people that wrote Morbius, Gods of Egypt, Dracula Untold and The Last Witch Hunter? How did this get past the writing process and again have that script greenlit? How could no one on the set at any point stop things? How did no one in the editing room point out how bad it looked and how much of a mess it was?
But to the suits it's not about art and story. Instead it's about business, and people are just a commodity. It's cheaper to recycle known quantities, and practice nepotism and involve maybe less than talented friends, people you've worked with before, than go out and find artists with worthy stories. They don't care about art, they don't care about stories, they care about making this work for them financially, regardless of loss of reputation with audiences as a whole.
Youtuber Chris Stuckmann did a deep dive on the topic of big studios being generally run by folks who came up through management rather than the creative rungs such as writing and directing when he discussed this film. His take is worth watching. For some reason, Chris doesn't do critical movie reviews since he has become a filmmaker, but I can tell by his tone that, like me, he was completely displeased watching this one. I'd avoid it.
Madame Web is god awful! Very difficult to sit through. None of the main characters are likeable. Even the villain is lame. It seems like the entire movie was written to set up a sequel. But why would people spend money to see the sequel of a movie that is one of the worst movies ever written? I'm shocked at how bad this movie is and if there is a sequel I certainly wont bother watching it.
Stop hiring bad writers, Hollywood!
Você sabia?
- CuriosidadesThis is the first Marvel movie based on a character that did not have their own self-titled comic series.
- Erros de gravaçãoThere are multiple scenes where Ezekiel's lip movement does not match with what he's saying.
- Citações
Julia Carpenter: [checks a photo of a man] So, who is he?
Cassandra Webb: That man is Ezekiel Sims, he was in the Amazon with my mom when she was researching spiders right before she died.
- ConexõesEdited from Homem-Aranha 2 (2004)
- Trilhas sonorasMiles Away
Written by Brian Chase, Karen O (Karen Lee Orzolek) and Nick Zinner (as Nicholas Joseph Zinner)
Performed by Yeah Yeah Yeahs
Courtesy of Touch and Go Records
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Madame Web
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 43.817.106
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.335.860
- 18 de fev. de 2024
- Faturamento bruto mundial
- US$ 100.498.764
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1