O Astronauta

As far as entertaining sci-fi film goes, this one hits the nail on the head in many ways.

Adam Sandler coming out with another respectable performance since UncutGems, his appearance and mental health is something to be believed in the film.

The various camera/editing choices they decided to make emphasises the sense of uneasy-ness, something you can assume Sandler's character must feel during the film.

The connection between characters as well is one that may pull on heart strings. It certainly did for me!

However, this isn't by no means a blockbuster of a hit. Story wise it's not very original and reminded me of the films Ad Adstra and Interstellar. I'd also say the ending could have been cut shorter, but I suppose the alternative wouldn't have made much of a difference for a viewing.

Overall, it's a very dark, artistic sci-fi film, that often leaves you questioning what's real and what isn't.

Anticipating the release of 'Spaceman' with high hopes, I was pleasantly surprised to find that the film exceeded my expectations. It delves into the profound theme of loneliness and the lengths one must traverse to truly understand solitude. Through the lens of trauma, the film showcases the shattering effect it can have on an individual, compelling them to flee from confronting their own reality. The protagonist's journey is accompanied by the enigmatic presence of an alien spider, a tangible entity rather than a mere figment of imagination as some might assume. In the book, this spider is portrayed as undeniably real. The evolving relationship between the protagonist and the spider serves as a catalyst, propelling them both towards a transformative journey, not towards an end, but rather a new beginning.

I've seen this movie before; it's called Ad Astra. Ambitious, but emotionally absent(and inconsiderate, I guess) husband leaves perfect wife behind to go on vital space mission. In both movies, the man is plagued by memories of a deeply flawed father, leaving them emotionally scarred and unable to reciprocate their perfect wives' love.

While in Ad Astra, Brad Pitt's character discovers his shortcomings pieces at a time: though memory, experience, and various encounters - here, they forgo all nuance. We simply have a spider companion who directly and endlessly tells Adam Sandler what an ass he is to his wife. But both movies share one emotional theme: fathers suck and their sons are not much better. Relationships are all about men needing to open up more. This is not so bad by itself. But I've seen this in so many movies and TV shows by now it's starting to get tiresome. With all the fancy camera-work, heavy performances, and ambient music, this story still just beats you over the head with it's message without offering anything other than an overused cliché.

Other movies in the past have a truly more nuanced approach. Try Solaris(either version), for example. I appreciate the production of this film, really. It's just that this come off as a feminist fantasy rather than good science fiction.

Let's be honest, the theme of Spaceman has been done at least once before -- Steven Soderbergh's "Solaris" comes to mind. The macro-microcosm, the struggle of the masculine "outer" vs. Feminine "inner" or however you want to label it -- it's not new on film.

However, in the opinion of this reviewer, a lover of slow-burn cinema, transcendental and timeless themes of space, the Universe and our place in it, this movie has still managed to offer something original and breathe some soul into the otherwise rehashed theme.

Sandler pulls off the role easily and I found the set and the setting of the movie refreshing (I won't spoil it), let me just say... Chechoslovakia?

I don't _really_ understand people who say they love science fiction but who complain this was too slow, too stupid, too predictable and too... unrealistic (not suspending their disbelief). Science fiction is a very broad brush, and we haven't actually colonized even anything in the solar system, so let's dial back the arguing on what is feasible and possible and what is ridiculous.

The important thing this movie did for me is keep me thinking and feeling about the human condition, which is the holy grail of sci-fi in a way -- to get the reader or the viewer reach into the mysterious inner world through outer allegories, which often are about outer space or the extraterrestrial etc.

The fact this movie burns rather slowly is actually what did much of the trick for me. I am very tired of movies that think they have to have something happening all the time. The irony is that while things are happening, not much can be happening, if you know what I mean? And correspondingly when things slow down, through being affected by the \[slowly\] moving image, some kind of reaction between what I am thinking and what I am seeing, produces interesting form of entertainment for me.

Give "Spaceman" a chance, and it may reward you, depending on your mood and predisposition to slow cinema and a bit of the unexpected, if not entirely original.

I loved this movie, which I know by the simple fact that a day after I am still thinking about it and some feeling remains. This is more than I can say about a lot of other supposedly great stuff I watched and have all but forgotten about.

And then there is Hanusz... but Hanusz will introduce themselves.

Been wanting to watch this since the first teaser trailer got out some months ago!

Adam Sandler in a psychological drama sci fy sounded very interesting. As its not really those films he's usually in. And he makes it even better then i think he would do.

I've always liked these "wierd", artsy, space themed, deep and psychological films focusing on our mind, our perception of our reality, the meaning of life and on the fear of the unknown.

A very well put together film, with a really really good and beautiful soundtrack aswell. Filming is also very well made!

Excellent manuscript!

A really unique and beautiful sci fy! A very clever film! That i totally recommend! Pure art! A special and poetic space adventure that explores ourselves and the unknown.