Chapter Five: The Nina Project
- Episódio foi ao ar 27 de mai. de 2022
- TV-14
- 1 h 16 min
Owens leva El para Nevada, onde ela é forçada a confrontar seu passado, enquanto as crianças de Hawkins vasculham uma casa em ruínas em busca de pistas. Vecna reivindica outra vítima.Owens leva El para Nevada, onde ela é forçada a confrontar seu passado, enquanto as crianças de Hawkins vasculham uma casa em ruínas em busca de pistas. Vecna reivindica outra vítima.Owens leva El para Nevada, onde ela é forçada a confrontar seu passado, enquanto as crianças de Hawkins vasculham uma casa em ruínas em busca de pistas. Vecna reivindica outra vítima.
- Direção
- Roteiristas
- Artistas
- Erica Sinclair
- (apenas creditado)
Avaliações em destaque
I thought that the weird location of the lab, some convenient plot lines and a couple of directorial misses reduced the score to a 8/10 but this was still excellent TV and again we are moving forward in a nice pace and the acting is solid from almost everyone.
Great TV.
If this isn't a Emmy worthy performance, I honestly don't know what is.
Você sabia?
- CuriosidadesAs soon as Will mentions the Jogos de Guerra (1983), a cue from that movie's musical score starts playing.
- Erros de gravaçãoThe opera about Nina was apparently written in 1786. No wonder Nina's lover did not return to the train station where she awaited him - trains had not yet been invented .
- Citações
Jim Hopper: I used to think I was cursed. Ever since I was 18. Got some letter of induction in the mail. Uncle Sam wants me to go fight some war in the jungle. Charlie's moving south like a plague 'cause of commie bastards like you, and... you know, I'm happy enough to go. Prove to my old man I'm not the piece of shit he thinks I am. I get over there, I must test well, and they put me in the Chemical Corps. There I am. I'm just... a kid, you know. I'm 18 years old, 8,000 miles away, and I'm mixing up these... 55-gallon drums of Agent Orange. With just these kitchen gloves, you know? We used to clean out these buffalo turbines after a run and just be inhaling the stuff. No masks, nothing. "It's not chemical warfare. It's just herbicide to kill plants. Harmless." That's what they told us. And then I got back to real life, and these guys I worked with, the ones that made it back, they started trying to get back to normal, you know? Having families. And then things started going wrong. Kids born stillborn. Dead in the womb. Crooked spines, eyes popped out. The horror... dollowed us, clung to us. My wife Diane, she wanted a baby. I did too. We had a baby, and she was, um... She was born healthy. She was perfect, you know. Sara. And then she died. It wasn't an easy death. She... suffered. I knew the risks, but I, um... I hid them. And then Diane left me. She didn't blame me. Not with words. After that, I was just... I just hid myself in drugs and alcohol. And then people started coming into my life. This girl El, and Joyce just happened, and I told myself they needed me. But that wasn't true. That's a lie. They didn't need me. I needed them. I needed them. You were right, what you said last night. I knew the risks, breaking out of here, but I did it anyway. The minute I sent for Joyce, the minute I sent for her, I sentenced her to death. Just like I did with Sara. Everyone I love, I hurt. See, I was wrong this whole time. I wasn't cursed. I am the curse.
- ConexõesReferences Apocalypse Now (1979)
Principais escolhas
Detalhes
- Tempo de duração
- 1 h 16 min(76 min)
- Cor
- Mixagem de som
- Proporção
- 2.00 : 1