O Troll da Montanha

Warning: you will not - repeat, WILL NOT - read a very honest and objective review here. For as long as I can remember I've been obsessed with tales originating from Scandinavian folklore, fairy-tales, and historic sagas, and it's literally since decades that I've been waiting for a film like "Troll". Well, I've been waiting for slightly more than just one decade, more specifically since the release of that other massively entertaining (and even better) "Troll Hunter".

This is the stuff we watch films for, is it not? An ancient and humongous creature, looking & sounding exactly like you have always imagined it from stories and drawings in children's books, exploding - literally - out of a picturesque mountain landscape and promptly pursuing its way to the capital of Oslo (Godzilla-style) and destroying everything on its path! Awoken due to mankind's inability to leave Mother Nature intact and at peace. Artillery cannot harm it. Tanks cannot slow it down. Army helicopters are plucked out of the sky as if they were toys. And, still, the only paleontologist who comes with effective alternative solutions to save the nation gets overruled by obnoxious politicians. Again, ... do you think I'm biased?

Of course, I'm not blind for the script's many defaults. The supportive cast largely exists out of cardboard stereotypes, like the comic-relief prime minister's advisor, the rebellious hacker-secretary, and the GI Joe army hero. The sub plot covering the estranged father-daughter relationship is also quite dire, and I deeply regret the fact writer/director Roar Uthaug didn't have the courage to show more violence and bloodshed. Presumably to safeguard the PG-rating, the Troll even has a conscience and refuses to squish little kids.

But seriously, it doesn't matter all that much, because everything revolves around the massive troll. It looks astonishing! It's a truly magnificent sight how the creature merges with the landscape, how it shrieks in melancholy, or how it rapidly and menacingly approaches from the horizon. Awesome, awesome, awesome!

Another detail that had made "Troll" even more fantastic would have been a soundtrack by the genius folk-metal band Finntroll. Granted, they are Finnish instead of Norwegian, but their lyrics and melodic tunes fit this film perfectly.

This reviewer is always delighted to check the film output from Northern Europe, because you never know what to expect, and the surprise factor is always to the upside -- check out, for example, the Finnish X-mas film from 2010, RARE EXPORTS, affectionately known as the "anti-Santa" movie. TROLL 2022 follows a proven and reliable arc remarkably similar to Roland Emmerich's 1998 production of Godzilla which, in turn, is itself faithful to the standard "monster" formula from the 1950's -- monster appears, monster creates havoc, hero has to destroy monster. Tried and true. Competently done. Empathetic leads you can relate to. What makes this story especially interesting (and this is not in TROLL's PR package) is that there are a number of respected archeologists (including for example Michael Tellinger, who has single-handedly rewritten the history of southern Africa) who believe there is some degree of truth in the "petrification" myth, and have extensive documentation to back up their claims. Recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

There's a being hidden deep within the rocks, imprisoned in a craggy granite box, but progress has awakened, now the land is quaked and shaken, leaving everyone who sees a bit flummoxed. Not to worry, just keep calm and carry on, where there's danger we have guns and tanks and bombs, blow this unknown thing to bits, with some well aimed direct hits, then in no time, this fiend will be all gone. Alas persistence seems to be one of his keys, as the missiles fail to bring him to his knees, we shall strike a stronger blow, against this ogre of a foe, dispatch the nukes, and he'll be cast into the breeze.

A thoroughly enjoyable tale, reflects accurately the response of many when presented with difference and diversity, but also those who recognise its wonders.

IN A NUTSHELL: Deep inside the mountain of Dovre, Norway, something gigantic awakens after being trapped for a thousand years. Destroying everything in its path, the creature is fast approaching the capital of Norway, with city-dweller struggling to stop something they thought existed only in Norwegian folklore.

The adventure drama was written and directed by Roar Uthaug with writing help from Espen Aukan.

THINGS I LIKED: Netflix does a great job of exposing audiences to work created by directors and actors from around the world. I love that.

It's really fun to learn Norwegian lore about trolls.

For fans of the famous "Wilhelm Scream", you'll get a kick out of hearing it at the 47:13 mark.

Most Americans won't recognize any of these actors. I'm always happy to discover new actors around the globe.

Some of the special effects are pretty good.

It's really fun to "travel" to Norway and see the beautiful countryside. I would love to have seen even more shots of the gorgeous fjords and landscapes.

THINGS I DIDN'T LIKE: I would have liked to see more trolls than just one.

Some of the plot points are pretty weak.

The dialogue is paper-thin and uninspired.

The father/daughter relationship adds an emotional level to the story, yet most viewers are saying they just wanted more action with the troll.

You can definitely see their attempt to include elements that make Hollywood monster movies so successful. Sometimes it works here, sometimes it doesn't.

I would love to have seen a scene that featured the rock climbers seeing the face of the troll, like it is featured on the Netflix ad.

TIPS FOR PARENTS: The movie is very family-friendly because the main troll isn't super scary.

The fighting is bloodless.

!

Not sure why people are dumping on this film with such vitriol, especially when so many American movies are guilty of similar transgressions. It's a fun monster movie in the Godzilla tradition. People fall all over themselves about the Jurassic Park movies and some others but dump on this? Hmm, I don't get the super-hate.

You can read the synopsis on the site, but it's your basic "Monster awakens from centuries-long sleep because of human 'progress' marching into its environment, monster goes nuts and goes on rampage, etc.".

While the film does borrow heavily from some American movies, there are much worse movies out there (insert any Transformer sequel here) that don't get the reaming. The special effects are decent and having a Troll was a pretty good angle as it's not the most used villain in a movie (at least an American movie). Take it for what it is- a comic book of a movie that's reminiscent of the old Rodan Vs Mothra type of stuff.