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- 1 vitória e 5 indicações no total
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Avaliações em destaque
flat script, powerful performances
If you want to see an extremely sweaty Johnson, boy do I have a movie for you. In THE SMASHING MACHINE, Dwayne "The Rock" Johnson stars as Mark Kerr, an Ultimate Fighting Championship (UFC) fighter before UFC became the UFC it is today. He was a pioneer of the sport, but between 1997-2000, Kerr had a lot going on. Struggles with his conflicting relationship with Dawn (Emily Blunt) and with his personal demons. This movie is...fine, but I do have a few problems with it. It successfully avoids the typical tropes you usually see in sports movies, but it doesn't replace that with anything of substance. The screenplay is flat, the characters feel like ideas of people instead of actual people (which they actually are). Don't get me wrong, the acting performances here are impressive. Blunt is always great, but Johnson actually puts in the work here, much more than his signature smolder. Nothing pulled me in. I needed more feels. It's shot like a documentary, keeping the audience at arms-length. They go for a more observational approach, going from life event to life event, not breaking the surface of anything. I wanted to be immersed in Mark's world, but I never was. The music, while interesting, was overbearing at times. I like the duality between Mark the soft-spoken, kind-hearted guy, and Mark the smashing machine. The makeup is amazing, successfully transforming a rock into a smashing machine. Overall, THE SMASHING MACHINE is sadly underwhelming, but I love the acting. A24 took a swing with this, sport fans might enjoy this, but I found it only alright.
Just OK
OK, I just got back from seeing it. Overall, I think it's alright
The movie definitely has some upsides. The most obvious is that The Rock gives a solid performance. The best-acted scene is the one where he consoles his suicidal partner in the bathroom of their home. Emily Blunt never looked sexier; she reminded me a bit of Marissa Tomei here. The fight scenes, which occur mostly in Japan, are well-done. The in-ring action looks real; the setting and props look visually aesthetic and authentic. An MMA fan would likely devour those parts. Additionally - I like the closing scene, involving the real-life Mark Kerr.
But many problems remain ... the most obvious flaw, which lingers from start to end, is the movie's presentation doesn't fit. The color and filter give the sense that the movie takes place in the 1960s or 1970s. In truth, the events of the movie occur from 1997 - 2000. I must say: this movie does not look like the late 1990s at all
The movie's pacing is quite slow. The first hour feels closer to 2 hours. The movie doesn't include a rising action and climax like a regular story. Rather, the movie leans more into a straight historical telling. An accurate description is that the movie feels kinda like an academic piece. I think a bunch of viewers might find themselves yawning during the movie
There is a lot of mundane content. We watch his wife when she enjoys an amusement park ride; we watch The Rock buy a gift in a Japanese store; we watch The Rock make a smoothie in his kitchen; we watch The Rock look at a sunset through an airplane window; we watch The Rock trim a cactus plant and clear his pool of leaves etc. Kerr also doesn't have a charming or interesting personality to liven these scenes ... the harsh impression is that Kerr probably didn't have a story worth telling on the big screen
The Rock and Emily Blunt, again, exhibit good acting. But the domestic bickering scenes get so repetitive, as some critics have noted. Some areas of the film could have been covered more, such as Kerr's friendship with his trainer, his drug addiction, and his rehab recovery efforts.
6.5/10.
The movie definitely has some upsides. The most obvious is that The Rock gives a solid performance. The best-acted scene is the one where he consoles his suicidal partner in the bathroom of their home. Emily Blunt never looked sexier; she reminded me a bit of Marissa Tomei here. The fight scenes, which occur mostly in Japan, are well-done. The in-ring action looks real; the setting and props look visually aesthetic and authentic. An MMA fan would likely devour those parts. Additionally - I like the closing scene, involving the real-life Mark Kerr.
But many problems remain ... the most obvious flaw, which lingers from start to end, is the movie's presentation doesn't fit. The color and filter give the sense that the movie takes place in the 1960s or 1970s. In truth, the events of the movie occur from 1997 - 2000. I must say: this movie does not look like the late 1990s at all
The movie's pacing is quite slow. The first hour feels closer to 2 hours. The movie doesn't include a rising action and climax like a regular story. Rather, the movie leans more into a straight historical telling. An accurate description is that the movie feels kinda like an academic piece. I think a bunch of viewers might find themselves yawning during the movie
There is a lot of mundane content. We watch his wife when she enjoys an amusement park ride; we watch The Rock buy a gift in a Japanese store; we watch The Rock make a smoothie in his kitchen; we watch The Rock look at a sunset through an airplane window; we watch The Rock trim a cactus plant and clear his pool of leaves etc. Kerr also doesn't have a charming or interesting personality to liven these scenes ... the harsh impression is that Kerr probably didn't have a story worth telling on the big screen
The Rock and Emily Blunt, again, exhibit good acting. But the domestic bickering scenes get so repetitive, as some critics have noted. Some areas of the film could have been covered more, such as Kerr's friendship with his trainer, his drug addiction, and his rehab recovery efforts.
6.5/10.
Power, Punch, but No Plot
- Rating: 7/10
- Watched on Friday, Oct. 3, 2025 (first watch)
- Format: regular theatre
I really enjoyed how raw and authentic this movie feels, so much so that at times it feels more like a documentary than a film. The cinematography is framed to capture every moment, especially the fight sequences, in a way that makes you feel as if you're right there in the arena, weaving through the crowd to get a glimpse of the action.
This is easily Dwayne Johnson's best acting performance. Nothing more needs to be said. Emily Blunt and Johnson also share great chemistry, which makes their portrayal of a fighting and complicated couple feel believable. Casting the two of them together was a brilliant choice.
That said, the story itself felt like it was missing something. Even though it's based on a true story, which naturally limits how much can be changed or dramatized, it didn't quite work as a fully fleshed-out narrative. It almost felt like the film was less about telling a story and more about recognizing Mike Kerr and his influence, which is admirable but didn't fully land as a movie. That's why it felt like there was lots of filler sequences that had nothing happening in them that would push the plot somewhere or benefit the plot somehow.
On the other hand, the jazzy, drum-heavy soundtrack was a fantastic choice. It reminded me of Spencer (2021) in the way it mirrored and enhanced the protagonist's emotions, calm yet angry, distracted yet driven, slow yet fast-paced.
The smashing machine
The Smashing Machine is a powerful and emotionally gripping sports drama that goes far beyond the world of fighting. The film doesn't just showcase the brutality of combat sports-it dives deep into the struggles, sacrifices, and humanity behind them.
One of the standout elements is the acting, especially by Dwayne Johnson. He delivers one of his most mature and layered performances to date. Johnson portrays the complexity of a fighter torn between personal demons and professional battles with both strength and vulnerability. His performance adds real heart to the story, making the audience feel every triumph and every setback.
The storytelling is raw yet inspiring, with strong direction and a grounded script that highlights not just the physical toll of the sport but also the emotional and psychological weight carried by athletes.
Overall, The Smashing Machine is more than just a sports film-it's an intense character study filled with grit, heart, and unforgettable performances. Highly recommended, especially if you appreciate powerful acting and stories about resilience.
One of the standout elements is the acting, especially by Dwayne Johnson. He delivers one of his most mature and layered performances to date. Johnson portrays the complexity of a fighter torn between personal demons and professional battles with both strength and vulnerability. His performance adds real heart to the story, making the audience feel every triumph and every setback.
The storytelling is raw yet inspiring, with strong direction and a grounded script that highlights not just the physical toll of the sport but also the emotional and psychological weight carried by athletes.
Overall, The Smashing Machine is more than just a sports film-it's an intense character study filled with grit, heart, and unforgettable performances. Highly recommended, especially if you appreciate powerful acting and stories about resilience.
Not quite a knockout
The movie has the frame of a good biopic but never quite lands. The Rock pushes himself more than ever, yet the story doesn't feel worthwhile.
There's a thread about two best friends in a fighting league, but it gets sidelined for a tired relationship arc we've seen countless times.
Ironic, really, for a film built around the idea of never achieving greatness.
There's a thread about two best friends in a fighting league, but it gets sidelined for a tired relationship arc we've seen countless times.
Ironic, really, for a film built around the idea of never achieving greatness.
Dwayne Johnson's 'Smashing Machine' Transformation
Dwayne Johnson's 'Smashing Machine' Transformation
IMDb talks with The Smashing Machine stars Dwayne Johnson, Emily Blunt, and writer and director Benny Safdie to discuss how Johnson's role was unlike any other challenge in his career.
Trilha sonora
Ouça aqui um trecho da trilha sonora e continue ouvindo na Amazon Music.
Você sabia?
- CuriosidadesMark Kerr's former coach and friend Bas Rutten plays himself, as does Stephen "The Fight Professor" Quadros, a former (English) Combat Commentator for PRIDE.
- Erros de gravaçãoThe movie covers the bout of Mark Kerr with Igor Vovchanchyn on September 12, 1999, when he was knocked out by illegal knee strike, which was allowed before Pride 7. There is no mention of their later fight at Pride 12 - Cold Fury, where Kerr lost by decision of all three judges in the rematch with Vovchanchyn. Showing only one part of the entire story leads to the false assumption as if the only known victory between the two fighters was somewhat illegal.
- Citações
Dawn Staples: You don't know a damn thing about me, you know that Mark?
Mark Kerr: I think it's best if you leave.
Dawn Staples: But we're having a party.
Mark Kerr: Cancel the party.
Dawn Staples: No, because everybody's coming over and everyone's excited. And I was really excited about it and I feel like we could just talk about this tomorrow. And I don't have to come to Japan or anything, it's okay.
Mark Kerr: Dawn, go in the room, pack a bag, and get out.
- ConexõesFeatured in WWE: Summerslam (2025)
- Trilhas sonorasVem (Nick Layne Club Mix)
Written by Paolo Bonaconza, Gianluigi Dian and Daria Toffali
Performed by JPG and SEREIA
Courtesy of Irma Records
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2025 TIFF Festival Guide
2025 TIFF Festival Guide
See the current lineup for the 50th Toronto International Film Festival this September.
- How long is The Smashing Machine?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- The Smashing Machine: Corazón de luchador
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.411.388
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.841.662
- 5 de out. de 2025
- Faturamento bruto mundial
- US$ 20.965.715
- Tempo de duração
- 2 h 3 min(123 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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