O Desinformante!

Layers, more layers, it goes on and on when corporate informer Mark Whitacre (Matt Damon) starts blabbing to the FBI about dodgy shenanigans at his mid-west corn-producing employers. Who do we believe? Where are the truths? Things are not a simple as they may initially seem. This is a quirky production, y'know the type, kinda colourful in a cartoon postcard kind of way with an optimistic voiceover from our main character. It is not one of those heavy, heavy expose's investigating the workings of huge corporations with tense court scenes and the like. No, the touch is certainly kept light and the subject-matter all the more interesting because it focuses in on the individual rather than the faceless corporate edifice. Not laugh-out-loud despite being described as a comedy, but reasonably entertaining and worth checking out.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

The true story of Mark Whitacre (Matt Damon) who worked for a giant firm that produced lysine chemicals in products to be consumed by humans. Whitacre maintained a degree of honesty and integrity to his work, but when he uncovered evidence of price fixing with rival foreign companies, he turned undercover informant for the FBI...but, as events rolled on, it would appear he may have known a bit more about what was going on himself than he was letting on.

Playing like a lighter version of 1999's The Insider, Steven Soderbergh's dramatization of corporate corruption in the early 90s is amusingly on edge through-out, with Damon's constant muted voice-overs gently guiding us along this tale of principles and ethics clashing with corporate greed and deception. Damon is affable enough in the lead role (certainly hard to think of any actor who could have done it better) and the story is pretty relevant and dynamic. There's nothing about it that really makes it unforgettable or brilliant, but it's certainly worth a bit of your time. ***

Disappointing effort from Soderbergh, especially since, given the source material, it had a lot of potential. The story and script are solid - the plot twists and turns and often takes the viewer by surprise, and manages to slip in a statement about the incompetency of both government officials and business companies. And yet, it doesn't really hit a nerve, mainly because of hollow and dull directing. Damon does a decent job but his character - filled to the brim with quirks and personality traits - doesn't really have any actual personality, nor does any other character in the entire film. And stylistically it's a total mess. The title cards and goofy music are supposed to tell us that we're in a homage to 60's spy movies but mainly they just irritate, especially the terrible musical score that's plastered onto every scene in an effort to prove that, despite being everything but, The Informant is actually a comedy. It doesn't work. It's watchable but it's also a real waste, a good story fallen victim to poor storytelling.

+Fun little comedy that sheds light on an actual case +Matt Damon plays his role well as most of the film you can't tell if he's lying or not

-A little longer than I would've liked and had trouble holding my attention

I suppose I will always find something to like in a Soderbergh movie. The real joy is in never knowing just what that will be. Even in his most mainstream projects he is exploring some new skill. Here it is the notion of narration.

I'll have to see this a second time with a DVD stop button to be able to fully catalog all the various modes that our filmmaker skips seamlessly through. The main device he weaves these modes around is the spine of the untrusted narrator. We have all sorts of layers and nodes of deception with the only ones we can really trust being the guys usually are the bottom of the garbage bin: the massive greedy company.

We have this fellow being dishonest to everyone, including himself. We have no idea where the line is that he actually believes and we hear only from him. Some of the internal dialog is hypnotizing: we are lulled into accepting it because so much of it is appealingly funny. It is a great trick of misdirection, allowing us to associate with this slippery reality.

Folded into this is are the watchers, nominally the FBI, then various lawyers and the wife, but us of course, punctuated by a video at the end directly to us (with the FBI behind a mirror).

A second surprise awaited me beyond the Soderbergh stretching. Matt Damon finally does something impressive. He is truly something worth watching here. I never would have guessed. I never would have believed. In fact, this wouldn't have worked at all, this suspended belief within the story, if he had not so believably become the character.

Ted's Evaluation -- 3 of 3: Worth watching.