Farha

I am Jewish. I want to make this abundantly clear in my review. I am the Am Yisrael. I am supposed to hate this.

But I cannot. This is an extremely difficult to watch movie. It's psychologically torturous. It is, genuinely, the hardest watch since I saw Stalker or Solaris, and people who watch Russian sci-fi know the extent of it.

This communicated the message better than anything ever before. I feel like had I watched it as a Zionist, it would bring me to the point I am at right now regardless.

The raw power, the naked truthfulness of the movie makes it an extremely valuable experience and motivates the watcher to take action against the Israeli oppression. I am deeply ashamed that my holy land is being claimed by an apartheid state.

Decided to finally watch this, didn't regret it one bit. If you're expecting a political film, this is not it. This was a raw and emotional account of how a young Palestinian girl lost everything near and dear to her and how her aspirations of becoming a teacher and opening a girls school in her village were destroyed due to the events of the Nakba.

It was filmed very well with brilliant cinematography and amazing sound design. The primary protagonist was great and the overall acting was very convincing.

Definitely worth a watch!

Be aware that this film has some tear jerking moments, it is the unfortunate reality of what occured in Palestine.

Everything is impeccable.

The direction is top notch, the cinematography mesmerizing, the editing crispy, engaging screenplay n terrific performances by all.

The lead female actor gave a terrific performance but the best stuff is the direction.

The director n this movie deserves more recognition worldwide.

Hats off to the director for not trying to show unnecessary violent or brutal stuff.

The camera does not linger any longer than is necessary on the horrific scenes.

There is nothing cheap, mawkish or sensational.

In fact it is much better than Adrien Brody's The Pianist.

I hope it gets the recognition in the Oscars.

The tale of Farha is not only a tale of the destruction of Palestinian life caused by the Nakba. It is a sensitive and beautiful portrait of traditional village life and the dreams of a young girl who desires an education beyond that provided to girls by the village Sheikh as well as a destiny beyond marriage. No one should miss this portrait of Palestine in 1948.

Although the film begins at a time of turmoil, the traditional harvest by the women of the village is shown while Farha reads a book. Her father, as mayor, is asked to join the fighters but hesitates. A traditional betrothal is shown, and the viewer becomes aware of Farha's indifference to a marriage arrangement and her own ambition to study at a school in the city. It is against this backdrop that the violence and destruction of the Nakba begins to unfold.

The inclusion of traditional harvest and betrothal songs are beautiful details and offer a counterpoint to the horror of the events of 1948.

'Farha' (2021) is a visually stunning, historically accurate film set in 1948 that depicts a relatively small-scale tragedy that Palestinians refer to as the Nakba (Arabic for "catastrophe"). The film doesn't detail the politics behind the arrival of the Israel Defense Forces. It primarily unfolds in a storage room, offering glimpses of life through a crack in the wall. Sound is used effectively to give color, further cementing the trauma of the experience in an emotional roller coaster. The storytelling techniques do not fail to describe the world beyond the walls: strafed by bullets, torn apart by cries of distress, and marred by an airless, oppressive quality.