O Degelo

This HBO production is the first Polish, and for me the first Polish crime series I have ever seen. From what I saw, there must be more to come. The series is very good. The environment and characters may be reminiscent of similar Scandinavian series, but still have a different expression, which makes it stand out. The action unfolds in a Polish city, with a female protagonist (investigator) struggling with her own troubles and problems. Her fierce struggle to find the truth rubs off on us who watch, and I think that every single one of the 6 episodes was both engaging and not least very exciting. The script is good, the plot seems involving and everyone involved is believable. Will there be a new series? Hope so.

The Thaw is well-written and acted, esp. Kataryna Wajda as Det. Zawieja. The cinematography featuring a dreary Polish port city is suitably creepy. My main criticism is the "bad mother" motif. The single mom detective who can't look after her child is the most tired trope in Euro-Noir. It slows everything down and adds nothing except canned bathos. There's always a dead husband who the woman is grieving and the kid is a mess because of it. Then there's the mother or grandpa guilt-tripping the bad mom. Really annoying and unnecessary. Grieving and torment are fine for noir leads but the whiney kid has to go.

A promising beginning, interesting story, nice cinematography. Unfortunately it devolves into silly, overwrought melodrama. The final three episodes made me feel like I was watching a telenovela- it was that bad.

I really object when an otherwise decent police procedural stoops to stereotyping a female lead as an irrational, impulsive liability, rather than just allowing her to be a good detective who gets the job done. And then to have to watch her fall into bed with a hated moronic colleague in a moment of weakness - shame on you filmmakers for giving in to this kind of crap.

I'd add that I'd choose subtitles any day over the truly awful dubbing HBO Max jammed down my throat.

I second my fellow commentor, smashcut' s review to the t as it voices common frustration of majority of us Euro-noir bingers. Creators need to decide whether the series will be a gripping, compelling thriller/police procedural or a cocktail of mainstream drama with thrilling crime infusions. And why resort to that kind of desperation when you have a such a compelling thriller with high potential at hand?

This is a much sophisticated screenplay to be wasted on cheap stereotypical soap drama. Please leave that to daytime...of course unless you wish to be in the same vagon with all mainstream H. Coben adaptations..if so we bid you Farewell.

The cinematography was great, the pace was fine, although yes it is slow, I just don't mind that in this instance. The problem with this series is a police detective who does not notice that she is being followed day after day by the same car? That it is her young daughter that notices? And maybe it is just the polish culture but the detectives behavior toward each other and their suspects was inexplicable to me. Overall, it could have been great but the behavior of too many of the main characters was just, well, lame. Hence only 5 stars and that is mainly for the cinematography. I fast forwarded the last three episodes just to see what happened. Not a good indication.