Toby Fleishman sabia o que esperar quando ele e sua esposa de 15 anos se separaram: fins de semana e todos os outros feriados com as crianças, alguma amargura residual, o momento ocasional d... Ler tudoToby Fleishman sabia o que esperar quando ele e sua esposa de 15 anos se separaram: fins de semana e todos os outros feriados com as crianças, alguma amargura residual, o momento ocasional de tensão em suas negociações de co-participação.Toby Fleishman sabia o que esperar quando ele e sua esposa de 15 anos se separaram: fins de semana e todos os outros feriados com as crianças, alguma amargura residual, o momento ocasional de tensão em suas negociações de co-participação.
- Indicado para 7 Primetime Emmys
- 2 vitórias e 19 indicações no total
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After a clunky first episode (I'd give it a 6/10), the thing that keeps impressing me about this series is that it presents everything both subjectively but fairly. Characters that were introduced as one dimensional, eventually get their due. Some of them are very unlikable, they are all flawed as hell, but that's what makes this series worthwhile. Its not a bunch of paragons you can't relate to. We are all flawed people, and letting yourself root for them despite that provides a self-reflective catharsis.
Jesse Eisenberg turns in a good, but not boundary stretching performance. Claire Danes provides a sympathetic villain. And the writing is very good, but IMHO doesn't quite get men right (but it's very close).
Jesse Eisenberg turns in a good, but not boundary stretching performance. Claire Danes provides a sympathetic villain. And the writing is very good, but IMHO doesn't quite get men right (but it's very close).
I've seen a lot of the bad reviews and not to sound too moldy but I get the feeling it's the younger folks. Us olds in our 30s and 40s get the neverending question of what if? Which is why I think you need to be a little seasoned to truly enjoy this series. You needed to have lived life and gone through things to take in all this show is giving. Missing your youth, your freedom and possibilities. Being the age where you are too young to stop dreaming but too old to begin again. Wondering if you've chosen the right path, right career, right spouse, or if you were meant to be a parent. You're missing old friends, old neighborhoods, and old apartments. The writing in this show is nothing short of amazing and completely captures the thoughts spiraling in every mind of a millennial/gen x adult.
10mrfrane
There are legitimate complaints in the reviews about how much the story revolves around Fleishman, the man in the divorce. But it's a story that unfolds over time. There are multiple characters at the core of the story and they each have arcs to play out. I, for one, was fascinated to see how my perspective changed as each episode played out and the point of view shifted, and there were revelations. Oh, boy, were there revelations.
Put it this way, whoever produced this program did not spend all that money on Claire Danes to have her be defined by everyone else. And keep an eye on Meara Mahoney Gross, who plays the Fleishmans' young daughter.
Put it this way, whoever produced this program did not spend all that money on Claire Danes to have her be defined by everyone else. And keep an eye on Meara Mahoney Gross, who plays the Fleishmans' young daughter.
I have written fiction, and I've watched a lot of entertainment, and I'm in awe of the writing for this show. It isn't often that I acknowledge writing that I think is better than I could do, but this show does it. They will string together dozens of cleverly crafted sentences that are packed with information and hidden emotional bombs, yet done both efficiently and with a natural flow. My own writing tends to be wordy... They manage to pack what would take me 200 words to express into a 6 word offhand joke, such as the disdain a character has for his wife's trust-fund douchey friends. They consistently nail complex and diverse characters, including an especially hilarious take on a tween girl's attitude.
Kaplan's narration is especially fun to listen to, both in terms of writing and delivery.
Dane's performance is epic. She continues the streak of every performance I've witnessed her give in her adult life (I hated My So Called Life) be one of the best I've ever witnessed.
The rest of the cast performs flawlessly too.
The music, especially the parts that sound like a music box that starts normally, then decays, fits perfectly with the mood.
Kaplan's narration is especially fun to listen to, both in terms of writing and delivery.
Dane's performance is epic. She continues the streak of every performance I've witnessed her give in her adult life (I hated My So Called Life) be one of the best I've ever witnessed.
The rest of the cast performs flawlessly too.
The music, especially the parts that sound like a music box that starts normally, then decays, fits perfectly with the mood.
There are a few for whom this will not be their cup of tea. But for me this is one of the best shows I've seen in a long time. It is thought provoking and rich on several levels. Its main achievement is to get the viewer to sympathize with then later become cold towards certain characters. The subjectivity of perception is examined. I was reminded how quick we are to judge. The narrator and most quotable is Libby. As Libby says later, people are not necessarily good or bad but are complicated with elements of both., as we learn by walking in their shoes. Clair Danes and Lizzy Caplan both give incredible performances. I see awards being given. Strongly recommend.
Você sabia?
- CuriosidadesDuring a January 2023 interview with Tonya Mosley on the National Public Radio program Fresh Air, Taffy Brodesser-Akner confirmed that many of the main cast members were chosen at least partly because they were actors who had been well-known as teens and who were now middle-aged: "It was so intentional. It was--you know, there was this idea that these actors were too young to play these roles. I mean, Jesse Eisenberg, when we started talking about the adaptation, was only 36 years old. Luckily--and I mean that facetiously--the pandemic came along, and by the time. . . . [filming started, he was] 38--so we were able to rationalize that. But we had these choices. Did we want to cast people who were older who we could then look at as in a more authentic crisis of middle age? But the point of the book and the show are the beginnings of those crises. And also, this allowed us to have them play themselves in flashbacks. But most of all . . . if I don't, as a 40-year-old, yet understand what is happening to me in my life, the idea that Jesse Eisenberg--yes, from The Squid And The Whale, yes, from The Social Network--that it's happening to him, too, that it's happening to Claire Danes from My So-Called Life, that it's happening to--oh, my gosh--to Adam Brody [from The O.C.], to Lizzy Caplan [from Mean Girls], to Josh Radnor--all these people that we knew so well as very, very young people. It hits home for me so much to say, oh, my God, this is a force you cannot fight--if you're lucky. If you're lucky and you get to live, this is a force that you won't be able to fight. We're all going to get old."
- ConexõesFeatured in Half in the Bag: 2022 Catch-up Part 2 (2023)
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- Fleishman Is in Trouble
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- 48 min
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