Minha Vingança

A fantastic revenge thriller that uses literally every penny of its micro budget perfectly, as throughout this looks visually as well put together as any other multi million dollar Hollywood production. The way it unravels is nothing other than completely gripping as it is a fine example of pure unencumbered story telling that shows the audience the unfolding evens a lot more than it tells them. Performance wise its top of the line, with Con O'Neill giving one of the most timid, yet still perfectly relatable killer performances, but is the smart direction that sets itself apart as it's faultlessly sharp and immensely effective. A gritty must see that is high brow genre movie.

Vengeance is Mine makes it look so simple and effortless. Maybe it's because it is in fact simple and effortless. Con O'Neill the lead looks like a blend of a lawyer and an accountant and he is an inept protagonist that the film explores in all its consequences that other movies skip with an archetype that's usually hugely muscled and wielding machine guns on both arms.

It's subversive and the ending pays off with a gorgeous finale. While some would get tired of the spare and simple plot, it allows the stakes to rise in a true way and the only thing that is missing is a little more juice on all the cast of characters as the film chooses to not speak unless it really has to which I actually liked. However, the authentic leads acting wins you over where the writing is deliberately minimal.

Vengeance is Mine reminds me why I have always loved looking for more obscure and smart indie cinema.

An Indie Film isn't just a movie which is thought of as a limited budgeted venture without big shot studios at its helm. When one hears the term "Indie" one is instantaneously thrown off course. Watch Vengeance is Mine and it will forever change the way one perceives Indies.

Let me throw a few titles at you. THE DESCENT, THE BLAIR WITCH PROJECT, MEMENTO, THE PASSION OF THE Christ, MEAN STREETS & THE TERMINATOR are some of the most stringent budgeted productions seen in the past decades. Vengeance is Mine does not have an A-List director to its name as some of the titles mentioned above. Instead The director can be considered an amateur with comparison to the Coens, Scorsese or Cameron. But still Vengeance is Mine is one of the most absurdly intense and realistic movies of 2021. Slow off the blocks Vengeance is Mine progresses at a slow pace focusing on the mysterious growth of the troubled Harry who works in a ancient church in London who embarks on a journey of revenge when he is totally ill wiped for it. What happens to a man who holds another man at gunpoint for the first time? He hesitates, he doubts himself, he is afraid of the consequences and most of all he himself is afraid of the situation. This all what Vengeance is Mine is at its core eventually? I for one think so. Vengeance is Mine gripped me from the very start. Its sparse in dialogue which works positively since this leaves plenty of room for the audience thoughts and musings. Each nook is fine tuned to extract the scenes maximum potential within his strained budget. When Harry bleeds that's all that happens; he bleeds. When Harry cries that's all that happens; Harry cries. Unlike Colin Farrell or Tom Hanks in PHONEBOOTH or CASTAWAY there isn't much taking place in the backdrop. There is no police squad, there is no island. Instead its always back seat of a car, a broken chair, a wall or a field. Vengeance is Mine is a thriller that lets of its steam cautiously but certainly. It's like walking the plank.

A deeply tense and taught thriller that puts you along side Harry as all the events unfold. I am very accustomed to the actions of characters of your typical Hollywood revenge thrillers that in my mind I was intensely screaming at Harry's actions when the **IT, hit the fan. Then the realization came, this is not a film where the lead character becomes a fuel raged unstoppable hero suddenly becoming an expert on how to kill. But another fantastic element is that he is a dream like state and doesn't really know what is going on around him and hallucinates all sorts of imagery in quiet moments and in violent moment. This is why European thrillers are so cool compared to our USA product and the Brits excel at it.

The surreal quietness is very intense in this film and you just focus everything on the films characters. That is how excellent the directing and the screenplay are, the movie is not afraid of the silence. You become completely aware of how fast your heart is beating in the deadly silence. The direction by Hadi Hajaig was handled expertly and was a true feast for the eyes. Gorgeous cinematography and his utilization of natural light made it easy to get lost in the movie. There are scenes that will make you wriggle and squirm and there are humorous tension releasing moments, that is how tight the script is and you are relieved that you have those moments. Everyone in this cast is on point, I did not feel one off key from any of actors. The gamut of emotions that run through Harry's (Con O'Neill) eyes alone is worth the price of admission. There are some great actor finds Anton Saunders as an unredeemable and terrifying character in the film. Plaudits to the whole unheard of cast. The score from Sarah Lynch is haunting and never over powers a given scene. I know I am gushing over this movie, but if you can talk and truly think about a film long after the lights have come up then gush I must about it!

Do yourself a favor and see it and be kind to your friends and tell them about it and watch it with them. You are guaranteed a long conversation over drinks afterward. This is not a standard revenge film, yes it bleeds a lot of red, but it also bleeds true emotions.

All the way from across the pond comes a brutal and bloody piece of modern filmmaking.

The lead, Con O'Neill is totally flawless. He portrays A REAL GUY, not an unbelievably clever, or tough cliché. He does not give you anything that the character wouldn't do. This quality of acting is across the whole board. The casting of the movie is dead-on.

This is an intense, refreshingly ORIGINAL tough ride, from start to finish. You are right there with the lead, going through what he is going through, knowing what he knows, and not knowing what he doesn't know...