Jailer

The movie starts with a rather calm Rajnikanth without much fanfare and intro songs. Anirudh is the kingpin for this movement with elevations and silence at right place. However, the movie may not give a good cinematic experience with majority of the characters focused on close centre of the screen for it to evoke so called 'Dark comedy'.

The director seems to have lost plot in the later half, and relied on a comedy track which added no value to the story. Some scenes were elevated which did not require such moments. It looks the Director resorted to fan service in the later part struggling to keep them entertained!!

It seems that having tentpole actors from other language industries walk around in slo-mo is just what's need to classify movies as Pan-Indian. Anyway, Jailer does just that and this film fails spectacularly. Rajnikanth does what's required of him. However, Nelson doesn't. His screenplay is flaccid. He takes a well-established narrative template and botches it with a paltry execution. Nelson seems preoccupied with lifting scenes from Hollywood films that he's forgotten that making a Superstar film is actually pretty easy. You need a few mass scenes, a few punch dialogues and a simple story that acts as a bridge between the aforementioned mass scenes. How could you botch that up?

After Beast, this is yet another dismal film from Nelson. Forgettable fare.

Like wine as they say, Rajini keeps getting better with age. At this age , he is pulling crowds of all ages and making them whistle inside theatre. That proves what a mass hero he is . Coming to the movie, it has elements of an action packed thriller. There is violence so some families won't be comfortable watching. You can expect some twists in the movie . All the casts have done their roles pretty well in the movie . The villain, Vinayakan has come up with a good performance. The movie is more of a head to head face off between hero and villain . I feel this is the best movie of Rajini after 2.0 .

Everybody gangsta until Rajinikanth graciously walks in through a dense fog holding a freaking machete in his hands; even at the age of 72, this man seems to carry swagger like no one else.

When it solely comes to asserting sheer dominance on screen, very few come close, let alone matching up to him! I absolutely adored him here.

Now, as far as the movie is concerned, I have mixed feelings, mainly because the two halves seemed like two different films merged into one.

The first half is remarkable; I loved how it built up slowly but gradually picked up the pace and offered an astounding interval block. However, the second half fails to sustain the momentum and struggles to keep the intensity up; as a result, most of the film's second half comes across as sloppy and cluttered.

I did cherish the climactic portion, though. The pure display of unadulterated charm and swagger from all three veterans was a sight to behold!

Thia film was mediocre at best with the director confused on the tone of the movie. The plot of the movie was all over the place. First half was decent and it felt like a movie for the masses, and breadcrumbed enough for a good showdown. The second half was a major letdown, with the whole movie turning into a soap opera heist film with violence and comedy used in a bad taste. The whole 'son plotline' was unnecessary for the plot for a movie aimed for the masses. It added absolutely no value to the whole movie. Mohanlal, in his few scenes brought his screen presence and star power so did Shivanna. Vinayakan stole the whole show for me, brilliant and raw performance. He explored his role to an extreme, might I dare, like Heath Ledger in The Dark Knight! I wouldn't even be surprised if he wins a National award for this role. Rajini's star power is definitely felt, and that will the main contributor for the movie's financial success(along with the underdog BTS comeback aspect with the director Nelson and the southern industry's big star casting inclusions) Most of all there is no takeaways or a good message from the whole movie.