The Grand Bolero

Set in the backdrop of rural Italy, this thriller has beautiful cinematography and a wondrous gripping storyline.

Brilliant, raw and powerful performances from the two main protagonists, Lidia Vitale and Ludovica Mancini - with subtle direction from Gabriele Fabbro.

The story is set in a church in the covid era as a young girl takes refuge as an assistant to a pipe organ restorer - and their relationship metamorphosises with captivating results.

The powerful music of the pipe organ cleverly weaves in synchronicity with the story to keep and heighten the tension & emotions of this thriller, which works to keep the viewer invested.

Loved this film!

The Grand Bolero is compelling and engaging, the acting is amazing and the direction original and creative.

For those who love music, be prepared to the hypnotic sounds of the fascinating pipe organ, which has the real leading role in the story.

I had the pleasure to meet the director Gabriele Fabbro, he is a very young Italian talent, and I'm sure this will be one of his firsts successes.

Austin Film Festival 2021 Greetings again from the darkness. The symphonic crescendo of Maurice Ravel's "Bolero" is perfectly synched with this film's crescendo, creating a heart-racing, frantic few moments of passion, lust, revelation, and shock - for both the characters and viewers. Also shocking is discovering that this is writer-director Gabriele Fabbro's first feature length narrative film (after many shorts and videos). This is expert filmmaking and creative storytelling in a time when it's certainly needed and appreciated.

Veteran Italian actor Lidia Vitale stars as Roxanne. The film opens on her haggard face as she utters, "F-you". Right on cue, the organ music thunders over the opening credits. Her bitterness is aimed at the banner hanging outside the church where she works. The words on the banner dare state, "Everything will be fine". This is March 2020, and Italy has just begun the initial shutdown over COVID-19.

Roxanne is a passionate restorer of pipe organs, and this 1700 church currently houses two - one from 1500 and one from 1900. After a workplace tragedy, Roxanne's supervisor, Paolo (Marcello Mariani), finds her an assistant who will work for organ-playing lessons and food. Lucia (Ludovica Mancini) is a young, eager-to-learn mute. Her soft, soulful eyes are in stark contrast to Roxanne's sharp facial features and stone cold glares of loathing. Whereas Roxanne is angry, annoyed, and hot-tempered, Lucia remains spirited, open, and energetic.

Of course, the barriers between the two slowly break down, but the twists and surprises and secrets are gradually unveiled. Roxanne's obsessions are not limited to the beautiful pipe organs and sweet Lucia has a side to her no one would have predicted. Ms. Vitale's performance really drives the story and the building of trust between Roxanne and Lucia. The manner in which conveys the softening of her barriers and the re-directing of her focus is fascinating.

Without being overbearing, the film reminds us of the pandemic through Paolo's all too frequent ringing of the 'death bell', the television reports playing in the background, the protective mask defiantly looped around Roxanne's ear, and the warning that nature may carry out God's wrath. And speaking of nature, the camera work outside the church is, at times, stunning in its beauty, striking angles, and message. It's rare to find a filmmaker's 'first' feature so original and well-executed, and that is on top of Mr. Fabbro's use of powerful pipe organ music throughout. This is a truly fine film that hopefully will find an audience.

Be me.

Bored.

"Yea I guess I'll go watch a movie." Watch The Grand Bolero.

Cry for two days.

It's fantastic. A touching film anchored by the magnetic performances of Lidia Vitale and Ludovica Mancini. The musical flow is fantastic and I've never been more draw in to a tiny corner of the world that I have no connection to but somehow felt so intimately close to. A testament to the craft on display and the overwhelming care and love put into the film.

Bravo!

Excellent film from Italy at the San Jose film festival, CINEQUEST. During COVID lockdown, a church is closed down and hires a later middle age woman, Roxanne, a organ repairer, restorer and tuner to work on the theater pipe organ and full pipe organ. The lone priest takes in Lucia, rejected by family; not able to talk, illiterate and only understanding English as an assistant. Cold, gruff Roxanne is totally against the idea, but does work with Lucia. Soundtrack is exceptional, church pipe organ, theater organ and sounds of nature. Cinematography of foothills of the Italian Alps and the lush forest vegetation is excellent. Acting is excellent by all.