Um homem frustrado decide fazer justiça com as próprias mãos depois que um acordo com o promotor libera um dos assassinos de sua família.Um homem frustrado decide fazer justiça com as próprias mãos depois que um acordo com o promotor libera um dos assassinos de sua família.Um homem frustrado decide fazer justiça com as próprias mãos depois que um acordo com o promotor libera um dos assassinos de sua família.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 vitórias e 5 indicações no total
- Denise Rice
- (as Emerald Angel Young)
- Rupert Ames
- (as Joshua Stewart)
Avaliações em destaque
As so many other reviewers have stated, it starts out with great suspense, originality, and creativity, and somewhere in the last 20 minutes, you are left wondering, did it really just end that way? Ouch! I found myself incredibly disappointed.
We all love Jaime Foxx's funny side, but really wanted to see something else happen to him in this film. I get the idea of the end, that he learned his lesson so to speak, but it was still really weak for what it could have been.
However, I'll still give it an 8 as it kept me quite intrigued throughout...so hard to find these days in a quality film.
The movie stands firmly in the long tradition of wish-fulfillment fantasies in which the victim of a broken legal system - functioning as a stand-in for an equally frustrated and helpless audience - finally says enough is enough and takes matters into his own hands, even going outside the limits of the law, if that's what it takes, to achieve justice.
As with the Charles Bronson character in "Death Wish," Gerard Butler's Clyde Shelton witnesses his wife and daughter being brutally raped and murdered by a couple of armed intruders. When the worst of the perpetrators cops a plea and is back out on the streets after a mere three years behind bars, Clyde is forced to take matters into his own hands. But he isn't content merely to bring down the killers themselves but to systematically go after everyone in the legal system – from strict-constructionist judges to hamstrung attorneys - who helped facilitate the injustice. That's where Nick Rice, well played by Jamie Foxx, comes in, the decent but by-the-book prosecutor who helped set up the deal and has now, along with everyone else involved with the case, become a prime target for Clyde's take-no-prisoners reign of terror and retribution.
The one thing that distinguishes "Law Abiding Citizen" from similar films in the genre is that it's not afraid to have a deeply troubled, possibly even psychotic, character at its core. For Clyde does not fit the mold of the typically lovable antihero. The audience is, in the early stages at least, asked to root him on as a conventional Angel of Retribution dispensing the justice that the court system saw fit to deny him, but so much of what he winds up doing steps so far over the line that we eventually balk at his tactics. It's this moral ambiguity that helps to mitigate some of the implausibility of Kurt Wimmer's screenplay, which often goes for effect at the expense of credibility. Indeed the movie's insistence at making him a sort of omnipotent, omnipresent existential force of nature to be reckoned with takes the movie out of the realm of reality and cheapens some of what it is trying to do. And, in the process of reaching its climax, the movie takes a plot turn so ludicrous and credibility-defying that the whole thing pretty much crashes and burns at the end.
That being said, Nick's interactions with Clyde are fun to watch and, thanks to taut direction by F. Gary Gray, there are some moments of genuine suspense scattered along the way. So if you can put your skepticism and critical-thinking skills on hold for the duration, you can have a pretty decent time with "Law Abiding Citizen."
Gerard Butler stars as the ordinary man whose family is killed in a burglary gone wrong. Butler then undergoes a startling transformation as he sets up a campaign of revenge against all those who failed to bring the killers to justice. The film goes from there, starting off dark and becoming increasingly more bleak as the running time goes on.
It has plenty of incident to keep it running along, and some great scenes: Butler's manipulation of the prison regulations, for instance, or the way he manages to wage his vendetta from the INTERIOR of his prison cell. But, along the way, the film's sense of realism diminishes until we end up with a completely ludicrous event at the end which is designed to bring closure. It's not on par with, say, EAGLE EYE for suspension of disbelief, but it's getting there. It's just a shame, as with some tighter writing this could have been a truly great movie. It turns out to be an intriguing oddity, instead.
Butler is good as the 'bad guy', effectively channelling some of that Leonidas rage. But, as usual, Jamie Foxx is completely out of his depth as the lawyer. He's a vacuum of talent, an empty space in the middle of the movie surrounded by other, better, more seasoned performers. It's a shame, as the combination of rubbish actor and rubbish ending scupper this movie's best intentions.
What drew me to the movie was the fact that the hero wasn't going around killing people with his bare hands or face to face. He was doing it with his mind, with careful planning, and deft precision. That was something refreshing to see. I can totally relate to his feelings of anger over the flaws in the justice system and his desire to take matters into his own hands - to make things right.
The ending was disappointing but the rest of the film was not and I liked it overall.
Você sabia?
- CuriosidadesDirector F. Gary Gray decided to use Del Frisco's Double Eagle Steakhouse as the restaurant that caters Clyde's lunch after dining there several times during filming. The restaurant was also the location of the film's after-party following its screening at the Philadelphia Film Festival.
- Erros de gravaçãoThe instant the neurotoxin hit Darby's system he would have fallen down due to being paralyzed. He would not have been able to just stand there, motionless, as muscles are still used when standing still. He also would not be shaking while lying on the table, even when Clyde injected the adrenaline.
- Citações
Jonas Cantrell: Tell us what we're dealing with. Shelton was a spy?
Bray: Look, spies are a dime a dozen. I'm a spy. Clyde is a brain. He's a think tank-type guy. His specialty was low-impact kinetic operations.
Nick Rice: That's a hell of a fancy way to say that he kills people.
Bray: We kill people. He figured out how to do it without ever being in the same room. It was his gift, and he was the best. One time, we're tasking this tricky target. I mean, we're usin' cruise missiles and Predators, and we even had a B-2 Bomber flatten this guy's villa with JDAM. Alright, we're burnin' up millions in ordnance and we're gettin' nowhere with this guy. So we call Clyde, and we ask him to solve our problem. Clyde develops a Kevlar thread with a high-tech ratchet made of carbon fiber. Put it in a necktie. Two days later, Mrs. Bad Guy comes home, finds Mr. Bad Guy dead on the bathroom tile, choked to death. What I'm sayin' is, just assume that this guy can hear and see everything that you're doing.
Nick Rice: No. We got him locked away; maximum security.
Bray: He's in jail, it's because he wants to be in jail. He's a born tactician. Every move that he makes, it means something. That cellmate that he killed, what, you think that was random? No. That's a pawn being moved off the board. If I were you, I'd be lookin' for the next piece. Anybody who had anything to do with that case, he's gonna be comin' after you.
Nick Rice: So what are you sayin'? You sayin' we can't stop him?
Bray: Walk into his cell, and put a bullet in his head. Aside from that, no, you can't stop him. If Clyde wants you dead, you're dead.
- ConexõesFeatured in The Jay Leno Show: Episode #1.19 (2009)
- Trilhas sonorasMr. Tambourine Man
Written by Bob Dylan
Performed by The Studio Sound Ensemble
Courtesy of Countdown Media GmbH
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El vengador
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 73.357.727
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.039.502
- 18 de out. de 2009
- Faturamento bruto mundial
- US$ 127.944.208
- Tempo de duração
- 1 h 49 min(109 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1