Treze Vidas: O Resgate

I'm a scuba diver and well aware of the technical challenges of Cave Diving. I'm also well versed in the rescue of these boys having read two books and seen the previous documentaries. What's great about this movie is that it presents the emotional response of the parents and the divers, especially Harry and John and how they had to cope in an incredibly dynamic and challenging situation, moreso above the water, than in the water.

This was better than expected. Could have gone sideways in so many fashions but resists at every turn to become soapish or maudlin or fall into action flick tropes but it does not. In Ron Howard's able hands this amazing true story comes alive with intrigue and emotion. And clocking in at 2 1/2 hours, for me it did not feel overlong or slow.

Maybe, it helps that I didn't watch The Rescue prior to seeing the film, but Ron Howard's work is excellent nonetheless. The film doesn't waste any time getting to its "rescue mission" core, bringing in the likes of Viggo Mortensen, Colin Farrell, and eventually Joel Edgerton to help tell this thrilling and utterly grounded tale. Howard ensures that the film doesn't forget where it is set, allowing the region's culture to breathe life into its Thai characters as opposed to showcasing just white sentiment.

The major highlight, as you expect, is the underwater cinematography (by Sayombhu Mukdeeprom) which plays an essential role in making us gasp for breath often and inducing claustrophobic feels. William Nicholson's script plays out chronologically, adding more gravity to the events. The melodrama is kept to a bare minimum, and the narrative is very matter-of-fact. Benjamin Wallfisch's score infuses itself into the fantastic sound design, making it indistinguishable from the sounds of water splashing, diving helmets hitting rock, and oxygen cylinders being dragged along. It's 2.5 hours long, and you already know the ending, but it's still one of the finest films this year.

Despite the fact the we all know how things are going to turn out, Ron Howard pulls off the same trick he managed in Apollo 13, which is to keep us on the edge of our seats throughout.

The film is very deliberately shot from the point of view of the outside world. We learn very little about the boys, and none is introduced to us as an individual. Indeed, they vanish from the screen from the moment they enter the caves to the moment the first divers make contact - just as they vanished in real life. I was irked by this approach at first - the boys being reduced to mere ciphers, but then it dawned on me that that's what they were to the news-feeds of the time: twelve unknown boys (plus their coach) trapped in cave in a country a long way away.

The performances are excellent throughout, the direction first-class, and the sense of claustrophobia almost overwhelming at times. I admit to wondering whether there would be a side-swipe at Elon Musk for being a publicity-seeking nuisance, but there wasn't. This was probably the right decision.

Any time I turn on the news, I can hear about humanity at its worst. It's nice to hear the odd story about humanity at its best.

"This is really the superhero movie of the year,". "It's a superhero movie with many, many heroes...see this movie because it will give you an idea of...when people get together to help one another, you will make life much easier. There's a lot of love in it."