AVALIAÇÃO DA IMDb
6,8/10
9,5 mil
SUA AVALIAÇÃO
Enquanto se recusa a fazer o que esperam dela, Emily Brontë vive um amor doloroso e proibido com Weightman e mostra que pode até ser estranha e rebelde, mas é também genial.Enquanto se recusa a fazer o que esperam dela, Emily Brontë vive um amor doloroso e proibido com Weightman e mostra que pode até ser estranha e rebelde, mas é também genial.Enquanto se recusa a fazer o que esperam dela, Emily Brontë vive um amor doloroso e proibido com Weightman e mostra que pode até ser estranha e rebelde, mas é também genial.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 11 indicações no total
Avaliações em destaque
Emma Mackey gives a strong performance as the central character in this drama; she is charismatic and beguiling, an emotional display (though at times this does stray into the histrionic). Whilst the director's intention is to provide a portrayal of the character and inspiration behind Emily Bronte, rather than a straight biopic, the amount of artistic licence used does undermine the credibility of the story. It is implied that the failed romance between Emily and the local curate provided the inspiration for Wuthering Heights, yet this romance did not happen; the characters in the story do not question the idea that the girls might want to become published writers - but society's prejudice at the time meant that they (and Mary-Anne Evans - George Eliot), all had to publish under male pseudonyms. Charlotte is portrayed as a prissy school ma'am - it's hard to imagine this person writing a classic like Jane Eyre. Ann, also a published novelist, is virtually written out of the story. It's a visually attractive film, but unconvincing, and ultimately, rather disappointing.
Emily is a great period drama that announces writer/director Frances O'Connor as someone with clear talent and one to watch and further proves lead actress Emma Mackey's burgeoning stardom with a story that's funny, tragic and full of natural beauty.
Emma Mackey gives a true tour de force performance, earnestly portraying Emily's shy nature and vivid imagination whilst also having an infectious rapport with Fionn Whitehead (great) and some truly fiery chemistry with Oliver Jackson-Cohen (also great).
Frances O'Connor's direction is excellent, utilising handheld camera work to great effect with some very stylish framing but it does overuse cutting to black. The music by Abel Korzeniowski is amazing, beautifully balancing moments of whimsy with a more classical score.
Emma Mackey gives a true tour de force performance, earnestly portraying Emily's shy nature and vivid imagination whilst also having an infectious rapport with Fionn Whitehead (great) and some truly fiery chemistry with Oliver Jackson-Cohen (also great).
Frances O'Connor's direction is excellent, utilising handheld camera work to great effect with some very stylish framing but it does overuse cutting to black. The music by Abel Korzeniowski is amazing, beautifully balancing moments of whimsy with a more classical score.
First. The things I liked:
the music
the costumes
the fact that it was filmed in Haworth and roundabouts
it's beautifully shot.
However, it veered so far away from anything known about about Emily's character or known facts about the Brontes as to be hilarious!
Snogging your employer's wife in church in Victorian Yorkshire? I don't think so!
Some events and even names lifted straight from Wuthering Heights and presented as real life.
The extremely reserved Emily transformed into a raving hysterical nutter with attachment issues.
Emily and Wuthering Heightskerp inspiring film makers, but anything that does do either justice remains sadly elusive.
However, it veered so far away from anything known about about Emily's character or known facts about the Brontes as to be hilarious!
Snogging your employer's wife in church in Victorian Yorkshire? I don't think so!
Some events and even names lifted straight from Wuthering Heights and presented as real life.
The extremely reserved Emily transformed into a raving hysterical nutter with attachment issues.
Emily and Wuthering Heightskerp inspiring film makers, but anything that does do either justice remains sadly elusive.
"Emily", the debut directorial effort of English-Australian actor, Frances O'Connor, is focused on Emily Bronte from the late teens to the finishing of her only novel "Wuthering Heights". She was the middle of the three remarkable young ladies who made a mark on English literature in the mid 18th century. The movie is worth seeing for the trip back to the time and place, aided by the authentic Yorkshire setting and the excellent cinematography by Nanu Segal. Acting was generally good and Frances shows potential as a director. I felt it could have been a bit shorter and tighter. Music was pleasant and unobtrusive apart from a couple of times it built up to a portentous rumble
--and nothing happened.
Emma Mackey looked the part as the introverted but then wilful and free spirited Emily, the 'smouldering' nearing 11. Fionn Whitehead was fine as the wayward artist brother Branwell who was expected to be the shining light. The 'close' relationship between brother and Emily may be largely fiction as was the romance between Emily and the curate. There apparently was some sibling rivalry as suggested in the film, but that is endemic where there are siblings. And Charlotte did value Emily's work.
Despite the liberties with the story, I gained some feeling of the place and time, and more admiration for the achievements of those three young ladies in their brief allotted time. I shall re-read "Wuthering Heights".
Recapping the Brontes; There were 5 progeny. The 2 eldest girls died as children, probably from Tb and possibly helped by the privations of a dodgy 'charity school' for parsons' children. The famous trio were- Charlotte, 1816-1855, -"Jane Eyre"- died at 39.
Emily -"Wuthering Heights"-1818-1848, 30, Tb.
Anne -"Tenant of Wildfell Hall"- 1820-1849, 29, Tb.
One son, Patrick Branwell 1817-1855, 31, Tb.
Their mother died young. They were raised by the widowed parson father and an aunt.
Emma Mackey looked the part as the introverted but then wilful and free spirited Emily, the 'smouldering' nearing 11. Fionn Whitehead was fine as the wayward artist brother Branwell who was expected to be the shining light. The 'close' relationship between brother and Emily may be largely fiction as was the romance between Emily and the curate. There apparently was some sibling rivalry as suggested in the film, but that is endemic where there are siblings. And Charlotte did value Emily's work.
Despite the liberties with the story, I gained some feeling of the place and time, and more admiration for the achievements of those three young ladies in their brief allotted time. I shall re-read "Wuthering Heights".
Recapping the Brontes; There were 5 progeny. The 2 eldest girls died as children, probably from Tb and possibly helped by the privations of a dodgy 'charity school' for parsons' children. The famous trio were- Charlotte, 1816-1855, -"Jane Eyre"- died at 39.
Emily -"Wuthering Heights"-1818-1848, 30, Tb.
Anne -"Tenant of Wildfell Hall"- 1820-1849, 29, Tb.
One son, Patrick Branwell 1817-1855, 31, Tb.
Their mother died young. They were raised by the widowed parson father and an aunt.
This is is well-directed and well acted with beautiful photography. It is loosely based on Emily Bronte's life and depicts events which are mirrored in Wuthering Heights. It is not hard to find factual errors eg.it was Anne who had the relationship with William Weightman, but if you just treat as a story in its own right, it is a great piece of film-making. I was reminded that the films: Becoming Jane and Shakespeare in Love, were also about famous authors used failed romances as the impetus to write. I noticed that the first edition of her book had her own name inside the cover. Like her sisters she wrote under a pseudonym: Ellis Bell.
Você sabia?
- CuriosidadesActress Frances O'Connor's feature-film directorial debut.
- Erros de gravaçãoA first edition of "Wuthering Heights" is shown as being attributed to Emily Brontë. It was originally published under the pen name Ellis Bell and only appeared under her real name after her death.
- Citações
Emily Brontë: I do wonder though... how does God squeeze himself into all that rain? Won't he get wet?
- Trilhas sonorasNocturne No. 2 in C Minor, H. 25
Written by John Field
Performed by Elizabeth Joy Roe
Courtesy of Decca Music Group Ltd
Under licence from Universal Music Operations Limited
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- How long is Emily?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- £ 6.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.097.067
- Fim de semana de estreia nos EUA e Canadá
- US$ 40.287
- 19 de fev. de 2023
- Faturamento bruto mundial
- US$ 4.304.588
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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