30 Days of Night: Dust to Dust

And definitely better than the prequel to this (and the first 30 Days of Night movie). It starts off were the other one left us. And has quite a few nice names to it (Ted Raimi, Shawnee "Saw" Smith and Ken "Dawn of the Dead" Foree amongst them). It flows nicely does not try to convince through fast editing (as the previous net show tried so hard) and has a core to it that works.

The flaws are still there (again with the "next time on" and 10-30 seconds of re-watching what happened in the previous episode last, not counting the credits at the beginning) and they are time consuming, but if you look over that, you might find a short show that can convince you!

this episode was much better than 30 days: blood trails. i thought so anyway aha, :] this one was less violent you could say then the other one's but i liked the story line and Shawnee Smith was in it ... she's awesome :] aha.

i definitely like the movie more though. 30 days of night was great .. maybe not the greatest movie ever ... but great. aha, :] i know not many people like this series but it's not that bad.

you should at least give this episode a chance. :]

i promise you will like this one. if you don't then maybe this series is not for you. but i will admit this is the only episode i liked lol, :]

I'm not sure what this was or why it was made, but it appears to be an Internet-produced sequel to 30 DAYS OF NIGHT. As much of the plot as I can make out, a young woman is slowly turning into a vampire while some vampires ramble about New Orleans. A tenuous connection is made to the 2007 movie, but the vampires here bear little resemblance to the vampires from the movie. If anything, this looks like a student or fan-made film. A single episode of SUPERNATURAL contains better production values and thrills than this odd little offering. One decent scene has the vampire girl, played by a decent-looking blonde, putting the bite on a really hot blonde, but the scene is over in seconds. It could have been much more erotic, with overtones of CARMILLA and lesbianism, in the hands of a more competent director.