Apenas Corra

Yeah, it's an Australian film, with a significantly lower budget than anything Hollywood has to offer but the suggestion that it's not a real horror movie is both ignorant and shows the excessive level of gore and action needed for a brainless and desensitised generation.

It was more a thriller horror; but one that followed the likes of a more old school style.. slow build up (which a lot of people now don't have the patience to sit through), eeriness with some mild violence (rather than excessive blood and guts, just for the sake of it), and again, an obviously lower budget, though I felt the setting and style made it more creepy than expensive, clean film work.

Anyone who gave this a lot score clearly doesn't actually appreciate film.. they just need something loud and chaotic, to distract them from their boring reality.

What a disappointment. A good premise and an interesting first act that leads nowhere. A film that constantly revolves around the same thing, wrapped in a web that it can't unravel, becoming repetitive, unengaging, and predictable. Grief, trauma and a sense of guilt are big themes here and they proportionate some good scenes, but it becomes too much of the same, not justifying its duration at all.

Sarah Snook tries to swim against the tide, but even she becomes tiresome, having to go in circles in this story. To top it off, an ending that doesn't reward us for anything at all. This should have been good.

Was it the best movie I've ever seen? No.

It felt a little long and drawn out, but production quality and acting was strong. Even the storyline ended up coming full circle and giving the audience resolution and answers to the questions which I really appreciated. Usually this type of movie will end up leaving you to feel confused or they'll leave you on a cliff hanger. I appreciate that things were explained and that the story made sense in the end.

I loved the creepy/eerie shots. Like when they would stare at the black hole in the fireplace or staring into the black empty dresser. I feel like the storyline compares to movies like Hide and Seek (2005) or The Watcher (2022), but it had a very dark, unsettling, eerie feeling that compared to The Witch (2015) and Hereditary (2018). It's nowhere near as scary as either or those movies, but the music and camera work had similarities.

If you enjoy thriller or horror, then I think it's worth a try. Especially with the lack of horror movies and thrillers on the market right now.

The writers tried to commingle supernatural elements with psychological thriller elements, in what ended up being a terrible sequence of events. Ultimately I found the story flat and nondescript. With a different set of hands, I think this movie could have been fulfilling and exciting.

Sarah Snook delivers a good, but perhaps unmemorable performance as the troubled mother. It got annoying to hear her shout "Mia!" every five minutes and to see her scold, physically hurt, and discipline her daughter.

Any scenes with Joan or Denise were unsubstantial. Also Mia's drawings added nothing of horror to this picture. It's a rudimentary Netflix-produced movie with a poor script and unexplained symbolism.

What a waste of talent. It's just a silly stupid movie. It was definitely not horrifying, it was just in bad taste. There is a difference. I don't for a minute believe Elizabeth Moss was ever going to make this movie. I think they used that to snooker Sarah Snook into doing the movie and shame on them. I'm sure she was probably also enticed by it being made in her homeland and she was expecting a baby, I think, about that time or just had a baby so there was a lot going on as well as wrapping up "Succession". Anyway I look forward to her future work in worthy pieces.

Be smart. Don't get suckered into lesser works.