AVALIAÇÃO DA IMDb
5,1/10
1,8 mil
SUA AVALIAÇÃO
Um conto moderno que inclui zumbis. Uma sátira e celebração dos valores familiares, imagens de filmes de terror, vida suburbana, o sonho americano e o tabu supremo: a morte.Um conto moderno que inclui zumbis. Uma sátira e celebração dos valores familiares, imagens de filmes de terror, vida suburbana, o sonho americano e o tabu supremo: a morte.Um conto moderno que inclui zumbis. Uma sátira e celebração dos valores familiares, imagens de filmes de terror, vida suburbana, o sonho americano e o tabu supremo: a morte.
- Direção
- Roteiristas
- Artistas
Ben Nealon
- Chloe's Father
- (as Benjamin Nealon)
Avaliações em destaque
When I watched the trailer, I thought that this is a horror comedy about post zombie apocalyptic story. But as it turns out, it's not. It's very different from my initial impression. As someone who holds the importance of principle, I have to point out that this movie doesn't have any. It didn't explain how things were the way they were in it. Like how a group of corpses suddenly got reanimated. Was it the magic of Halloween (Samhain, the Wiccan's New Year) or was it a curse? Anything would suffice. But there was no explanation of how the corpses can come back to life. It's kinda crucial, if you ask me. Cause otherwise people can start making movies without rules, like pigs can fly or kitchen utensils can move by themselves. It's pure chaos and utter non sense. I should've given this movie 4 stars for this HUGE flaw. But seeing how this is a good-feel comedy, I've decided to bump it up by 2 stars.
After the death of his mother, a lonely teen is taken unable to move on is forced to make friends which allows him to dig up recently-deceased corpses to use as a family but the more he spends with them the more he tries to keep them safe the family of corpses allows him a different life than he wanted.
This was a rather solid effort if suffers somewhat as a genre outing. The film has an entirely effective cheesy atmosphere throughout here that becomes its greatest asset, working a highly effective tone here with the spot-on satire on old-school corny tone at the sight of everything happening here. That comes from the flashbacks to the entirely goofy idea of the creatures coming to life for a fantasy-based series of encounters that maintain a highly enjoyable tone that carries on throughout here. All of the various whimsical situations throughout the second half come off quite nicely as it weaves through the secondary storyline involving the need for a person's independence and sense of family that this one carries throughout here. For all of this, though, the film does stumble as a genuine genre effort as the whole thing flies in the face of more traditional zombie fare. Rather than engage in the more expected flesh-ripping and entrail-munching that would be expected in these kinds of films, the zombies are treated more as a ghostly imaginary friend role that is constantly undecided whether or not others can see them. Despite his insistance that they're living with him and that they're constantly around him, this one tends to go back-and-forth as to their existence since there's nothing about how they come back to life as he just finds them awake one morning with no hint as to how they reanimated. It comes off as the one main flaw with this one, however, so it's not a completely crippling factor as those who can buy the whimsical setup will have a lot to like with this one.
Rated Unrated/R: Violence and Language.
This was a rather solid effort if suffers somewhat as a genre outing. The film has an entirely effective cheesy atmosphere throughout here that becomes its greatest asset, working a highly effective tone here with the spot-on satire on old-school corny tone at the sight of everything happening here. That comes from the flashbacks to the entirely goofy idea of the creatures coming to life for a fantasy-based series of encounters that maintain a highly enjoyable tone that carries on throughout here. All of the various whimsical situations throughout the second half come off quite nicely as it weaves through the secondary storyline involving the need for a person's independence and sense of family that this one carries throughout here. For all of this, though, the film does stumble as a genuine genre effort as the whole thing flies in the face of more traditional zombie fare. Rather than engage in the more expected flesh-ripping and entrail-munching that would be expected in these kinds of films, the zombies are treated more as a ghostly imaginary friend role that is constantly undecided whether or not others can see them. Despite his insistance that they're living with him and that they're constantly around him, this one tends to go back-and-forth as to their existence since there's nothing about how they come back to life as he just finds them awake one morning with no hint as to how they reanimated. It comes off as the one main flaw with this one, however, so it's not a completely crippling factor as those who can buy the whimsical setup will have a lot to like with this one.
Rated Unrated/R: Violence and Language.
The Loneliest Boy in the World is a unique story about a teenage boy who lost his mother in what he calls and accident. After being told to find friends, which is not an easy task for him, he begins to make his own by digging up corpses from recently passed people. He creates his own family of dead bodies in his house. But one day he wakes up to find them more alive than ever...
The movie is colorful and stylish, the actors do a good job portraying their characters, however this movie is riddled with clichés and plot holes. There are several things that are not adding up and the movie feels like it is unsure what it wants to be. It plays out like a kid's movie with horror aspects but has an R-rating and I think the movie should have decided for either one of those. It could have been much darker and more horrifying with more absurd and crazy storytelling, but it chooses to be a mixture and therefore be rather forgettable. [5,1/10]
The movie is colorful and stylish, the actors do a good job portraying their characters, however this movie is riddled with clichés and plot holes. There are several things that are not adding up and the movie feels like it is unsure what it wants to be. It plays out like a kid's movie with horror aspects but has an R-rating and I think the movie should have decided for either one of those. It could have been much darker and more horrifying with more absurd and crazy storytelling, but it chooses to be a mixture and therefore be rather forgettable. [5,1/10]
Eeww. Just ...eww.
This horror comedy is way too heavy on the gross. It emphasizes the reality of dead bodies, beginning with the mother's "accident" and goes too far when Oliver's new family of dead bodies come to life. He can't imagine them being fun or clever or not puking up every single thing they eat, talking while vomiting. That's when I had to turn it off.
Nothing about Oliver is compelling, anyway, he's just weird and sad and obviously belongs in a mental hospital. There's also something sad about him making friends with corpses he dug up from the grave, that gives creepy vibes in the worst possible way. Not a fun way or a spooky way, but like a "omg that's a dead body you freaking weirdo."
Seems like some indie film maker was trying to push the envelope just to be an edgelord, or has some necrophiliac tendencies. Because I'm lost on how a normal person could find this funny or charming.
This horror comedy is way too heavy on the gross. It emphasizes the reality of dead bodies, beginning with the mother's "accident" and goes too far when Oliver's new family of dead bodies come to life. He can't imagine them being fun or clever or not puking up every single thing they eat, talking while vomiting. That's when I had to turn it off.
Nothing about Oliver is compelling, anyway, he's just weird and sad and obviously belongs in a mental hospital. There's also something sad about him making friends with corpses he dug up from the grave, that gives creepy vibes in the worst possible way. Not a fun way or a spooky way, but like a "omg that's a dead body you freaking weirdo."
Seems like some indie film maker was trying to push the envelope just to be an edgelord, or has some necrophiliac tendencies. Because I'm lost on how a normal person could find this funny or charming.
I enjoyed this movie and found the premise quite unique and very entertaining. The title character was done quite well and combined a pleasant personality with a somewhat disturbing and quirky side that was amusing.
The entire cast did an excellent job and played it perfectly...again pleasant and yet that odd quirkiness that made them each very interesting!
Now for the MAJOR flaw. The movies was filmed in Wales with an all British cast, but set somewhere in the United States and with a story line purporting to be a young man trying to live the American dream, so what was the point of setting it in America?
That fact seemed pointless and detracted from the story. The thinly veiled British accents were quite apparent and to be honest, ANNOYING distracting. Everything was overtly British while pretending to be American?
The entire cast did an excellent job and played it perfectly...again pleasant and yet that odd quirkiness that made them each very interesting!
Now for the MAJOR flaw. The movies was filmed in Wales with an all British cast, but set somewhere in the United States and with a story line purporting to be a young man trying to live the American dream, so what was the point of setting it in America?
That fact seemed pointless and detracted from the story. The thinly veiled British accents were quite apparent and to be honest, ANNOYING distracting. Everything was overtly British while pretending to be American?
Você sabia?
- CuriosidadesIn the scene in which Oliver's "mother" Susanne phones Chloe's mother Rachel to invite Rachel's family to a Halloween party, classical piano music is heard in the background. The piece being performed during the short phone call is the fourth movement of Franz Schubert's Sonata in B-flat Major, D. 960.
- Erros de gravaçãoWhen Oliver is playing the piano and asks Mitch "do you know this song", it's the "King Of Wishful Thinking" by Go West which came out in 1990. The date on the camcorder in a later scene says the year is 1987.
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 52.215
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Proporção
- 2.39:1
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