Robôs: Um Amor Programado

We live in a time where body double robots can do the tedious legwork until a relationship gets serious. Even office work, board meetings and more can be handled by a robot.

Modern era catfishing is not only funny, but also very similar to everyday dating woes.

The movie combines romance, comedy, technology and a refreshing view into the future of humanity.

While the depicted storyline isn't reality as of today - we are also not that far away from it.

Only time will tell whether the intrinsic situations of this movie will come true.

Knowing humans, some of them might do it.

A great movie set in Los Angeles.

It has several laugh out loud moments, like the Tesla robot immigrants line at the start which misleadingly raised my expectations really high. I was a little excited before hand, didn't know the story or expecting it to be amazing, all I knew was Jack Whitehall in a movie with Shailene Woodley; which are two people I never thought would star in a movie together as romantic lead. And from that point it's exactly how you'd expect it to go. Don't expect anything special. I am a huge fan of Shailene in pretty much everything I've seen her in, and I've watched some of Jack's standup and liked him in jungle cruise.

It was just really cringe for the most part, and as much as I like Jack his role felt miscast, he started off as a player which wasn't believable even if you hadn't seen him in anything else; but as the movie went on he broke character and instead of acting as Charles, glimpses of the Jack's personality in real life broke through. Shailene was great and feels like her talents went wasted.

It had a really low budget and it was very evident throughout; which is fine sometimes but is noticeable when the movie isn't great to begin with. Robots look scary and creepy, the slave ones not the clones. It was a pretty good premise but definitely could've been executed better and it would've covered up the cracks. It also feels much shorter than it actually is, which I think is a positive, rather that than the movie feel drag out.

The characters lacked chemistry and in such a movie that would've been invaluable. It's the type of movie that needs spectacular chemistry or writing in order to pull off, otherwise it flops. I couldn't hate it though because I'm a fan of the actors but in the end, it should've been more romantic and more comedic, so that doesn't bode well for any romcom.

A sci-fi comedy that, while not groundbreaking or original, manages to provide a mildly entertaining experience if you find yourself with nothing better to do. The film stars Jack Whitehall, who may have limited acting chops but brings endearing quality with his puppy eyes.

The story revolves around Charles (played by Jack Whitehall), a womanizer, and Elaine (Shailene Woodley), a gold digger. Their paths collide when they are unexpectedly forced to team up and pursue robot doubles of themselves. It is through this unlikely partnership that they begin to get to know each other better.

Unfortunately, "Robots" falls short in terms of originality. The concept of robot lookalikes and AI discovering their humanity has been explored in countless other films before. As a result, the storyline is predictable and lacks the element of surprise. The jokes and comedic moments are also hit-and-miss, with some landing well while others fall flat.

Despite these shortcomings, the film does have its moments. Jack Whitehall's charm and likability shine through, making his character relatable and engaging. While his acting skills may be limited, he manages to bring a level of sweetness to the role that keeps the audience rooting for him. Shailene Woodley delivers a decent performance as well, although her character has a more limited role.

Ultimately, "Robots" is a watchable movie if you're in the mood for a lighthearted sci-fi comedy and don't have high expectations. It won't leave a lasting impact or be remembered as a standout film in the genre, but it can provide some amusement for a lazy afternoon or a casual movie night. Just don't expect anything groundbreaking or particularly original, and you may find yourself mildly entertained by the end.

After watching the trailer I expected to like this movie and it turned out to be pretty much exactly what I expected it to be. It's a straightforward story with plenty of laughs. The jokes mostly landed for me, even the silly ones, but that's going to vary from person to person. People are always so hard on comedies but I would take a bad comedy over a good drama most days. But I don't think this is a bad comedy, at worst it's average.

It's foremost a romance, so anyone not looking for a rom-com is watching the wrong movie. But it's a nice alternative to the Hallmark romances churned out by the dozen. Rom-coms involving a begrudging alliance between two people ill-suited to be together who eventually fall in love is one of my favorite tropes. It reminded me of Addicted to Love.

When I saw Robert Sheckley's name in the credits, I knew right away what I was in for. And that's the best thing about Robots: it's the best cinematic rendition so far of Sheckley's unique mix of SF and satire.

To be sure, that mix may not be to everyone's taste. The main reason is likely to be historical. The story The Robot Who Looked Like Me, upon which the movie Robots is based, dates back to 1978, and is bound to show its age a bit. On the other hand, the basic concept remains fresh and amusing: robot stand-ins being used for devious purposes, thereby bringing out the worst in weak personalities.

The execution isn't perfect. Some gags are side-splitting, others barely worth a giggle. The relationship between the two leads follows an obvious but not entirely believable trajectory. And yet, the movie overall achieves what it sets out to do. It's both funny and thought-provoking, suggesting ways of thinking about 'AI' that may not have occurred to us even as the technology is being deployed around us.

The acting is solid. Shailene Woodley and British comedian Jack Whitehall both do a good job in their double roles - triple, in the case of Woodley). Their 'real' personalities are suitably loathsome and venal. The robot personalities are convincingly genteel and obsequious. And Woodley's bit as a sex-toy version of herself is hilarious.

But what I liked most was that old lunatic feel of Sheckley's writing. He's not the best-remembered author of the SF golden age, perhaps because he took a very different approach. I haven't pulled any of his books off my shelf for many years, but certain passages, certain zany situations, still ring in my mind. It's great to see this kind of material rediscovered and respectfully adapted. I wish Hollywood would get busy adapting more SF classics works for 21st-Century audiences.

(FYI: previous Sheckley adaptations have included The Tenth Victim - La Decima VIttima, starring Marcello Mastroianni and Ursula Andress, and Freejack, starring Mick Jagger. Not great films, but stylish fun.)