Beyto

A sort of patchwork. Two young men, very different, mates , in love. Two different cultures. A wedding. And the challenges front to the young men. A nice film, first for the effort to convince but remaining a work made with patches , each patch being more interesting alone, more than as part of a film who looks for demonstrate too much. One of nice virtues - the work of Ecem Aydin as Seher. Maybe, the end , to But, sure, a love/ coming out film careful crafted than defines Beyto as decent one.

It was interesting to read some of the reviews here. Many found this tale interesting and then, of course, some did not. I agree that the plot of it has been approached in other films, but the one aspect that made it special for me was the fact that Beyto never disavows who he is. He knows exactly what he wants and regardless of the situation, he remains steadfast in his quest. Whether or not he deserves the other guy, isn't the issue. The heart knows what the heart wants and Beyto never loses that focus, even when all the odds seem to be against him. That is what I found fresh about this story and for that fact alone, I enjoyed watching the outcome. Nice production and some moving scenes! Enjoy.

The segment in Turkey is really strong and I wished the whole movie was just this story. But the main character is very whiney and insufferable, and his Swiss boyfriend is so poorly drawn that he comes off as an unintentional misogynist when things get complicated. Without giving anything away, I was also not a fan of the implausible ending. There are a lot of promising elements in this, but they sadly don't add up for a number of reasons.

There have been quite a few LGBT themed films regarding characters of Turkish root (from the cult classic 'Lola and the Billy the Kid' to more recent 'Wo willst du hin, Habibi'). So the basic drama is nothing new at all. The difference here is how the characters stuck in the situation make compromises and find a way to look for a better future. Another positive note is none of the characters - Beyto's parents who forces their son to an arranged marriage, Beyto's bride, his boy friend and Beyto himself - are either demonized or victimized.

But this positive note is ultimately unconvincing, not only because it's bit unrealistic but more so because the delivery is weak. The acting, script and editing are all bit rough around the edge and loose that it feels more like a TV drama than a feature film, where things has to be kept much tighter given the limited run-time. It is most obvious with the ending. Just a scene ago, everybody was a tortured soul and the gap between them still much to wide, and then we're suddenly thrown with all smile, all sunny and blue water last scene, where everything suddenly looks positive. I can't dismiss the feeling something's missing inbetween, and frankly there were quite a few moments I felt that way through out the film.

It's a good effort, worth a watch and I'm looking forward to more of such positive looking films in the future... but I hope it could be more in a polished presentation.

Well, if rural Turkey is really like this movie depicts it (and I see no reason why they would exaggerate), then to hell with it. And with those backwards primitive so-called traditions that they have. Really, to the bloody hell with that whole country.

This movie is well done. All actors are good. Especially the Turkish actors playing the parents are very believable and they manage to convey beautifully the stupidity of real ones. The main actors are also good and there is a refreshing simplicity in their portrayal of gay lovers.

The ending is quite happy and comforting, which is something I really salute, given the amount of gay-themed movies with terrible endings.