Midas Man

Really enjoyed this telling of Brian Epstein's life and his pivotal role in The Beatles becoming huge.

Jacob Fortune-Lloyd is an engaging Brian. His belief in the boys and need for the world to see them really comes across.

Aside from learning about Epstein's influence, the film does a great job of showing his struggle between public image and private self without being too 'sensational' which can be annoying with biopics.

Some might see that as playing it a bit safe but I thought it struck a nice balance.

The film is stylish, the casting of The Beatles works well (Lennon is short though!) and the fourth wall breaking moments are fun.

Shame there wasn't any really recognisable songs, probably hard to get, but the early Beatles songs they used fit well.

Midas Man tackles the story of Brian Epstein, the visionary manager behind the rise of The Beatles, and delivers a focused, often insightful look at his journey from meeting the Fab Four to navigating the early waves of Beatlemania. Refreshingly, the film avoids detours into Epstein's childhood or lengthy setup, diving right into the pivotal moment when Epstein encounters the Beatles. It's exactly the timeline fans want to see, offering an experience that feels true to Epstein's impact on music history.

The performances are, for the most part, strong. Jacob Fortune-Lloyd's portrayal of Epstein is nuanced and genuine. He brings out the depth of Epstein's character-an ambitious yet vulnerable manager whose life was as complex as the band he helped shape. Fortune-Lloyd avoids any wooden stereotypes, instead delivering a believable and sensitive portrayal. However, some casting choices miss the mark visually. Jonah Lees as Lennon feels jarringly short, and while his performance captures some of Lennon's essence, the physical mismatch is hard to overlook. Similarly, Charley Palmer Rothwell as George Martin and John McCaffery as Mal Evans, though they have limited screen time, don't quite match the stature of the real figures, leaving some of the visual casting decisions a bit off.

However, Midas Man redeems itself with an outstanding performance from Blake Richardson as Paul McCartney. Richardson's portrayal captures Paul's charisma and wit in a way few actors have achieved in past Beatles films. He stands out as the highlight of the supporting cast, though fans may wish he had more screen time.

A poetic touch at the film's conclusion sees Epstein crossing Abbey Road-a nod to the famous cover of the Beatles' last album-a metaphorical and respectful close to Epstein's journey, though perhaps a bittersweet reminder of his absence from that iconic era.

There are some notable omissions that fans will feel keenly. The moment Lennon tells Epstein, "Okay then Brian, manage us," is left out-a line that marked a pivotal turning point in The Beatles' story. Its absence is a missed opportunity to capture the power of that early decision. Also absent is any exploration of Epstein's rumored fascination with Lennon, a subject of much speculation and possibly a deeper emotional undercurrent in Epstein's life. Additionally, the lack of Beatles music in the film is undeniably disappointing, though understandable given the high licensing fees. Still, a biopic on Epstein feels somewhat incomplete without the soundtrack that defined his career.

Midas Man is a well-crafted film that offers Beatles fans a fresh look at the pivotal role Brian Epstein played in the band's meteoric rise. Despite a few missed opportunities and the absence of Beatles music, the film captures the spirit of Epstein's ambition and the transformative period of the early '60s with style and sensitivity. While it may not replace the thrill of the original story, Midas Man shines as a heartfelt tribute to the "fifth Beatle" and offers an enjoyable, insightful experience that fans of the Fab Four won't want to miss.

The story of The Beatles is so well known that finding a new angle on it is almost impossible, however, this film tries by telling the story from the point of view of their manager, Brian Epstein. It succeeds well early on, recreating The Cavern club, the Epstein music store, and the very first meetings, but then the story becomes ever so familiar; Beatlemania; Abbey Road and George Martin; breaking America; the Ed Sullivan show etc etc, with a smattering of Epstein's ups and downs and his complex private life, which is portrayed as ultimately lonely and in turmoil, particularly in trying to deal with his homosexuality when it was still illegal and taboo. Jacob Fortune-Lloyd does an excellent job as Epstein, with good or passable cameos of George Martin, The Beatles themselves, Cilla and others, but I felt just maybe a bit more of the really early story, less of the so well trodden saga, might have made this more impressive. The film also deals well with the problem (because of the cost of song rights) of not including actual Beatles music. Not a failure, and definitely worth a look.

I was apprehensive about this film as a huge Beatles fan & I personally know people who worked with Brian Epstein.

But I thought the performance by Jacob was excellent. He captured every little nuance of Brian's character.

Eddie was great as Brian's dad Harry.

Emily as Malka was a bit weaker.

The film was also well written & it captured Brians life well.

Though I think his death & body discovery could have been played out on screen, it would have been more personal.

The costumes were perfect and captured Brian's fastidious fashion sense.

Only disappointment was John Lennon was way too short.

As a lifelong Beatles fan, I had to watch this film. To be honest, I was already familiar with most of the narrative but could not resist an in depth view of the passion and pain behind the driving force!

And it started well. The relation between Epstein and his 'boys' was well acted and drew me in. This was largely down to an excellent performance from Jacob Fortune-Lloyd. He manages to combine passion, eccentricity and brilliance - particularly in the first half hour.

But for me it then lost its way and became a bit rushed. There isn't really enough space to explore the contradictions that led to Brian's tragic demise. The absence of any Beatles compositions was a huge problem. The memorable intro to Twist and Shout at the Royal Variety Show needs erm Twist and Shout. The same goes for the final scenes with the broadcast of All You Need is Love which did not include the song itself.

It all fell short of its opening promise. I have to mention a special performance from Darci Shaw as Cilla Black. Her touching moment with Brian is the standout moment.