Almoço em Agosto

Gianni (Gianni Di Gregorio) spends the majority of his time looking after his elderly and demanding mother (Valeria De Franciscis). His bills are way overdue and his fellow tenants are becoming uneasy with the fact that he never puts into the kitty. A friend offers to help him out only if he takes his mother and aunt for a while, and soon his once- quiet apartment becomes overrun with chatty and restless old ladies. After a medical check-up, he agrees to take his doctor's mother on board as well. Soon Gianni is struggling with keeping up with the ever- increasing demands and mischievous behaviour from his new inhabitants.

Ending at around the 71 minute mark, this film does quite a lot in a relatively slight running time. It manages to be sweet, funny and moving in a very subtle way, that doesn't completely hit home until after the film has ended. While a film of similar theme may patronise old age and add sentimentality, Mid-August Lunch portrays old age as something to cherish. The old ladies seem to come to life when together, when previously Gianni's mother had been almost melancholy on her own. The bubbly Marina (Marina Cacciotti) sneaks out at night and a panicked Gianni finds her drinking and smoking in a bar, only for Gianni to have trouble putting her to bed later as she flirts and demands to play cards. Grazia (Grazia Cesarini Sforza) uses it as an opportunity to eat baked pasta, something her doctor son has banned her from eating.

I really got a feel for Italian life from the film - family, friends, great food, fine wine. In fact, the whole film washes down like a glass of chianti. This is a lovely little gem from actor-director Gianni Di Gregorio, and it's dealt with in an unfussy and sensitive manner. Di Gregorio also co-wrote the screenplay for 2008's Gomorrah, which I would also highly recommend.

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The cliché of the Italian bachelor living at home with a doting mother who waits on him and prepares his favorite meals is turned on it's head in the delicious Italian treat, "Mid-August Lunch." In this film, unemployed fifty-ish bachelor Gianni (Gianni Di Gregorio) shows respect for his ninety-something mother by taking good care of her and lovingly preparing their meals.

The small family has been living off of credit for some time and is months behind on their maintenance and electric bills for their ancient apartment. The landlord is willing to forgive the dept if they take in his mother so he can get away for the Mid-August holiday. The landlord drops off his mother AND his aunt. And soon the doctor's mother joins the mix. So Gianni must survive the weekend playing good host to four strong-willed shut-ins. What impressed me most was how he never loses his manners but treats these woman with the respect earned by those who have reached a certain age.

This is a film about the joys of entertaining. It illustrates the isolation that comes with aging and our continued need to socialize. There is an Italian saying, "A tavola no s'invecchia," that articulates the theme perfectly, "The passage of time is suspended with experiencing the pleasure of good food, good wine and company."

"Mid-August Lunch" dishes up "slice of life" humor with simple, authentic Italian flavors like those in the perch with potatoes, oregano and rosemary lovingly served at the holiday feast.

Movie Blessings! Jana Segal, Reel Inspiration

Writer/director Gianni Di Gregorio is also the star of this delightful little film about loneliness, tolerance, and seeing the silver lining. The film glows with a richness of spirit that is very satisfying and humorous and uplifting. Apparently Pranzo di Ferragosto (or Feast of Assumption) is that holiday in mid august when all Italians head for the shore so get away from the heat. Gianni lives in Rome with his very elderly and demanding mother (Valeria De Franciscis), broke, with mounting tabs at the grocers and the winery, but he prides himself in his culinary skills with which he keeps his mother satisfied. He spends his days whopping and sipping wine with his old friend Viking (Luigi Marchetti). When his friend and condo manager Alfonso (Alfonso Santagata) pays a visit to remind Gianni how he is behind in his rent and obligations for the condo, Gianni is depressed but Alfonso has a plan: take care of his mother (Marina Cacciotti) during the weekend of Pranzo di Ferragosto and Gianni's debts will be forgiven. Gianni agrees as does his mother, but when Alfonso arrives with his mother in tow he also brings his aunt (Maria Cali) who also needs a place to stay in Alfonso's absence. The local doctor (Marcello Ottolenghi) pays a house call to check on Gianni and his mother and in passing asks Gianni to look after HIS mother (Grazia Cesarini Sforza), too. This leaves Gianni with a full house, a shared television, minimal beds, but they all make do and with the help of his old friend Viking the two to entertain the three old ladies. They cook a fine mid-August meal and the old lades dress up and dance, having more fun than they have had since their youth.

It is a slight story but one told with a warmth and compassion that is endearing to experience. For light but tender entertainment this film is a major winner!

Grady Harp

To help pay some debts, Gianni, an unemployed, single, middle aged man, agrees to look after four very old women for a night. Antics DO NOT ensue, as you might expect, but friendship food,and joy. The director, Gianni Di Gregorio, wrote it, acted in it, used his own apartment, based it on an incident in his own life, and then and cast the women from hundreds of non-professionals. The result is a unique and brilliant short story of a film. It was pointed out that August 15 is Feast of the Assumption, and that in religious mythology Mary "having completed the course of her earthly life, was assumed body and soul into heavenly glory". The old women in this movie are also ascending to heaven without death, and the movie glories in the blessings and quirks of old age. If you love your mother, Italy, or Italian movies – see it!

"Pranzo di ferragosto" is one delightful, insightful, funny and unpretentious little cinematic jewel, whose director, script writer and main actor, Gianni DiGregorio, proves to us that it doesn't take a huge budget, big stars, lots of witty dialogs or 120 minutes to make a masterpiece, and one which goes back to the golden age of the Italian comedy and Italian realism.

The story is very simple: Gianni, a middle-aged Roman who lives with his mother in an old Trastevere apartment, is first kind of "blackmailed" by his landlord to take the the latter's mother at his home for the Italian midsummer holiday. He gets more than he bargained for when the mother is accompanied by an unannounced aunt and when later his doctor also asks him to take his mother, in addition to Gianni's own mamma, of course. Each of the old ladies has her own personality, quirks, preferences, etc. and Gianni will have to do his best to keep them all happy. This will lead to a wholly enjoyable 75-minute ride for the viewer.

One thing that I loved about this movie is that it depicts old age in a respectful, humorous and optimistic light -the old ladies are not at all old in mentality and spirit, and they keep enjoying life to the most, each in her own style. I also enjoyed how the film is full of little sketches of very real everyday situations in which we can all see ourselves -sitting with a friend without needing or having any life-changing conversation, looking out to the city while smoking a cigarette, sitting with your family or people you care for, sharing a dinner, having small talk, the joy of reunion and togetherness and the joy of having a home... those scenes were very heart-moving and very meaningful to me.

My rating is 10/10 for a new instant favorite of mine.