Spielzeugland

the films about Shoah are many. but "Toyland" is different. for its intensity. for its switch. for the exploration of an explanation and a fundamental decision. and, sure, for something who remains out of words. because it is a film about hope. and about miracle in a form who seems so easy to define than remains deep way impressive. a mother, her son, theirs neighbors.and a piano. nothing more but enough for a so intense film, profound provocative, than it becomes a serious challenge for the viewer. to become himself. in better version.

I just saw Spielzeugland and recognized the whole plot almost from the beginning. I am positive I've seen it before, or read it. Does anyone else remember it? There was a Q&A with the writer and he didn't mention getting the plot from somewhere else. Anyone out there know this story from a maybe book or a t.v. show? That said, I did find it very moving and upsetting. The actress who played the mother did a fine job, as did the piano teacher. People may say holocaust-themed movies are overdone, but I don't think so; that era needs to be kept alive in peoples' minds so that it doesn't fade into oblivion as the final survivors die out. It's hard to believe the entire film is only l4 minutes long.

"Toyland" is a film that works so brilliantly that it managed to be powerful, thought-provoking and even gut-wrenching than most Hollywood films that are 8 to 10 times longer. With sparse dialogue, director Jochen Alexander Freydank keeps us hooked throughout this superb short film.

Set during the Holocaust, a German woman frantically searches for her son, who might have decided to accompany his Jewish neighbors to a Nazi concentration camp because the Jewish family's young son and her son are best friends.

The film is elegantly shot and wonderfully acted. There is more poignancy and true emotion in this film than I have seen in most Hollywood films in recent times.

Director Freydank moves his story along, with us always wondering not only what comes next but how this is going to end. And then comes the denouement: A truly remarkable twist that says much about the human spirit. It is a moment that will break your heart while simultaneously make you smile.

If you have the chance to see this, and the other Oscar-nominated live action shorts, do yourself a favor and watch them. Believe me, it will be time much better spent than, say, on "New In Town" or most any other mainstream Hollywood film.

Potently seen through the eyes of two young boys, the rise of Nazi-ism is depicted as "David" (Tamay Bulut Ozvatan), a Jew, and his family must make preparations for a trip whilst the mother of the other (Julia Jäger) must make preparations to lie to her son about just what is going on in their country now. They boys have no appreciation of the dangers and so armed with his bear "Little Paul" the two insist on travelling together. Can his mother track down "Heinrich" (Cedric Eich) before it's too late? It's chilling, this film - not just the effects of the snow on the ground but these ghastly yellow stars stitched like targets upon the clothing of the unwilling travellers. The boys think they are going to "Toyland".... Scary stuff well presented with an effective minimum of dialogue.

Today I went with three friends to a special showing of all the films nominated for the 2009 Oscar for Best Live Action Short. Oddly, the four of us were in pretty much agreement about the films. Our pick for best of the nominees was PIG ("Grisen"), though ON THE LINE ("Auf der Strecke") was a very good film and is nearly as deserving of the award. We predicted that TOYLAND ("Spielzeugland"), however, will win the award because it's the sort of the film the Academy tends to like AND because PIG might ruffle some feathers because it is not "politically correct". I'll update this review after the awards are given.

TOYLAND is a film set during the Nazi era. A boy asks his mother about why all his neighbors (all Jews) are disappearing. She explains that everything is okay and that they have gone to "Toyland". Unfortunately, it sounds like such a nice place that the kid hopes to go there, too, and the film begins with him sneaking off with a shipment of Jews to the concentration camps because he wants to visit this magical place.

Much of the film consists of the mother trying to find the boy and eventually the SS officers help her to try to locate the boy. This all ends in a marvelous twist that I won't reveal here, but this twist takes the film from the ordinary to the extraordinary.

A lovely film that will probably win--in part, because the film is about an important subject that the Academy seems to like, the Holocaust (and highly reminiscent of LIFE IS BEAUTIFUL), and in part because it is so exceptionally well-crafted from start to finish. My only reservation is that the print was awfully dark--practically everything looked black at times. Perhaps it was just a bad print.

UPDATE: It's official, TOYLAND is the winner. This didn't surprise me at all and it was well deserving of the award, though I was still pulling for PIG to take the honors.