A Serpente de Essex

Very intriguing. I guess I can't fault people for their opinions but when I read so of the stuff on here sometimes I wonder what people expect out of these shows.

It's good. Makes we wonder what will happen next. I can't imagine the twist that's to come. Characters are diverse and seem to all have lives and their own struggles.

To me the show comments on society and each of the character's roles/struggles within.

In closing, the pace is slower than people are used to I guess. Their are 80 stars jockeying for screen time. No CGI monsters tearing the city apart. Just something pleasant to watch with a spouse or loved one on a Sunday afternoon.

Good show.

I watched the first 2 released epis of The Essex Serpent (on AppleTV). Set in Victorian England (circa 1893?) around London and Essex, the show is superbly shot and acted. Danes does a good job affecting an English accent, and I forgot about it after the first 5 or 10 minutes. This show may not be for everyone, as it is slow-paced and a bit moody/dreary. However, if like me, you like period pieces that do a great job with its setting, then this one might be for you. It's based on a book I've never read or even heard of. There's bit of Vicky era science going on here, both medical and paleo, with a touch of theology and superstition of the time (and maybe a bit of politics as well). The Serpent of the tile is sort of a Nessy type. (although heard it's not seen in the first 2 epis)

Started off well with a smooth flow of anticipative suspense and possibilities. Then it quickly regressed to absurdity where logical actions cease to exist. Not referring to idiotic superstitions nor content of plot. It had promise but 3 key events clearly exposed either lazy or imbecilic writing. It's incomprehensible that the key characters are unaware of all the signals of sexual tensions amongst the group. It's outrageous to even conceive the urgency to fornicate in wide open public view when one had just departed, and inches away, from a possible serious witch hunt crisis. Lastly, it's just nonsensical to earnestly reveal one's most protected vulnerability in a crime encounter when the perpetrator could have had been simply satisfied with his original demand instead of the victim's futile dramatics of defense resulting in the unnecessary. The series ended with an emotional feeling summation of what I would term, rubbish illogic.

A fine portrayal of religious superstition and rational thought colliding over unusual, unnerving and unexplained events. An intriguing, well paced story, with strong dialogue and scene-setting with no jarring exposition. Garden of Eden imagery abounds in the Cora serpent story, burgeoning relationships and the contrasting treatment of men and women.

A quality cast: Tom Hiddleston, known for range and ability, fulfils his reputation; Claire Danes is one-note, but Cora is unique and relatable, despite superficial similarities to Carrie Mathison (obsessed, troubled, flouts convention); Hayley Squires excels as the passionate, idealistic Martha, a whirlwind of confidence, character and charisma.

Fabulous cinematography employs unusual angles, especially the marshes' low level capture, presenting a gritty, sinister foreboding. Period trimmings work, with de rigueur frocks and interiors, despite some clear anachronistic choices.

This is marvellous TV.

Sssssssslithers along at a snail's pace, and after 3 episodes I'm not sure -- nor is the show itself -- sure of what it wants to be. I think (?) it could function as a standalone suspense/ supernatural "Penny Dreadful"-ish movie. Only because there doesn't seem to be enough material for each episode as is.