Deceit

You know what it's like - just one more episode then I'm going to bed then before you know it you've done the whole thing and it's 2:00am on a work night! I have no idea who has rated this low but they were not watching the same thing as me! I was gripped and can't quite believe that the police, those that are here to protect us, could behave so despicably, so devious and blinkered. No spoilers but just wait until the last two episodes! Absolutely amazing!!!

Well written and acted. Based in 1992 London. WPC undercover entrapment Story. But all is not what it seems; The mini series of four episodes tells the compelling true story. (Some characters and events are adaptations to tell the story)

A moving and quite heartbreaking account of a special police unit, set up to ensnare their number one suspect of a grisly murder. But is their suspect the right man? What follows is a psychological game of cat & mouse, that ends with devastating consequences.

Based on true life events, it works well as an insight into how, even when we truly believe something to be so, that it doesn't always mean that it is.

Beautifully shot, terrific performances and a script that sizzles with a mix of verbatim and written dialogue, this outstanding drama is a world away from most British true crime. It feels like a reinvention of the genre and is a truly compelling watch. Sion Daniel Young turns in a superb performance as Stagg and we feel every ounce of his suffering as he's targeted by the unstoppable Niamh Algar as Lizzie James. Eddie Marsan is gently terrifying as the criminal psychologist out of his depth. I've never seen anything quite like this before. An absolute 10/10.

An absorbing examination of the investigation into a disturbing true life murder and the subsequent police undercover operation to try and entrap the man they believe is responsible.

The decision to make the drama female centric and tell it through the eyes of the undercover cop Sadie Byrne worked really well. Casting was great, Niamh Alghar was standout as the lead and Eddie Marsan was great as ever.

Hard to fault the production in any department, direction and photography were stylish, the score by Marc Calham was beautiful and the story was perfectly paced.

Hats off to all involved, esp. The writer Emilia di Giroloma for a fab script.