Fim da Linha

First thing first. Objectively speaking, the movie is good on all technical levels. It's also a good re-telling of an historical fact.

I've read someone saying "the fire at the beggining is all fiction" this is not true. The fiction is that being the sheriff's family. But it's recorded "the Schafer community also believed Bannon murdered three children of another family he had worked for and burnt their house". You can even google this if you don't believe me.

So basically, the adaptation of real facts is not "fiction" in a way that deserves critique. All movies based on a true story "stretch" the truth a bit to fit it in the narrative. But overall, you can't tell me this movie doesn't actually attempt to depict the facts of the town with sincerity.

It should be told, that the movie doesn't take a strong stance regarding lynching and the death penalty. It just narrates the story, and shows you the grim reality of it all. There's no propaganda involved. It's very objective in this regard, which I respect.

It's not a movie I regret watching. But It's not a movie I'll rewatch a lot. Everything on it was good. But you can't the deny the movie is slow. Too slow for it's own good. The movie would've worked better with a runtime of 1h:30 minutes. Or as a miniseries divided into three weekly episodes. It's a good docu-film. It's just not a fun movie to watch. You can watch the first hour easily. But I had to watch the second hour the day after.

"End of the Rope," a film based on the true story of North Dakota's last lynching, had the potential to be a gripping historical drama. Unfortunately, its excessive length of 2 hours and 19 minutes ultimately undermines its impact.

The acting is decent, and the background music complements the story well. However, the pacing is sluggish, and the film could easily have been trimmed by 30 minutes or more without sacrificing any essential plot points.

A few anachronistic details, such as items not in use in 1931, detract from the historical accuracy. While these may seem minor, they disrupt the immersion for viewers who are familiar with the time period.

Overall, "End of the Rope" would have earned a 6 out of 10 rating if it were a tighter, more focused film. However, its excessive length significantly detracts from the viewing experience, ultimately earning it a 3 out of 10. The performances and music are commendable, but the film's pacing issues and unnecessary scenes make it a slog to watch.

Despite its flaws, "End of the Rope" still offers a glimpse into a dark chapter of American history. If you're a fan of historical dramas and don't mind a slower pace, it may be worth watching. However, if you're looking for a tightly edited and fast-paced film, you may want to look elsewhere.

I can't get over all the movies lately where the music is so loud. This movie the music is louder than the people talking as though it's some kind of musical and the dialogue isn't important! It's a historical account, can the music already! I read the information about the movie on Wikipedia. I was really hoping to get an accurate depiction of the course of events. Once again, though, the music is too loud! Why do the movies always have to do that? I would have given this movie a better review except for that major distraction. It's quite sad about this history of this town and how tempers flare.

It'd be curious that a journalist who covered the case in person at the time was entirely written out of this 'based on a true story' film (they have one guy show up with a camera and he gets shooed off right away - twice, and speaks no lines.), except that this is, at the least, a half-fictionalized account. Meanwhile, it spends a languorous amount of time showing a mob gin itself up with hate-rage inside a church.

There are also no historical facts recorded that 22-yr-old Bannon burned down a family home with three children in it. None. This is adding an extra justification for the hanging that never existed.

The pacing is somewhat uneven, with a few needless stretches of filler content. That stuff could've been replaced by scenes depicting the murdered family members' characters instead. But nope, the victims are totally invisible in this. Any of the action and drama that lead to the crimes being committed is also left out. Was this done out of respect or neglect?

So, it's rather poorly written, and has silly dialogue at times. And, while it's hardly unlikely to have occurred, it just seems ridiculous to hand out badges and guns for a manhunt to what are clearly depicted as a bunch of unruly townie hotheads. One of the actors in the posse couldn't even ride a horse right during the chase scenes.

Also, are they kidding?: The sheriff hands the prisoner a sliced open can with the jagged lid still on it?! Suicidal/homicidal opportunities much? I mean, yeah, they totally didn't protect the accused while in jail IRL, which lead to his death instead of a trial, but Come On!

Sadly, the production overall just isn't very good. It's noticeably amateurish on many levels, but most markedly in the script, direction, and the acting. Chris Bylsma as state attorney Sam Taylor, and Joseph Bezenek as the town's alcoholic, sexist crap-stirrer, Jarvis, give noticeably uneven performances that are less than believable throughout. Joseph Gray is quite good when not directed to be overly stone-faced, anguished, or aggressive.

Direction, character design, and overall performances were solid.

The villain stood out with a commendable performance, and I genuinely wished the film had placed greater emphasis on his role especially his dialogue and confrontation scenes with the protagonist.

The direction, music, and visual design were also strong, and the plot itself felt grounded and believable.

However, the film lacked soul and emotional depth from the supporting cast. It also suffered from a lack of dynamic secondary characters that could have added variety and complexity.

Ultimately, I feel disappointed, as this was a missed opportunity to create something truly exceptional, given how many strong elements were already in place.