Acompanha o órfão Pip, que passou a infância como aprendiz de ferreiro e de repente recebe uma sorte inesperada de um benfeitor desconhecido que lhe permite viajar para Londres e entrar na a... Ler tudoAcompanha o órfão Pip, que passou a infância como aprendiz de ferreiro e de repente recebe uma sorte inesperada de um benfeitor desconhecido que lhe permite viajar para Londres e entrar na alta sociedade.Acompanha o órfão Pip, que passou a infância como aprendiz de ferreiro e de repente recebe uma sorte inesperada de um benfeitor desconhecido que lhe permite viajar para Londres e entrar na alta sociedade.
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Dickens was a wonderfully descriptive writer- but there's no richness of story in the first episode.
It is like watching a plodding unimaginative story recounted in a flat voice by someone who can't be bothered.
It isn't the cast's fault- indeed the casting is probably the best part of this version.
I found the relationship between Pip and Joe curiously cold.
I simply found I couldn't care about what happened next.
Perhaps some previous versions have just been too good.
My all time favourite was years ago-with a wonderful Stratford Johns playing Magwitch. I was hoping for something like that this time.
I don't think I'll watch the rest.
It has made me want to re-read the book again.
It is like watching a plodding unimaginative story recounted in a flat voice by someone who can't be bothered.
It isn't the cast's fault- indeed the casting is probably the best part of this version.
I found the relationship between Pip and Joe curiously cold.
I simply found I couldn't care about what happened next.
Perhaps some previous versions have just been too good.
My all time favourite was years ago-with a wonderful Stratford Johns playing Magwitch. I was hoping for something like that this time.
I don't think I'll watch the rest.
It has made me want to re-read the book again.
I would hate anyone who hasn't read the story to watch this and think that this is what Dickens wrote. Charles Dickens would not recognise this dark relentless chunk of misery as his warm, witty and engaging coming-of-age story Great Expectations. The only redeeming feature is the acting of Olivia Colman, superb as always, although why make her such a nasty opium addict? The script bears hardly any reference to the book, and the language used is disgraceful. Where are the many light hearted moments, the amusing conversations, the wry observations? I have endured three episodes and have no engagement or sympathy with any of the characters. I do not intend to subject myself to any more of this dross.
It got worse and worse. It started out ok. There were a few instances of context that are not in Dickens, references to opium and the slave trade, and there was some clunky dialogue where women explained they were not ok with second class citizenship. That was ok. I felt it was unnecessary personally but I can see the temptation to make obvious to a modern audience what is implied or inferred.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
Despite the casting I think you could produce this story with donkeys if it was told and presented well. I'not one to say what dicken's intended or meant but I've been watching this story since I was a kid and so far I don't see any of that in this series. Great cast. How can you say anything bad about oliva colman. It's not her fault they made her look like a fool. She doesn't look like a woman jilted and aged unwell hanging on to the past. She looks more like the female ghost of xmas but made up for holloween. As I recall the story was mostly about envy, especially the envy for something out of your reach which ultimately creates the drama which makes the story timeless. Most of us can identify but it's rarely in productions these days because so much of the culture is narcissistic. So far I'm not getting any of that but a bunch of characters riffing on each other with their own silly purpose. I can't give the film a 0 because there's so much professional effort they got right but they forgot to tell a story, or whatever they're selling, not interested.
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It's okay for a movie or show to depart from the book it's based on, but if it does then don't we want it to at least do something interesting with the differences? If this series chooses to show Pip as a moody romantic teenager rather than as a child, then couldn't he at least be given some personality? The screenwriters do keep some bits of Dickens' writing -- which stand out from the rest of the wooden dialog -- but otherwise there's no individuality in the characters: they all speak more or less the same way, even those (such as Joe and Pumblechook) from completely different backgrounds. The show is all atmosphere and scenery at the expense of acting and story.
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- Cenas durante ou pós-créditosThe main actors were listed in the closing credits with only their own names and not their corresponding character names.
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