A trama se passa em um mundo distópico onde cirurgias estéticas são feitas em todos com 16 anos de idade para torná-los "perfeitos".A trama se passa em um mundo distópico onde cirurgias estéticas são feitas em todos com 16 anos de idade para torná-los "perfeitos".A trama se passa em um mundo distópico onde cirurgias estéticas são feitas em todos com 16 anos de idade para torná-los "perfeitos".
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Ashley Lambert
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You will not run into any surprises in this dystopian teen soap opera of a film. It contains a lot of tired tropes and cliched sci-fi scenarios, and doesn't really offer a new spin on anything. The plot is ripped straight out of the 1976 classic sci-fi film (and the novel that proceeded it) Logan's Run. Meanwhile, the main conceit of the film is straight out of a Twilight Zone episode: What would you do to fit in with the "pretty" crowd?
Of course, everyone is pretty in this world already, as the cast consists entirely of fresh-faced, fit young adults -- no one is overweight, disabled, or disfigured. The only blemish in the entire CGI-filled world is a scar on the hand. (The horror!) All of this would be forgivable if the acting and writing were on par with, say, The Hunger Games -- another YA series with a similar dystopian feel. Alas, that is not the case, as dramatic lines like, "Yup, I'm David." are the best that the film has to offer.
Plus, the unsatisfying conclusion seems to exist only to set up a sequel -- ugh! Netflix has a very mixed bag lately when it comes to sci-fi, the most underserved genre on the streaming service. On the one hand, they gave us the amazing first season of Three-Body Problem and Adam Sandler's underappreciated masterpiece, Spaceman. On the other hand, they waste a lot of time and money making hot garbage like this film or Zack Snyder's poorly conceived two-part Rebel Moon.
Netflix, not all sci-fi has to be super-cerebral, but it's definitely not about CGI and "pretty" characters. At its core, sci-fi exists to hold aa mirror up to us, exploring morality by posing the question of what humans would do in extraordinary circumstances. By taking the characters out of the everyday, it allows us to more closely examine what it truly means, at its core, to be human. But this movie falls far short of that goal, offering us only a generic story that we've seen far too often already. So, please, Netflix, do not greenlight the sequel to this movie.
Of course, everyone is pretty in this world already, as the cast consists entirely of fresh-faced, fit young adults -- no one is overweight, disabled, or disfigured. The only blemish in the entire CGI-filled world is a scar on the hand. (The horror!) All of this would be forgivable if the acting and writing were on par with, say, The Hunger Games -- another YA series with a similar dystopian feel. Alas, that is not the case, as dramatic lines like, "Yup, I'm David." are the best that the film has to offer.
Plus, the unsatisfying conclusion seems to exist only to set up a sequel -- ugh! Netflix has a very mixed bag lately when it comes to sci-fi, the most underserved genre on the streaming service. On the one hand, they gave us the amazing first season of Three-Body Problem and Adam Sandler's underappreciated masterpiece, Spaceman. On the other hand, they waste a lot of time and money making hot garbage like this film or Zack Snyder's poorly conceived two-part Rebel Moon.
Netflix, not all sci-fi has to be super-cerebral, but it's definitely not about CGI and "pretty" characters. At its core, sci-fi exists to hold aa mirror up to us, exploring morality by posing the question of what humans would do in extraordinary circumstances. By taking the characters out of the everyday, it allows us to more closely examine what it truly means, at its core, to be human. But this movie falls far short of that goal, offering us only a generic story that we've seen far too often already. So, please, Netflix, do not greenlight the sequel to this movie.
It is centuries into the future. After many global catastrophes, the world has reached a new utopia where everybody gets remade into their perfect selves upon turning 16. 15 year old Tally Youngblood (Joey King) is eager to have her change and a smaller nose.
This is a dumb YA premise. The title is even dumber. I do wonder if there is a better way to do this. The glowy suits are a good start and I like the eyes. The premise should be making people more than pretty. They should be all similar and be bigger and glowier. My best guess is that this is written by some Beverly Hills kids who grew up obsessed with plastic surgery. This could be satire if McG knew what the word means. At least, Joey King is willing to make fun of her nose.
If one ignores the stupid premise, this becomes a run-of-the-mill YA dystopian franchise. It follows a lot of the standard elements. The hoverboard scenes look real bad with early 2000's CGI. I just can't get over the basic premise of plastic surgery saving the world. It says more about Hollywood than anything else.
This is a dumb YA premise. The title is even dumber. I do wonder if there is a better way to do this. The glowy suits are a good start and I like the eyes. The premise should be making people more than pretty. They should be all similar and be bigger and glowier. My best guess is that this is written by some Beverly Hills kids who grew up obsessed with plastic surgery. This could be satire if McG knew what the word means. At least, Joey King is willing to make fun of her nose.
If one ignores the stupid premise, this becomes a run-of-the-mill YA dystopian franchise. It follows a lot of the standard elements. The hoverboard scenes look real bad with early 2000's CGI. I just can't get over the basic premise of plastic surgery saving the world. It says more about Hollywood than anything else.
Joey King is 25 years old and in this film she is supposed to be 15. Other than paying the actors, it seems they spent $1000 on a green screen and another $50 for the production team. I guess it might be fine if you want to throw something on for your kids to rot their brain, but I'd definitely give this one a pass. I would not recommend this to any one who values their time. These kids are literally kick flipping hoverboards and the whole show is based on "feeling pretty" with a surgery performed when they turn 16. To say unreal expectations of the world, and yourself, would be a massive understatement.
So this film is fine. It sets up a standard future world we have all seen before. Typical Government villain. It does nothing new with the beauty argument. It's all just copy and paste from another script.
The main characters are all beautiful before they get the surgery. Which really hurts the logic of the movie. They needed to explain why getting mandatory surgery actually helps the world. Instead we get one paragraph at the start which just says that it does, and moves on.
They introduce hover boards which everyone in the world should have, but nope; Just these two teenagers who happen to have this super rare technology. And one of them gets given it.
They then introduce magically bracelets which protect them from falls. Might make sense after they get the boards, but nope. Main character just happens to be wearing it, when she needs it after falling off a building. But it then fails to work for the first fall from the board?
There are some nice shots of the future city which really help. But this entire world is just that one city. We never learn about the rest of the planet.
Parents abandon their children. We get some emotional manipulation line later in the film that you could say justifies this action. But it's left for you, the audience to connect the dots on that one.
Overall it's worth a background watch while doing something else. And as a straight to Netflix movie, it's above average. But the writers could have done more with the concept and I just feel like they were treading through the motions on this one, and more imagination was needed to elevate the script beyond the formulaic.
The main characters are all beautiful before they get the surgery. Which really hurts the logic of the movie. They needed to explain why getting mandatory surgery actually helps the world. Instead we get one paragraph at the start which just says that it does, and moves on.
They introduce hover boards which everyone in the world should have, but nope; Just these two teenagers who happen to have this super rare technology. And one of them gets given it.
They then introduce magically bracelets which protect them from falls. Might make sense after they get the boards, but nope. Main character just happens to be wearing it, when she needs it after falling off a building. But it then fails to work for the first fall from the board?
There are some nice shots of the future city which really help. But this entire world is just that one city. We never learn about the rest of the planet.
Parents abandon their children. We get some emotional manipulation line later in the film that you could say justifies this action. But it's left for you, the audience to connect the dots on that one.
Overall it's worth a background watch while doing something else. And as a straight to Netflix movie, it's above average. But the writers could have done more with the concept and I just feel like they were treading through the motions on this one, and more imagination was needed to elevate the script beyond the formulaic.
Man, this movie is such a disappointment. It's so so bad. I hate to be this person, but they deviated so far from the book it's almost its own entity. I understand when they need to change certain things to make it work for the screen, but they completely changed story lines and character arcs. There's almost no noticeable differences between the "uglies" and the "pretties". The pretties just look like they have a smoothing instagram filter on, very basic. It's not even good CGI. They shoehorned things in from later in the series making a convoluted mess. It's obvious they had no intention of making any more than the one movie, which is annoying. Why start something you have no plans of finishing?? After the first 20 minutes of this mess I came to IMDB and found out it was directed by McG and I'm not surprised. The dude hasn't made anything worthwhile in 20 years. What an absolute joke. I hope Netflix loses a bunch of money on this junk. They've become the worst of all the streaming services, just continuously churning out literal garbage while they cancel the only decent shows they have after one season.
Você sabia?
- CuriosidadesBased on the Scott Westerfeld series that spanned four books and a spinoff series.
- Erros de gravaçãoWhen they are pulling up the train tracks and saying they recycle the metal they call it the 'ties'. A railroad tie is not the metal part; it is the large wood block that goes perpendicular to the track that 'ties' the track together.
- ConexõesReferenced in Amanda the Jedi Show: Netflix's UGLIES Belongs in 2010 | Explained (2024)
- Trilhas sonorasReal Thing
Written by Summer Joyner, Torrey Joyner, Joshua Silverberg, Charles Starling, Savage Sync House
Performed by JOYNER
Courtesy of Resin8 Music
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- How long is Uglies?Fornecido pela Alexa
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- Tempo de duração1 hora 40 minutos
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- 2.35 : 1
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