A vida aparentemente perfeita das amigas Alice e Celine desmorona após um acidente envolvendo um de seus filhos. O que começa como uma tragédia inimaginável acaba transformando a amizade ent... Ler tudoA vida aparentemente perfeita das amigas Alice e Celine desmorona após um acidente envolvendo um de seus filhos. O que começa como uma tragédia inimaginável acaba transformando a amizade entre elas em um jogo de segredos e mentiras.A vida aparentemente perfeita das amigas Alice e Celine desmorona após um acidente envolvendo um de seus filhos. O que começa como uma tragédia inimaginável acaba transformando a amizade entre elas em um jogo de segredos e mentiras.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Eamon Patrick O'Connell
- Theo
- (as Eamon O'Connell)
Larry Petersen
- Pastor
- (as Larry Peterson)
Gina Guzzi Francia
- Admitting Nurse
- (as Gina Francia)
Michelle Santiago
- Parent
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The movie universe it so saturated these days that a film with two Oscar winning actresses in the lead roles can come out and almost no one will ever hear about it. It doesn't help that the film has a title that sounds like a Lifetime film and a poster that is unimaginably bland. Seriously? No one could come up with anything better than just the two of them standing side by side?
Which is all a shame because the film is decent. In fairness it's my kind of movie, so I'm probably going to enjoy it more than most. But as far as reasonably grounded domestic thrillers go, this had all the right ingredients. A catastrophic event leading to major consequences with some mystery and darker themes lurking beneath the surface. Sign me up.
The old trope of the annoying child is going to bug a few people. Hollywood has been fixing this a bit more often in recent times, but this film had a big serving of it. However if you simply want to see two pretty good actresses going toe to toe in a surprisingly heavy film then this may be up your alley. 7.5/10.
Which is all a shame because the film is decent. In fairness it's my kind of movie, so I'm probably going to enjoy it more than most. But as far as reasonably grounded domestic thrillers go, this had all the right ingredients. A catastrophic event leading to major consequences with some mystery and darker themes lurking beneath the surface. Sign me up.
The old trope of the annoying child is going to bug a few people. Hollywood has been fixing this a bit more often in recent times, but this film had a big serving of it. However if you simply want to see two pretty good actresses going toe to toe in a surprisingly heavy film then this may be up your alley. 7.5/10.
Let me start by saying this: the movie wasn't spectacular, but it certainly wasn't bad either. What I can confidently say is that it was intriguing, unpredictable, and refreshingly different. With two of the most talented actresses of our time sharing the screen, the performances were absolutely top-notch. The cinematography, with its vibrant and colorful 80s setting, was beautifully done and immediately drew me in.
What really stood out for me, though, was the story. It was unique, and the ending felt like a breath of fresh air. It's rare to see a film take that kind of direction these days, and it was a pleasant surprise.
The reason I wouldn't call it spectacular is because I think the story had the potential to be even more engaging. It felt like the director played it a bit safe and could have pushed the boundaries more. That said, the ending leaves room for a possible sequel, so who knows what's next!
What really stood out for me, though, was the story. It was unique, and the ending felt like a breath of fresh air. It's rare to see a film take that kind of direction these days, and it was a pleasant surprise.
The reason I wouldn't call it spectacular is because I think the story had the potential to be even more engaging. It felt like the director played it a bit safe and could have pushed the boundaries more. That said, the ending leaves room for a possible sequel, so who knows what's next!
I think this film is brilliantly done. Anyone of a certain age remembers the way of life during the time period in which this is set and it's a thriller play on words, so to speak. The setting and style is spot on down to the smallest detail, to the point the thriller story itself is the secondary plot. I suspect certain generations may not quite get the significance. Chastain and Hathaway played their roles perfectly. I give this a high score because I do appreciate the nuances of life unfolding on screen and the sort of Hitchock'ish ... but not...chilling thriller innuendo that presents. I totally get it and I totally liked it.
Set in a middle class 60's setting which is beautifully done, 2 families who are dear friends both experience unforeseen trauma in their lives which leads to a catastrophic end.
I'm not a grand fan of Hathaway who plays Celine, but this pairing with Chastain who plays Alice is cinematic gold. The story follows the pair through trauma and heartbreak with an ultimate end of a perfect pairing.
The film at first is slow and kind of reminds you of the old slow starting films of the 60's. But it's done so nicely that it's not onerous to follow the story being set. Slowly but surely events unfold and you realise something is happening but you're not sure what.
Eventually 1 mystery is solved but it only opens up another mystery, and then another, and then another.
I'd not say it kept me on the edge of my seat, but it certainly held my attention with ease. I particularly loved the way it made me feel deep sympathy with both star characters, knowing that 1 or perhaps both of them was the 'bad guy'. Then again, perhaps neither of them were and they were being manipulated by someone else... Pitting them against one another was a great move and kept me guessing until the end.
The sets and wardrobe and even the traits of people were absolutely on point for the 60's, and I loved how there was no extraneous noise affecting the main script. No police interviews, no secondary characters poking their noses in, and no grand arguments with threats and shouting. It was all very muted and yet was foreboding in it's quiet, like a great Hitchcock movie, but obviously not near as good.
All in all a great story and a great film with great actors and I give it a solid 7.
I'm not a grand fan of Hathaway who plays Celine, but this pairing with Chastain who plays Alice is cinematic gold. The story follows the pair through trauma and heartbreak with an ultimate end of a perfect pairing.
The film at first is slow and kind of reminds you of the old slow starting films of the 60's. But it's done so nicely that it's not onerous to follow the story being set. Slowly but surely events unfold and you realise something is happening but you're not sure what.
Eventually 1 mystery is solved but it only opens up another mystery, and then another, and then another.
I'd not say it kept me on the edge of my seat, but it certainly held my attention with ease. I particularly loved the way it made me feel deep sympathy with both star characters, knowing that 1 or perhaps both of them was the 'bad guy'. Then again, perhaps neither of them were and they were being manipulated by someone else... Pitting them against one another was a great move and kept me guessing until the end.
The sets and wardrobe and even the traits of people were absolutely on point for the 60's, and I loved how there was no extraneous noise affecting the main script. No police interviews, no secondary characters poking their noses in, and no grand arguments with threats and shouting. It was all very muted and yet was foreboding in it's quiet, like a great Hitchcock movie, but obviously not near as good.
All in all a great story and a great film with great actors and I give it a solid 7.
This movie seemed like a modern take on "The Hand that Rocks the Cradle". It's quite the thriller, though for a while you're never sure if it's meant to be a thriller or drama. It had an unusual pace, which isn't a bad thing, but definitely didn't feel like your typical American movie. Especially the ending.
It's not an easy movie to watch, but it's worth it. It's also a fairly unique story and there should be more movies centered around toxic female friendships. We've all had them, it's time to acknowledge them and make useful stories of them. This is a good start.
Jessica Chastain really came alive in this the most out of everyone and was the most believable, but the others were good too. I'm not sure if I would watch it again now that I know the story, but if it had better dialogue it would be enough to come back for seconds.
It's not an easy movie to watch, but it's worth it. It's also a fairly unique story and there should be more movies centered around toxic female friendships. We've all had them, it's time to acknowledge them and make useful stories of them. This is a good start.
Jessica Chastain really came alive in this the most out of everyone and was the most believable, but the others were good too. I'm not sure if I would watch it again now that I know the story, but if it had better dialogue it would be enough to come back for seconds.
Você sabia?
- CuriosidadesThe movie was shot in 24 days.
- Erros de gravaçãoTodas as entradas contêm spoilers
- ConexõesRemake of Instinto Materno (2018)
- Trilhas sonorasHe Took It
composed by Anne Nikitin
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Mothers' Instinct?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 3.407.219
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente