O Páramo

They say sometimes less is better, but in this case, I wish there was more.

The setting, cinematography, music and even the acting is good, but at the end all I can say is: What was going on? Was it a ghost? Was it a creature? Was it a product of their imaginations? Was the mother crazy? What the hell was happening?

A very good suspense and drama-driven movie but with a very unsatisfying ending.

I reminded me of The Babadook (which scared the hell out of me by showing nothing), or the VVitch, which was actually scary.

... holy(?) ghost? Actually not so holy ... on the other hand does it exist? And if it does, what is it? There are a lot of questions here, that you have to decide if there is a definitve answer for here. Because I think the movie remains quite vague - even when it is showing you things. Are they actually there? And if they are, what are they? Questions and more questions come up.

The actors are really doing a great job - there is nothing while at the same time there is so much. It may be called wasteland, but even in the empty space of nothing, our mind will fill in things - no pun intended. Depending on how much slack you are willing to give or cut the movie, you'll be able to enjoy this more or less than others who are watching it. I think the script needed a bit more work and maybe they needed a bit more time and money to realize certain things (not just effects)

Brilliantly written, acted, and produced. A simple story in a modest but effective setting that delivers an engaging, at times disturbing, insight into the frailty of the human mind. More psychologically unsettling than scary.

'El páramo' is not a simple horror film. It is, in fact, a much deeper film with an interesting gaze towards fear, loneliness, the loss of loved ones and what remains after they leave.

David Casademunt, director of the film, lost his mother at age 15 and, according to his own words, the virus of fear settled in at his house for almost a year after the loss. This goes to show that the film is probably a therapeutic excercise to openly talk about what happened during that dark time, almost as dark as the film, and express how that 15-year-old teen felt during the process.

'El páramo' is narrated through the look of Diego (Asier Flores), a kid who feels lonely and whose loneliness increases as his parents vanish multiple times troughout the film, phisically, psicologically and literally.

This feeling of loneliness is probably the main topic of the film and is reinforced with love for film language through the use of recurring very long shots, where Diego becomes a small ant as compared to the inmensity of the portrayed landscape. What he loves and takes for granted is vanishing, as does his own integrity as a child, so he feels alone and abandoned to its own fate.

Casademunt proves that he knows what he's doing and understands how to craft a film, from story, to script, to camera movement and shot selection. Hopefully there's more of his work coming and we have news from him soon.

This movie doesn't have many horror elements, it feels more like a thriller.

Lately the movies that are sold to us as horror end up being something totally different, just like this one, which has a lot of suspense that works. Although the film shows how loneliness can be a terrifying emotional breaking point, it does not have aspects of a horror film, but the suspense it generates by showing how isolation and abandonment can destroy a person's sanity works. The acting is very good, the production design is also good, and the direction conveys the suspense and mystery that the plot describes.

The execution isn't the best, but it's suspenseful and well-done made, so it's effective in terrifying you psychologically for a while.