O Clube da Meia-Noite

People go into hospice as a last resort, usually when nothing more can be done medically snd/or when they cannit care for themselves, meds are stopped and people die in comfort. This show has a bunch of kids in a hospice but they all look healthy, act healthy, can move around freely and can care for themselves, and they claim to be on meds but we never see any plus a real hospice stops treatments and uses pain releivers, why are they really there, it makes no sense. This is more like a dorm and kids are up at all hours, sneaking around, snooping, and seem to have no ditection. None are exhibiting sickness or weaknrss...in real life they would not be in hospice.

The Midnight Club is not really horror. It has horror elements but it's mostly teen drama. If you're expecting a series along the lines of Mike Flanagan's previous Netflix horror series', you may be disappointed. But if you go into it knowing that it's based on young-adult rather than classic literature, perhaps you can appreciate it for what it is. The Midnight Club is based on material by highly successful YA author Christopher Pike, not on classic ghost stories by writers like Shirley Jackson or Henry James.

Since I knew going in what the source material is, I was expecting a teen drama with some horror elements, and that's exactly what this is. It started pretty strong, lots of mystery, and the characters drew me in. Most of the cast are very good, and the series is beautifully shot. There's no mistaking that this is 100% Mike Flanagan. And like everything Flanagan does, it's heavy with emotion (at times too heavy).

Unfortunately, it does get slow about halfway through the season, it's a bit hard to follow at times, and it just doesn't have the same magic that Hill House, Bly or Midnight Mass do. I still found it moving and entertaining, but I didn't love it. There are too many unanswered questions and disconnected ideas. Rather than moving slowly and leaving all those unanswered questions for a probable season 2, I would have preferred Flanagan had stuck to his formula of one-season stories that move quickly and wrap up nicely in the end.

I have great respect for Mike Flanagan and his vision and ability to tell a story with both horror and heart. Though by no means terrible, The Midnight Club is not his best. I still have high hopes for The Fall of the House of Usher. Flanagan has proven what he can do with classic horror. I can't wait to see what he does with the works of Poe.

**Unlike some others, this review was written after watching the whole season.

I have enjoyed most of Flannagan's work with the Midnight Mass likely being his best offering to date. After watching this show, my opinion hasn't changed. While far from perfect, Flannagan's work genreally posses a fair bit of creativity when it comes to defining ghosts and horrors. His biggest weakness seems to be able to definitely conclude the stories that often borders onto theatrical levels of expositions. Still, in most cases the main story is concluded to a satisfying degree regardless of the expositions. Things have gotten better overtime and I was interested to see if he finally figured out how to make a final conclusion to a tale without the theatrics.

Unfortunately, The Midnnight Club is likely the weakest offering and lest conclusive the shows to date. With an interesting premise dealing with terminally ill patients dealing with death, this show works somewhat like an Anthology with short stories building up to a greater encapsulating mystery. Unfortunately, in this case, the show rarely rises to any sort of occasion and we are instead left with mind-numbingly amateurish short stories for ten episodes with just bookending of a greater horror that never convalescences into anything meaningful. I suppose it makes sense in context that the stories are told by normal teenagers and not established authors and I guess the dissatisfaction emulates the disappointment of a life barely lived.

Subverting expectations can be tricky and the replacement has to even more interesting or about the same. Failing that you are bound to alienate your staple fans and possible newcomers. This is a gross misstep in an otherwise a pretty positive track for Flannagan. I suppose the warning signs were there when Netflix suddenly put more focus on the advertising and the first story is a riff on jump scares. I suppose Anya claiming herself to be a tougher audience was just bravado and nothing more.

I will wait and see what the reviews are for the house of the Usher as I am not interested in wasting my time on halfbaked originals.

I loved the setup! It's the right amount of grim (and not too over the top horror set ups that we generally see). I also loved the concept of midnight club - stories within the story.

I was hooked to the series for the first 2-3 episodes. Post that it just becomes confusing.

Here are my problems:

• The midnight club stories don't relate to the overall plot. Yeah, they have tried to include symbolism in it via connecting with the lives of main characters but it doesn't come off that well.

• The horror post 4-5 episodes just diminishes and the stories around love and friendship takes over (which is fine but this is supposed to be a good horror series so please!)

• Some characters are very irritating including the main one. You stop liking her as the episodes progress.

• The ending is blah!

I watched all ten episodes of The Midnight Club. What kept me watching? The creative writing. Decent acting. Fantastic atmosphere. Finally, I loved the choice of music.

What I had issues with, I was a Hospice nurse for all ages, and none of my residence looked so...healthy. They were not up all hours of the night, roaming around and climbing stairs. By the time anyone enters Hospice care - it is palliative care. Even my youngest of patients never exhibited the level of energy like the movie. It made it difficult to see them as dying.

The stories within the story were well-written, but took away from the shows main objective. As for the main objective, it can be interpreted in several ways, but I'm unsure what the creators were tying to convey.

I think too many things suffered a high level of ambiguity, and left me feeling like it needed a finish line.