The Immaculate Room

This film is just a boring mess. There isn't anything intellectual about it. I personally found it tedious to watch, hoping it had something intelligent to say. But the film is just about greed, insecurities and jealousy. As an audience member, I was just as bored as the actors on the screen.

Mikey Walsh (Emile Hirsch) and Kate Frith (Kate Bosworth) are a troubled couple with a chance to win $5 million. They have stay in an all-white room for 50 days to win that money. It's called "The Immaculate Room". Simone (Ashley Greene) is an actress sent into the room as one of Mikey's "treats".

This is a high-concept indie with some recognizable faces. The concept may be edgier when reality-TV was in its infancy. In the year 2022, this movie is barely a blip in the conversation. It wouldn't make for great TV and this is a rather slow movie. The tension is never that high despite all the manufactured drama. I do wonder if the writer comes up with the concept first and write around it.

A couple are sent to "The Immaculate Room" where if you spend 50 days in a room where there is mostly nothing that you win 5 million dollars. It was quite intriguing that the movie was shot in only one room and Mikey and Kate are questioning their own sanity while spent locked up by themselves as days go on with surprises that the room gives them. It is, at best, a decent film.

When one places 2 actors in 1 room and there is nothing else but a white room, then THE ACTING becomes paramount.

The bad; the problem with this movie is that we get to see 2 decent actors, who cant elevate this movie though to a higher level. I really do like both actors, but they aint Oscar winning performers.

More bad: the direction isnt gripping. It's missing spark and punch. Part due to the story being dull and predictable, part due to the direction itself.

Nice idea, mediocre execution.

It's hard to imagine a more obviously COVID-era movie, made in strict isolation with a small handful of actors, some of whom never even meet each other and talk only to a camera in another room.

On one level it's admirable that they tried to keep on making movies in such an incredibly challenging time, but it already feels dated and claustrophobic and it's just obvious that it exists only for the reason of producing content during a pandemic.

There is practically nothing that happens in it that comes as any kind of surprise, and there's no original, meaningful or particularly convincing moments that occur at any point.

To be fair, there's nothing glaringly BAD about it, either, just the perpetually nagging feeling that it wouldn't exist at all if not for some head office instruction to continue pumping out streaming content at all costs when the barrel is otherwise scraped dry.