A Bolha

Following the critical and box office failure of her vehicle, Jerusalem Uprising, Carol Cobb (Karen Gillan) returns to the dinosaur action franchise Cliff Beasts for the sixth installment. Due to the COVD pandemic production is set up in a "bubble" in England where Carol and the other actors will live together to prevent any infections. As producer Gavin (Peter Serafinowicz) impotently tries to rein in negative publicity, on set tensions, and vices of the cast, the initially planned three month shoot gets extended again and again.

Cliff Beasts is the latest film from director Judd Apatow who also writes the film alongside Pam Brady best known for her work with South Park creators Matt Stone and Trey Parker on the first three seasons of South Park, South Park: Bigger, Longer, & Uncut, as well as Team America: World Police. The COVD pandemic has inspired a number of films attempting to capitalize on the pandemic ranging from Steven Soderbergh's surprisingly good Kimi, to slapdash productions like Songbird and Locked, and bottom of the barrel schlock like Corona: Fear is a Virus or The Covid Killer, however comedies have yet to tap into the genre save for outliers like NBC's short lived Connected or Freeform's Love in the Time of Corona both of which didn't particularly resonate with audiences. I think because of the nature of the pandemic it's been difficult to put any sort of comedic spin on the material especially in regards to the real world insanity and stupidity that doesn't lend itself all that well to exaggeration. With a strong cast of comedians and noted creative forces behind the camera The Bubble is possibly the biggest COVD film we've seen yet and has the makings of something truly insightful, but at a little over two hours long and filled with abrasive characters The Bubble has some moments of humor but as a whole doesn't come together.

Like other comedies that have attempted to approach the COVD pandemic, Apatow runs into the issue of having to create comic chaos in a place where everything is very controlled and structured and that rigidity ends up working against the talents of the cast as there's long sequences where they're forced to be by themselves or maybe with one other person and we really don't get the best environment for creating comic friction. Karen Gillan is our lead Carol Cobb and she's a fine actress with a strong repertoire of work, but her main gimmick is basically just taking very casual abuse from the cast, crew, and even her boyfriend who dumps her over video conferencing and continues to live in her house with a random waitress. The worst thing you can do in a comedy is make us feel sorry for the characters and that's what happens as we for the most part as we watch relationships deteriorate and egos clash and you feel like you're trapped with these people with no escape. Eventually when the movie becomes a bonkers "escape" film in the final 20 minutes it becomes a little funnier and gets more energy, but after two hours it's too little too late and it doesn't make up for all the floundering gags and dead spots littered throughout the move. Even the Cliff Beasts sequences which parody the Jurassic World films (even down to using similar font) aren't all that funny or engaging and it doesn't feel like Apatow's approach to this kind of satire has evolved since 2008's Forgetting Sarah Marshall where he took a similar approach to cookie cutter crime procedurals with Crime Scene: Scene of the Crime. The Cliff Beasts segments aren't silly enough to be all that funny and they also never feel like a true approximation of the box office crap The Bubble is poking fun at, and frankly when you have serious blockbusters like Moonfall that are far more insane and funnier than anything in The Bubble it undercuts whatever satire might've been attempted.

The Bubble is unfortunately not up to the standards of its talented cast and crew. While there are brief bits of comic insanity sprinkled throughout, they're undone by an overly long runtime and the restrictive nature of the premise so the movie never really fires off. Maybe if this had been framed as a mockumentary it could've used the awkwardness and isolation more effectively, in fact the documentary film within a film Beasts of the Bubble looks like a much more entertaining film by comparison. Some good moments, but not enough for me to recommend it.

Don't get me wrong, I love a good joke. I just don't love the same joke being repeated over and over for two hours. There's plenty to mock over the past couple of years and I applaud this movie for having a go but it would've been much better if someone who actually understood comedy had written this, like Ricky Gervais or the Monty python crowd. But no. In typical Netflix fashion we get a corporate confection of mediocrity.

Alright, let me break your bubble here.. I usually enjoy Judd Apatow's low-brow comedies, but this one reminds us of everything we hated about the early stages of the pandemic with added celebrity commentary. The humor didn't land for me most of the time, and even with a spectacular cast, the film never hits the highs you expect. It just gets by with a meandering screenplay that neither engages nor makes us root for any of its whiny, privileged characters. Well, Apatow's trying otherwise - he wants us to laugh at (and not with) everyone in the film industry dominated by corporate giants and larger-than-life characters. The pandemic was a bad phase, and no films needed to be made around that subject. Some fleeting flourishes aside (mostly from Pedro Pascal and a few cameos), The Bubble is honestly a letdown!

This film was not what I had hoped for. It had big stars, an acclaimed comedy director and a promising premise but it just fell short on so many levels.

The premise is about a bunch of actors and a film crew trying to make a movie during the pandemic and it starts off quite strong. I chuckled here and there, the writing was tighter and it had relatability when it came to the pandemic stuff. That's where I have to give it points, the satire was decent here but that's the only place I can give it points.

The acting, cinematography, music was all okay, nothing unexpected and everyone does their job well here.

It was the writing and the pacing that really brings this film down. Around 75% into the first act all the way until the credits rolled, I found myself zoning in and out of the film. This film could have been a 90 minute film or even shorter. 2 hours dragged the whole thing out and it felt like a chore to finish the film just to get it done with. There was a tongue in cheek ending which kind of makes up for a little bit of this by being self aware but even still it was very lacklustre. The jokes became very flat and I found myself have 0 reaction to any of it. Even the comic relief character was decent but they were under used and taken out of the film quite early on.

Alongside this, the characters are all uninteresting and with the flat jokes and dragged out narrative, there's nothing really to keep you watching.

Overall the film starts of good then slowly delves into a long drag.

P. S. The choreographed dances were feel good..it was one of the few instances in the film that uplifted it alongside the welcome cameos.

A group of so-so actors who have made the dinosaur franchise 'Cliff Beasts' come to a lavish English hotel to make the sixth mostly green screen instalment whilst locked down from COVID. The studio take extreme steps to keep them filming come what may whilst the cast go slowly mad.

Whilst there is much to dislike here - lots of characteristic Apatow shouting and waffling interminable rubbish that means nothing, I kinda liked this. It's a good cast with stand out comic performances for me by David Duchovny, Pedro Pascal and the ever wonderful Peter Serafinowicz. In addition if you listen and watch carefully enough there are some scenes and off the cuff remarks that lean more towards the biting satire on actors, current film audiences and Hollywood that this needed to be and at those times this is genuinely funny. You need to be tolerant around the piles of rubbish, but in the right mood this is a sweet and quite fun movie.