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IMDbPro

2025: The World Enslaved by a Virus 2021

Título original: 2025: The World Enslaved by a Virus
  • 2021
  • 12
  • 1 h 32 min
AVALIAÇÃO DA IMDb
1,0/10
2,8 mil
SUA AVALIAÇÃO
2025: The World Enslaved by a Virus 2021 (2021)
A group of Christians are trying to overthrow the World Government by spray-painting the ichthys on fallen leaves. They meet a bitcoin miner who helps them mail out DVDs of sermons. They are then caught and executed.
Reproduzir trailer1:28
1 vídeo
7 fotos
AventuraFicção científicaFicção científica distópica

Estamos em 2025: desde a emergência da covid-19 em 2020, o mundo já não é o mesmo: foi criado um sistema com um único governo mundial.Estamos em 2025: desde a emergência da covid-19 em 2020, o mundo já não é o mesmo: foi criado um sistema com um único governo mundial.Estamos em 2025: desde a emergência da covid-19 em 2020, o mundo já não é o mesmo: foi criado um sistema com um único governo mundial.

  • Direção
    • Joshua Wesely
    • Simon Wesely
  • Roteiristas
    • Coby Gilyard
    • Joshua Wesely
    • Michaela Wesely
  • Artistas
    • Joshua Wesely
    • Antonia Joy Speer
    • Matthew Dougan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    1,0/10
    2,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Joshua Wesely
      • Simon Wesely
    • Roteiristas
      • Coby Gilyard
      • Joshua Wesely
      • Michaela Wesely
    • Artistas
      • Joshua Wesely
      • Antonia Joy Speer
      • Matthew Dougan
    • 67Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 1:28
    Official Trailer

    Fotos6

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    Elenco principal15

    Editar
    Joshua Wesely
    Joshua Wesely
    • Roy
    Antonia Joy Speer
    • Hannah
    • (as Antonia Speer)
    Matthew Dougan
    • Hunter
    Laura Wieder
    • Holly
    Isabelle Scheuermann
    • Leila
    Lukas Speer
    • Luc
    Tabitha Wesely
    • Lucinda
    John Vogt
    • Interrogater
    Kristen A. Luoma
    • Police Chief
    Coby Gilyard
    • Police IT
    Marc-André Müller
    • Police 1
    Moritz Becker
    • Police 2
    Adrian Spahiu
    • Police 3
    Stephan Wesely
    • Police 4
    Simon Wesely
    • Dylan
    • Direção
      • Joshua Wesely
      • Simon Wesely
    • Roteiristas
      • Coby Gilyard
      • Joshua Wesely
      • Michaela Wesely
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários67

    1,02.8K
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    Avaliações em destaque

    1idonotexist

    This is an excellent movie.....

    To be used as an example of how not to make a movie!

    What could be said about this production. Well, everything is bad about it.. the plot is cheesy, the script it cringe, acting is absolutely bewildering and the list goes on.

    But i will say this one thing about it. In as many horrible movies that i have watched over the years (for science you see), this one is the only one to actually show you the production set/camera/support vehicles as they film the scenes. They could not even managed to pick their angles/b roll that hides that.

    Anyway, aspiring film makers, watch this and do everything opposite and you will have success.
    1charlottesetsu

    Just dreadful.

    The acting is dull, one-note and stilted, the cinematography is amateurish, the script is awful, the editing appalling, the sound design distracting, and generally this movie sucks.

    The plot is your standard Christian Fundamentalist martyrdom narrative, where the filmmakers are so deep into their culty mindset that they don't realise they've cast their protagonist in the role of Jesus Christ. Genuinely blasphemous stuff.

    Genuinely, this is borderline unwatchable. Almost every scene drags its way through talentless actors lifelessly mumbling their way through appalling dialogue, apart from the numerous sweeping background shots that are clearly in the film because of how pleased the makers were that they got a nice camera drone.

    The people involved have clearly seen a few movies, but have utterly failed to understand what makes a movie good. There's an attempt at a subplot with a character that's almost totally unrelated to the others, and which only seems to exist to patch over one of this movie's (many) gaping plot-holes.

    It's barely worth a hate-watch. Guaranteed to be one of the longest one and a half hours of your life.
    1ndzqbcjfwz

    Cult favorite

    This movie answers the question: what if a bunch of nobodies and incredibly giant babies got together and made a movie which comically tries to convince us that Christians are persecuted?
    1micholeon-18825

    Words mean things.

    And this movie seems to have no idea what the wors "communism" means. It also seems to have no grasp on logic or reality. It's almost impressive how bad this is.
    1bulgerpaul

    Astonishingly detached from reality

    "It's 2025. The world as we have known in 2020 does not exist anymore. The virus has changed the world. Communism is all over the place. A global state developed. Meetings are illegal, traveling is illegal, and Christianity is illegal." I HAD NO IDEA I WAS ABOUT TO PUT ON A CHRISTIAN DYSTOPIAN MOVIE.

    Oh boy, the minute that last line dropped I knew I had hit the jackpot. For those who follow my reviews I've been watching a lot of really bad Christian media lately, but this is pure happy circumstance.

    I'm sick right now, so while I'm bedridden I'm taking the opportunity to search for brainless, hopelessly stupid movies that won't challenge me in any meaningful way, and what could be more promising than a movie with a title like 2025: The World Enslaved by a virus?

    This movie opens with a hilariously incompetently edited and shot car chase sequence that leads into a monologue during an interrogation sequence meant as a stand-in for the late movie inspirational "look what they've taken from us" speech, something that occurs within the first five minutes. I mean seriously, have you people never heard of an obscure little concept known as buildup? Speeches like this with the swelling stringed instruments to underpin what you're supposed to be feeling are only effective when we've actually witnessed two acts worth of the main characters struggling, first. But what really gets me about this speech is how it simultaneously tries to double as the opening expository "here's what the world looked like before and what happened to change things" moment, in which the main character explains these things to a middle aged agent of the state who is very obviously older than he is. Like, what? This movie takes place in 2025, and it came out in 2021. It has only been four years. You really need to explain to this dude twice your age what the world was like less than five years ago?

    Sadly though, the rest of this movie doesn't live up to the promise given by that banger of an opening. It's quite surprising how much of this movie is bogged down with inconsequential filler. There's an entire 97 second sequence dedicated to one of the characters somberly preparing their breakfast cereal, an event that is painstakingly documented as she slowly, sadly gets the cereal out, weakly pours it in the bowl, gets the milk out, and sadly pours it in the bowl on top of her cereal, then picks up her spoon, and slowly and sadly stirs it around a few times, and then she sadly takes her first few bites while reading a note that's just barely illegible to the viewer due to how it's positioned on the screen, but it lingers on this shot for so long I couldn't help but get the sense I was supposed to be reading it along with her.

    I mean seriously, as incompetently written and framed as Donald James Parker's entire filmography is, at the very least the man is efficient with his screen time. His movies don't contain a single wasted moment. For all of their inconsequential non plot related diatribes laden throughout, every single scene is packed to the brim with him communicating something to the viewer, whether it be his politics, what he thinks of himself, how he views women and racial/sexual minorities and Jews and Muslims, his general theology, and whatever else he happened to have thoughts on in any random minute he spend writing. Not a single moment passed in which I didn't feel like I was learning something about how Donald James Parker thinks.

    But after 90 minutes of this, what do I now know about how the creators see the world? Mask mandates are literally the Holocaust? This majority Christian planet is hostile to Christians? Communism is bad? After that opening ten minutes I found myself expecting something meatier and more revealing about the creators than that. But instead all I got is how these creators have a massive throbbing boner for American imperialism in an unbelievable mid movie speech:

    "Remember, we used to fight for other countries. We've freed countries from dictators, gave the power back to the people. We organized food and medication. Why did we do that? Because the dignity of man is holy.... They may take our lives, but they will never take our freedom." Now this mid-movie speech about 40 minutes in is just astonishing. This is honestly how these people view American imperialism. Also, there's a hysterical, sick irony in how people with an apparent admiration for the idea of organizing free food and medication for impoverished Latin American people in the form of foreign aid would think communism is evil. Lol what do you people think communism is? And oh dear lord how dare your invoke the most famous moment from Braveheart for this thuddingly brain dead speech. Honestly this speech alone would have made the entire movie worth it had I not had to sort through so much fat to get to it.

    Like seriously, with as much contempt as I found myself developing for Donald James Parker personally throughout his sordid filmography, little did I know he'd end up becoming the gold standard for incompetent fundagelical-with-an-insufferable-persecution-complex media production.

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    Detalhes

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    • Data de lançamento
      • 15 de janeiro de 2021 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Website
    • Idiomas
      • Inglês
      • Alemão
    • Também conhecido como
      • 2025 - The World enslaved by a Virus
    • Empresa de produção
      • Wesely Bros
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    Bilheteria

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    • Orçamento
      • US$ 10.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 32 minutos
    • Cor
      • Color
    • Proporção
      • 1.78 : 1

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