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I wasn't as hyped about this movie as others because it's recent history that's still fresh in our memories. People who were interested in the story during covid will remember it well. However, I do appreciate that it immortalizes the story, even though a part of me thinks it might be a bit too soon.

It's a financial underdog movie, and just like during the events in 2020, it had me rooting for Keith Gill. There are moments of incredible humor. The characters are well-written and have great chemistry. The film opts for a minimalist and simple style, lacking flashy visuals, but it excels in storytelling and humor. It also boasts a good soundtrack.

I wished it could have left a more enduring impression on me, one that made me believe I could achieve what the characters did, much like the real Keith Gill/Roaring Kitty accomplished. It lacked that magnetic allure that movies like "Goodfellas" or "The Wolf of Wall Street" possess, where you're drawn to emulate the characters despite the consequences. These films romanticize their lifestyles, no matter how destructive they may be. My hope was that this movie would do the same but entice viewers to aspire to be the "good guys" who ultimately triumphed, rather than emulate the Ken Griffens and Vlad Tenevs of the world. That's what underdog movies typically achieve. Additionally, I found the pacing inconsistent, with moments of genuine engagement alternating with periods when my brain seemed to be on autopilot.

While it's a good movie, it didn't completely blow me away. This might be because we're already familiar with the story due to its recent occurrence. In some ways, this familiarity helps the movie, but in other ways, it doesn't. I don't think it's better or even on par with "The Wolf of Wall Street," for example, but it stands well on its own. Unlike films like that or even "The Big Short," I don't think this movie will be held in such high regard a decade from now as it will be now. Nevertheless, it's still an enjoyable, fun, and funny experience. Definitely worth a watch, all things considered.

This is an important story, one that everyone should learn about -- the true version, at any rate; that includes understanding some technical (but not overly technical) details about what happened, and why.

With this film, unfortunately (as with many others), Hollywood treats its viewers as 'dumb money'. This one prioritizes the industry's current identity politics mandate -- even over and above the class conflict and issues regarding market fairness -- over relaying critical information and details to the viewers about what sort of chicanery and shadiness actually transpired.

As examples, the film did not even spend two minutes explaining to the viewers about: how the Robinhood app actually worked. E.g., the shares were NOT coming from the open market per se; Gill's actual views; what was really happening and said on Reddit; why the government ceased its investigation; the big money that got behind the short squeeze (e.g., Burry, R Cohen, et al); the IMPORTANCE of the disconnect between investing and investment "fundamentals" here (i.e., people investing not because they truly believed in the company's underlying value, and surely not merely holding stock and investing even more solely because Gill himself did so...).

The filmmakers also enjoyed parading their current favourite American congressmen before the viewers. Funnily enough, however, the film ignored WHY those legislators' political colour team members in the Executive branch -- including the named oversight bodies -- quashed the investigations. One wonders why...

A relatively popular four-part documentary on the GameStop saga is overly long and misses certain critical details (indeed, perhaps the most heinous tidbit in the tale). Even so, it's far superior to this movie. So, save your money and watch it, or a comparable documentary, instead. Alternatively, perhaps just read the book upon which this film was based?

The acting was mostly good, but the script was weak and, again, the omissions in key details are unforgivable. A nice followup (independent) film would nevertheless be about the film industry being rigged too and how it's a propaganda tool.

I'm no prude but the music in this film for the story and genre seemed so strange , I mean it's a potential film you'd see with parents as I did, then within minutes you got lyrics about a wap (accidentally went to subtitled one to which made it worse). It just seemed so out of place.

The acting was good, I like Davidson when he's scaled down a bit, when he's to over the top he's annoying and a tough act to enjoy but he worked here.

The lad I'm GameStop was another cringe part, twice singing that song from Megan the horse, it was just a bit meh.

The film would've been better a tad more serious without the silly music choices.

Even with its admirable intentions, in its writing, Dumb Money is, well, dumb. It's incessantly preachy and shallow, clinically moving from plot point to plot point while never examining any of its characters or happenings beneath the surface level.

Granted, it doesn't necessarily need to. But it also doesn't present its scant narrative with enough style to make it compulsively watchable.

Still, I found it impossible to dislike this movie. It tells the populist story that united everyone-right, left, and center-for a brief moment of euphoric social harmony. How can I not get wrapped up in reliving all that?

Most of the cast brings charisma to their characters that was not on the page, and they are what is compelling about this film. That, and, even though the script has a dearth of insight, it's funny. It had loads of fast-paced dry wit that make it tough to not smile throughout.

The performers and the humour really saved this movie, and though I don't think it'll have the impact the filmmakers were hoping for, it's a solidly good time. Just don't take it too seriously.

The film Dumb Money was reasonably decent timepass, although it leans heavily on a particular montage style and patronising approach to tiktok dances. There are some pretty decent performances, particularly Paul Dano, but the film is really dumbed down and treats the audience with kid gloves. I had half expected the film to veer into a legal thriller, but the length was a disappointment and whatever substance the film had was heavily watered down. Given the subject matter I thought a 2 hour runtime would have been an improvement, but instead the film is too short and the story is delivered via montages and doja cat songs.

I guess the filmmakers admired The Big Short, and sought to emulate that film, but in the end they lacked the courage that The Big Short had, to not treat the audience like they were the Dumb Money.