Na Ponta dos Dedos

Yes, I watched this solely because Jessie Buckley starred. But after the disappointing damp squibs of Saltburn and Maestro I needed a decent cinema fix. And I got it.

Don't get me wrong the story of testing love by burning torn-out fingernails is a tad silly, but Buckley and Ahmed manage to bring it to life. Buckley is excellent as Anna, a girl who can't make up her mind who she loves.

For me the story was that you can find what you think is love, until you realise that perhaps it's a deep comforting sameness that you're in love with. A ritualistic familiarity that makes you feel safe. The familiar face at the end of the sofa is symbolic of home and it takes a big wrench to realise that that face doesn't make you 'want' anymore.

Along comes a handsome prince and all is lost. Because love so often comes on the back of desire. Anna found that she desired someone that she didn't love, but does love grow from desire? Without desire you simply have a best friend. With desire you have what we mostly believe of as love.

It's a complicated tale with not any easy answer. But it made for interesting viewing and was thought provoking about how we love and desire.

Greetings again from the darkness. Certifiable love. Trust the science. Anna and Ryan are in love and they have the certification (and sore fingers) to prove it. One minor problem is that they don't seem to have much in common, other than a love for the fatty parts of a well-cooked steak. And even this common ground leads to a certain dishonesty. Writer-director Christos Nikou and his APPLES co-writer Stavros Raptis, along with co-writer Sam Steiner, have given us a film that appears to lean heavily into science-fiction, while also poking a bit of skepticism that direction.

Most of this film didn't work for me, however, the depth that the two lead actors, Jessie Buckley (I frequently recommend WILD ROSE, 2018) and Riz Ahmed (SOUND OF METAL, 2020, and an Oscar winner for his short film THE LONG GOODBYE, 2021), bring such an intimacy and sincerity to their scenes that we can almost overlook the absurdity of the story. And maybe that's the point.

Anna (Ms. Buckley) has recently lost her job as a teacher, and when she lands the job she wants as a trainer at The Love Institute, she opts not to tell her husband Ryan (Jeremy Allen White, "Shameless"). The Love Institute is run by Duncan (Luke Wilson) and the mission is to test couples for scientific compatibility in a long-term relationship. This is done by pulling a fingernail from each and testing in a machine invented by Duncan (don't worry, he is always looking to improve it). The idea is that science can take the guesswork out of relationships and put folks at ease that they found the "right" partner.

Of course, as soon as we see Anna and Amir (Mr. Ahmed) working alongside each other, we know where this is headed. The two actors are terrific together and excel at selective gazing, while maintaining professionalism. Science, chemistry, and biology all play a role here, but the thought that folks would volunteer to have their fingernails yanked out (while biting a block of wood) is ludicrous, even if the film opens by telling us fingernails often display the first symptoms of heart issues (physical not emotional). The film is evidently supposed to prove yet again that matters of romance are beyond the scope of science, even in movies.

Opens on AppleTV+ beginning November 3, 2023.

Sufficient, only for the presence of Jessie Buckley, who is truly magnificent! The film is along the lines of that little masterpiece that is Perfect Sense, but much simpler, not superficial but... too simple. Let's say it could be a good episode of Black Mirror, but nothing more. The direction and acting are very good, but it's all too clear from the start. Slow film, at times soporific, but not boring, full of good intentions, but never takes flight. At least they avoided honeyed and ridiculous scenes. The plot is a little ridiculous, but perhaps it is intentional, a metaphor of how the modern generation uses technology not to help itself, but to guide its own life, entrusting its own free will to dubious scientific theses relating to the human soul, at least as the film shows them. Jessie Buckley is beautiful!!!

If this story had been well written, I'd have liked the leads together very much. Sadly, it was not well written. I'm a scifi geek and I normally can suspend disbelief and don't care about the science, nor the premise, all that much. In this case, the way this story is written, a five year old child would question the test. I agree with other reviewers that the fact that none of the film's own characters question it strains the disbelief several steps too far, particularly considering how low tech this particular method of this trope is portrayed here. Since most of the characters appear miserable (agree with 'bleak world'), it's extremely depressing and drags on so badly. I cannot imagine a GOOD reason to watch this film. Further, if a large number of people watched it together, say in a theater, I would suggest putting the group on suicide watch.

I generally watch anything that has Riz Ahmed in and never leave reviews but I'm really glad I watched this and was surprised to see such a low score.

I found it a calm and peaceful film but I really felt it between Anna and Amir. I enjoyed subtlety of the question of whether love is enough.

Jessie Buckley is brilliant (I've only seen her in Men up until now and she shows a totally different side in this film) and I found her heartache so easy to connect with. Riz Ahmed is as excellent as ever and brings Amir to life gently.

Don't let the scores put you off, it's definitely worth the watch.