A Batalha pelo Império

Confucius lived in violent times. He is shown reacting and taking moral stands, often putting himself at risk. And also suffering and losing, which makes it much more realistic. Probably it isn't accurate historically, but there is also not much solid detail about his life. (And no one can be sure if Lao Tzu even existed, never mind teaching Confucius, as is done here.) The man's sentiments have been somewhat modernized, but not unreasonably so. It does show what was positive about him, given the era he lived in.

The film begins with Confucius as an old man, thinking back. Then we see him in his early 50s, being promoted from Major to Minister for Law in his home state of Lu. He is confronted with ethical issues after saving a slave-boy who was due to be buried alive with his former master who has just died. The story then takes many twists and turns and remains interesting.

I love the Asian films and the epic sagas and so when I got ahold of this I watched it right away. I am disappointed in some aspects like story telling. For me instead of focusing on his entire life with much of it wandering they should of focused more on his dealings within LU. Much like IP MAN focused not on the entire story but on the war and IP MANs role during that time. THis film is beautiful to watch and some of the characters are fun but over all an un-inspiring tale of one of the most influential scholars of all time. The problem is the script, not the directing, performances or the photography. So if you plan on seeing this film be prepared to watch a rather long film with great photography, wonderful performances but fails in its lack of storytelling.

There has been some commotion around this movie concerning whether it did or did not force Avatar from the 2D screens in China. So many IMDb-voters thought it necessary to vote a '1' for this movie without even seeing it.

It's a shame because it is a really good movie. I wasn't sure myself if a story around Confucius would be able to entertain me for 2 hours but it surely did! It's a fascinating and emotional story about the later years of Confucius, played by Hong Kong-actor Chow Yun Fat. It's shows the man behind the myth.

I was very impressed with Chow's acting. I knew he was a great actor but this role is another milestone in his career. His Confucius is warm and gentle and you really feel his emotions. For his performance alone this film is worth watching.

Beware: it might not be for the usual popcorn crowd, wanting to be entertained with lots of action and superficial story lines. It's an inspirational journey! Go see it!

Many people that write on here about films such of this almost have too 'expert' a view. As has been said elsewhere, it is a real epic and the performance by Chow Yun Fat is exceptional. Whilst there is always going to be debate about accuracy, style and even politics about such a film, for lovers of sumptuously shot cinema and outstanding acting, it will be a joy to watch and will open up Confucius the man to many more people. It is actually being widely released in the UK on DVD and Blu Ray on Monday 4th October on the Cine-Asia label, so will be really interesting to see what a much wider audience makes of it. Personally, I think that people will appreciate its quality and see it for what it is - a very well made historical epic movie.

The most controversial and dramatic thing about this movie happened off-screen in mid-January. Many Internet users and related groups called for a boycott of the film when it was reported that China had ordered 2D versions of "Avatar" to be pulled out so that more people would watch "Confucius". However, due to low attendance for "Confucius", and the high demand for "Avatar", the Chinese government reversed their decision and allowed "Avatar" to remain on some 2-D screens in China. The movie was to mark the 60th anniversary of the People's Republic of China and Confucius' 2,560th birthday.

Yes, this is after Mao Zedong's Red Guards condemned the ancient scholar and destroyed his family cemetery and temple in his hometown of Qufu. Ironically, one of Confucius sayings is that "an oppressive government is more to be feared than a tiger".

The first half of the movie traces the rise and popularity of Confucius (played by Chow Yun Fat) in the state of Lu during the Spring and Autumn Period where he is known for his fair and just ideas about running the affairs of the state. He is promoted from town mayor to minister. However, his ideas and practices break with tradition and anger the ruling families. An example is when he saves a burial slave from being entombed alive. He incurs the wrath of the rulers of the surrounding kingdoms by tricking them into giving back seized territory without any violence.

The second half, circa 497 BC, shows Confucius and his disciples in exile, wandering about for years and getting chased away by the locals.

As you can see from the paragraphs above, the first half of this two-hour film is more eventful and interesting than the second. There is a gripping war sequence about the storming of a fort that recalls the action in "Red Cliff." And that's about it for the action fans.

Chow rises to the occasion as the calm and collected Kong Qiu, the revered teacher whose philosophy and views helped to revolutionize some states in China. When political jealousy and fears about his influence send him into exile, the scenes get repetitious and languid. This is punctuated with a subplot about Nan Zi (Zhou Xun), consort to the Wei king who respects the wisdom of Confucius. However, her magnetic appearances are brief and almost cameo-like, leaving most of the second half as prolonged and protracted scenes of Kon Qiu's wanderings and sufferings.

Technically, this US$23-million production looks rich and even stunning at times. Cinematographer Peter Pau (of "Crouching Tiger, Hidden Dragon" fame) captures the period and locations in all their glory and helps to put us in the right mood and atmosphere of the times.

"Confucius" is not a lost cause. It just looks long-drawn messy, like too many cooks having a hand at the broth. - LIM CHANG MOH (limchangmoh.blogspot.com)