Depois que a equipe da Enterprise encontra uma força de terror dentro de sua própria organização, o Capitão Kirk lidera uma caçada humana em uma zona de guerra para capturar uma arma individ... Ler tudoDepois que a equipe da Enterprise encontra uma força de terror dentro de sua própria organização, o Capitão Kirk lidera uma caçada humana em uma zona de guerra para capturar uma arma individual de destruição.Depois que a equipe da Enterprise encontra uma força de terror dentro de sua própria organização, o Capitão Kirk lidera uma caçada humana em uma zona de guerra para capturar uma arma individual de destruição.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 7 vitórias e 58 indicações no total
- Uhura
- (as Zoë Saldana)
- Ensign Froman
- (as Jonathan H. Dixon)
Avaliações em destaque
A renegade from the future rewrites his score, it's as if he wandered through another door, it's a better incarnation, riven through with lamentation, leaves Ricardo full of wrath just like before.
Embrace it or you'll lose it, change is good, just let your imagination take you away, it's only a story after all.
Cumberbatch is brilliant. I won't divulge any spoilers, but I will say that the throw back to the earlier movies is very very clever and well executed. The added depth we see in the characters of Kirk and Spock are icing on an already delicious cake!
That being said? I LOVED this movie. I even capitalized it I loved it so much. The play between the characters, the more human version of Spock, the absolutely delightful "Scotty" (although his sidekick is one of those throwaway characters I dislike) as well as a much better crafted plot this time made for a completely enjoyable movie. The action is intense, the friendship deepened between the characters, the twists and turns are a bit predictable at times, but that is reminiscent of the franchise as a whole. I am already excited for the next movie. I tremendously respected and appreciated the ties in this movie to the elements that make Star Trek great - strong story line, deep connection to the characters and a philosophical element. In some of the older Star Trek episodes the moral/philosophical element can be oppressively heavy handed. No so in the new Trek movie. The ideas of friendship, family and humanity are woven through this movie with subtly and I will outright admit I more than teared up during the climactic scene in the engine room. EVEN though I had already figured out what was going to happen, I have already come to care about, respect and enjoy the new actors in their iconic roles.
So yes, ten out of ten. And let the haters, hate. Those who can not embrace change can go sit and watch old Star Trek reruns and bemoan the 'good old days' and spout off all the reasons why 'Star Trek ain't what it used to be'!!!!
I, on the other hand, will boldly go and embrace the new with a continued reverence for the old. This movie makes it possible to love both.
In the movie theatre I heard a complaint from an old school Trekkie that the second installment of the Star Trek reboot had too many "Little Archie and Veronica" moments.
This is true and it would be OK if that were just the icing on the cake. The real problem with the movie is that it runs like a typical SciFi action plot inserted under a Star Trek banner.
This movie is missing the hallmark epiphany moments Star Trek is famous for. Mainly, it is missing the philosophical "WOW" factors that don't just blow your mind but rather expands it, making you realise that everything you thought you knew is wrong and that everything you thought the Federation had figured out is also wrong. These expansions used to pave the way for the audience to mentally and emotionally take that next step to, "Boldly go where no man has gone before..."
This movie has no epiphany. Where is the deepness that Star Trek is synonymous with? This movie gives us what? A federation struggling with internal corruption and terrorism, a la the typical disgruntled ex employee, who in this case was cryogenics frozen for 300 years, as is the plot. Big deal. These are familiar themes we've all seen in movies before. Just trade the Federation for any corrupt financial, medical, educational, government and or religious institution. Trade the "John Harrison" character for any Bond villain and you have a movie that sounds like a bunch of other movies or what the news broadcasts. Boring.
To me the Federation meant a time in the future when Humanity had finally gotten its act together and to a certain extent had rooted out all this corruption and terrorism. Unless a Klingon or Romulan shows up, things are supposed to be refreshingly illuminating. Not something that degrades into ordinary, mainstream, average caveman fist fight showdowns.
How can we boldly go where no man has gone before in the future unless we have thrown off the shackles of the past? What a sad/shamey day it is when a Star Trek movie presents a not so optimistic future just as dark as today's headlines. I can read/watch the news/The Matrix if I want that. IS THERE NO ESCAPE?!!! IS THERE NO HOPE?!!!
Obviously, Gene Roddenberry's spirit could not find a way to keep the franchise on track. Will, (Vulcan fingers crossed) Trekkies and non-Trekkies alike know the difference between the wealth of deepness and the poverty of darkness?
The film has some cliché moments which can't be avoided often with a film this scale however they make use of them well and still pack plenty of surprises. As well as this, despite not being a proper Trekkie myself, some moments gave me goosebumps from the awesomeness from seeing the Enterprise for the first time for example, which greatly honoured the original series. J.J. Abrams' lens flares helped create more realism in a lot of the scenes despite the fact he often overuses of them.
The villain was very interesting and the development, dialogue and motivations of his character were very convincing and inventive, Cumberbatch's fantastic acting greatly helped bring this character to life. Also the way he executed his plan showed a lot more cutting edge creativity than especially most modern blockbusters, not to say it's done nearly to the same level of genius but something I haven't felt in a villain's characterisation/acting since The Dark Knight.
Overall, a mesmerising film with nice homages to the original series, one filled with heart, grace, innovation, superb characters and acting and some impressive, clever visuals and immersive 3D, one of the only times I can say that. Up there with the 2009 one, not sure which I prefer, possibly the previous one largely due to the more clever story, despite this one having a much better villain, still not sure though. Still a very strongly recommended film, may hit my top 100 simply because how much I was impressed by it. 9/10!
Você sabia?
- CuriosidadesLeonard Nimoy's final film role (and by extension, his final time portraying Spock) before his death on February 27, 2015 at the age of 83. It's also the first in the Star Trek franchise (either movie or TV series) after the death of Majel Barrett.
- Erros de gravação(at around 1h 24 mins) While planning the space jump, Sulu's display incorrectly labels the Enterprise as NCC/0514, which is the registry for the USS Kelvin from Star Trek (2009). It should read NCC/1701.
- Citações
James T. Kirk: The enemy of my enemy is my friend.
Spock: An Arabic proverb attributed to a prince who was betrayed and decapitated by his own subjects.
James T. Kirk: Well, still, it's a hell of a quote.
- Cenas durante ou pós-créditosThere are no opening credits in the film except for the title card, making this the third consecutive Star Trek film that does not list its cast at the beginning.
- ConexõesFeatured in The One Show: Episode #7.133 (2012)
- Trilhas sonorasTheme from 'Star Trek' TV Series
Written by Alexander Courage & Gene Roddenberry
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Star Trek: En la oscuridad
- Locações de filme
- The Getty Center - 1200 Getty Center Drive, Brentwood, Los Angeles, Califórnia, EUA(Star Fleet Headquarters)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 190.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 228.778.661
- Fim de semana de estreia nos EUA e Canadá
- US$ 70.165.559
- 19 de mai. de 2013
- Faturamento bruto mundial
- US$ 467.365.246
- Tempo de duração
- 2 h 12 min(132 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1