Ghost Town: An American Terror

Let me start by saying I'm an insomniac, in a sense. I usually have two TVs on at once with about 20 tabs open on the PC. Mostly the TVs are on for distraction so I can actually think in peace. On to the review... This movie is a low budget western.... But this is the "A Clockwork Orange" of westerns. There's a hint in the title. The way the script was written, it also gives you that "The Sixth Sense" feel.

There are plenty of things wrong with this movie, but it kept me engaged enough to not write it off. Would I watch it again? Absolutely, I have more than 200 accepted "Goofs" entries, about 100+ "Goofs" corrections, plus numerous plot and credit entries.... I'm sure a second, dedicated watch will create more entries for me...

I guess that most of the big actors stopped taking small roles. Just a few years ago, there were decent movies released almost weekly. That time has passed. I don't know how a studio can feel comfortable releasing something so bad. I literally felt like I was watching a high school play. It was terrible. The acting and writing were both awful. The bar owner was laughable. The ladies of the night were worse. As I've said before, judge for yourself. Watch it and tell me I'm wrong. Movies just aren't the same. There is a clear line drawn at the time of the pandemic. The producers of this movie have no business charging people to watch it.

It's literally the sharpest looking HD western movie ever, extremely vivid and unusual.

Acting and characters are okay- most of them, maybe the biggest downside is unusual constant brightness which is a bit too much, everything looks too much clean for a period of time where the plot is located.

But costumes are excellent, story is okay- without too many jump scares, main actor and majority of the rest are very good. However, except for the unbelievably original and accurately dated authentic wild West replication, for some reason camera had filmed only immediate shots which began to feel quite claustrophobic as the time went by.

I recently watched Ghost Town (2023) on Shudder. The film follows a man in search of employment who stumbles upon a saloon in need of assistance. The one steadfast rule of the establishment is not to interfere with the prostitutes. When the wandering man breaks this rule, he quickly learns why it is a rule in the first place.

Written, directed by, and starring Owen Conway (Eminence Hill), the movie also features Robert Sprayberry (Perception), Eva Hamilton (The Black Mass), Becky Jo Harris (Spiked), and Nathaniel Burns (Krampus: The Reckoning).

This movie was a frustrating watch. This had some potential in its writing and a standout performance from Robert Sprayberry. His character is ruthlessly entertaining and had me laughing throughout the film. The dialogue is well-written and effectively delivered. The female characters in the movie are gorgeous. Unfortunately, Owen Conway's character was frustrating, and the horror elements fell flat. The makeup used to create the ghosts was mediocre, and as the storyline shifted from a western to a haunting, the special effects failed to make the transition. The ending twist didn't have the impact it should have achieved with better execution.

In summary, Ghost Town's unique western/horror misses the mark. I would rate it 3/10 and recommend skipping it.

This is a good film for a sleepless night. I found it on Amazon Prime at 2 AM today. It held my attention for the duration. Yes, it's low-budget, and yes, it's indie horror. I give it grades of A on both accounts. It defies noir conventions in nice ways, which kept me guessing even when I knew where the story was going. The acting and writing are actually good for this kind of film. The horror aspects are refreshingly creepy. No, it isn't going to keep you on the edge of your seat or make you scream. It's not that kind of ride. It will make your skin crawl and leave you questioning the value of human existence and pretty sure that most religion is malarky. It is worth seeing, and I for one will keep an eye on Owen Conway. He's got something here that is different enough from standard-fare indie horror to promise future good films, at least for insomniacs.