A Mulher no Lago

It falls apart fast especially with all the dream sequences. Almost nonsensical by the end. The basic story would have worked fine as a straight mystery without all the additional fantastical elements and the weak social commentary. I know I'm supposed to admire both of those things and the crazy production design but it just does not work. I battled my way to the end of each episode and went on to the next just because I'm a completist and I do like Portman in most of her films. I cant recommend this series and I'm surprised at the range of reviews and ratings for the series here. To each his own.

Review posted after watching episode 4.

Hard to understand the low reviews some people are posting - ignore them. I'm finding this to be an engaging and interesting story. I've been a fan of Natalie Portman since Leon: The Professional. Her performance here is one of her most nuanced and complete characters. The entire cast is really good, especially Moses Ingram and Y'lan Noel, who I haven't seen before, and Wood Harris who seems to be everywhere recently.

Still a long way to go in the series, but I'm enjoying Lady in The Lake and think it's worth a watch. Give it a couple of episodes, however, before forming an opinion. It started coming together for me during episode 2. I certainly feel that even after 4 episodes one cannot honestly make a final assessment of the show. However, I really want to see more of this story.

As with other Apple TV shows the production values are top notch. I am old enough to remember the 1960's and the depiction of the era jibes with my memories.s

I have not read the book the series is based on, so I cannot comment about how it follows the book.

It's 1966 Thanksgiving in Baltimore. A little Jewish girl gets taken by Santa Claus. Maddie Schwartz (Natalie Portman) has a connection to the girl and has a passing encounter with Cleo Johnson (Moses Ingram). Both women are mothers and struggling with the men in their lives. Both are downtrodden in different ways. Maddie leaves her husband and goes searching for the little girl. Cleo Johnson (Moses Ingram) is the narrator trying to survive her corrupt boss who runs the numbers and a savvy politician looking to clean up the corruption.

This limited series starts with a problem. I don't always like narrations and this one promises something. It's Cleo Johnson talking. She claims that Maddie comes in to write about her but doesn't actually know her life while she's alive. With that opening, I expect Cleo to be dead by the first episode. Instead, it's another character and let's not talk about the twist. Basically, it promises one thing and does a switch or two switches. I actually like the style and the story until the ending. This show has some good elements like Natalie Portman, but it keeps on dropping the ball.

I've watched like everything, and I mean everything, available streaming lately. This is so well done! I don't understand why people have an issue with it or can't see how well done it is. It's situations like this where I don't ever know whether I can actually believe reviews. Perhaps the intelligent writing a nuance are too much for simpler minds. Definitely add this to your watch list. Natalie Portman is amazing as are Moses Ingram and Mikey Madison (haven't seen her since the AMAZING "Better Things as Pamela Adelon's eldest daughter - her acting is so well done I had no idea for the first couple of episodes it was even her).

The whole cast is amazing and this is seriously one of the best shows I've seen recently. I can't believe that people are saying it's a "snoozer" or not well done. The only thing I'm mad about is that I stumbled upon it before all the episodes were out because I can't deal with not being able to see all of it at once!

Drama and story-telling for grown-ups.

I can see why some people don't like this. It's not conventional and simple story-telling. The two main characters, Cleo Johnson and Maddie Schwartz are deeply flawed people. Schwartz especially so, as she is quite unsympathetic and unlikeable. Johnson's story is that of a smart person who can't stop making bad choices. I find all this refreshing and relatable. It's so much more like real life. If you're bored with it, good for you - go back to your Marvel movies or 'Emily in Paris'.

I also get to play one of my favorite TV and movie games - spot the twist in advance. I know there's one or two big ones here, but by episode three they aren't revealed, so it's fun to try and guess. Maddie Schwartz was suspiciously quick in finding a murder victim in a very remote location; something tells me that will have a bearing on things.

Kudos also to Jennifer Mogbock in episode 1. Her character is forced to sing on stage while severely intoxicated and manages to turn it into something strange and beautiful. Actually 'strange and beautiful' sums up the best about this show when it's hitting its high notes.