The Lazarus Project

Starts out as a fairly straightforward time-travel romp and slowly unpeels its characters to become an intense, brilliantly written and acted story of good people twisted and broken by the burden of a world saving power.

This is a really good and original show.

I binged through it and enjoyed every episode.

I really hope they make a second series.

I've no idea why people are giving this bad reviews.

It really is one of the best shows on Sky in a long time.

Give it a go.

You won't be disappointed.

'The Lazarus Project', a group of secret government agents tasked with stopping extinction-level events in the world, recruit their newest member - an app developer named George (Paapa Essiedu). Using a type of serum, average humans, such as the leader, Wes (Caroline Quentin), and fellow agent, Archie (Anjli Mohindra), can recall "Time Loops" - a cosmic event that resets the universe back to July 1st. Upon reset, those who have taken the serum, and certain mutants, like George, can remember everything prior to the reset.

Without giving too much away on an episode-by-episode basis, this show is quite entertaining to watch! The special effects, acting, writing, and flow are all very well done. There are some open plot holes that I hope will be addressed in the following season(s), but overall, a fresh idea on time travel!

Worth a watch!

Now, firstly if this doesn't get a second series I am going to find the person who decided to leave it on a cliffhanger and words of a deeply personal nature will be shared.

Secondly and more importantly it's fabulous. Starts off as a serialised version of Timecop and by episode three you realise it's a very different kettle of fish.

What would you do if everything that's happened since the 1st of July was erased? Everyone born or conceived winks out of existence, everyone who died comes back. How many going in which direction would make you want to press the button that does it?

Think you have answers? You don't, you REALLY don't and what makes this show so great is that it doesn't either.

That's not to say there are arbitrary decisions but you get to feel your way through intensely muddy waters with each of the well rounded characters. The writing is superb, the internal logic holds together and it could very easily go off the rails but some bright mind sat there and built a set of rules and stuck to them.

With this level of writing it would be a shame if the acting was mediocre which has been known to happen when studios get their acting talent based on the number of Instagram followers rather than ability. I don't imagine they blew the budget on their cast because although you'll recognise people they're not household names, they're just really good.

It's hard to go deeper into the story without launching into major spoilers but the paragraph above covers it nicely. You get to follow the newest person on a team having to deal with those concepts and navigate the absolute mind (synonym for sex) that comes with a Matrix level reality check.

I loved it, some people (idiots) won't get it, they'll complain that it's confusing or complicated while telling you Reservoir Dogs is their favourite film and despite it actually involving time travel it's not as hard to follow across 8 episodes as that film was in 80 minutes.

If you like intelligent, thought provoking dramas then you'll like this, if Made In Chelsea is your idea of culture then leave it alone.

I'm going to make this very short.

Sadly today younger people don't want anything that takes concentration to watch. The reason for this is they want to watch their phones while watching the show. You'll get lost if you do that with a good, intelligent show. So these people stopped watching it because it was too difficult for them to spend time on social media etc. And keep up with what was going on in the show.

That's the way the works us right now so you just have to expect that if you fund a great show you can accept it isn't going to last long. You just have to remember that.

And this was an excellent show.